The Project Gutenberg EBook of The King in Yellow, by Robert W. Chambers

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The King in Yellow

Author: Robert W. Chambers

Posting Date: September 10, 2012 [EBook #8492]
Release Date: July, 2005
First Posted: July 16, 2003

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE KING IN YELLOW ***




Produced by Suzanne Shell, Beth Trapaga, Charles Franks,
and the Online Distributed Proofreading Team











THE KING IN YELLOW

BY

ROBERT W. CHAMBERS






Original publication date: 1895


THE KING IN YELLOW
IS DEDICATED
TO
MY BROTHER

  Along the shore the cloud waves break,
  The twin suns sink beneath the lake,
  The shadows lengthen
      In Carcosa.

  Strange is the night where black stars rise,
  And strange moons circle through the skies
  But stranger still is
      Lost Carcosa.

  Songs that the Hyades shall sing,
  Where flap the tatters of the King,
  Must die unheard in
      Dim Carcosa.

  Song of my soul, my voice is dead;
  Die thou, unsung, as tears unshed
  Shall dry and die in
      Lost Carcosa.

Cassilda's Song in "The King in Yellow," Act i, Scene 2.




THE REPAIRER OF REPUTATIONS


I

"Ne raillons pas les fous; leur folie dure plus longtemps que
la nôtre.... Voila toute la différence."

Toward the end of the year 1920 the Government of the United States had
practically completed the programme, adopted during the last months of
President Winthrop's administration. The country was apparently tranquil.
Everybody knows how the Tariff and Labour questions were settled. The war
with Germany, incident on that country's seizure of the Samoan Islands,
had left no visible scars upon the republic, and the temporary occupation
of Norfolk by the invading army had been forgotten in the joy over
repeated naval victories, and the subsequent ridiculous plight of General
Von Gartenlaube's forces in the State of New Jersey. The Cuban and
Hawaiian investments had paid one hundred per cent and the territory of
Samoa was well worth its cost as a coaling station. The country was in a
superb state of defence. Every coast city had been well supplied with land
fortifications; the army under the parental eye of the General Staff,
organized according to the Prussian system, had been increased to 300,000
men, with a territorial reserve of a million; and six magnificent
squadrons of cruisers and battle-ships patrolled the six stations of the
navigable seas, leaving a steam reserve amply fitted to control home
waters. The gentlemen from the West had at last been constrained to
acknowledge that a college for the training of diplomats was as necessary
as law schools are for the training of barristers; consequently we were no
longer represented abroad by incompetent patriots. The nation was
prosperous; Chicago, for a moment paralyzed after a second great fire, had
risen from its ruins, white and imperial, and more beautiful than the white
city which had been built for its plaything in 1893. Everywhere good
architecture was replacing bad, and even in New York, a sudden craving for
decency had swept away a great portion of the existing horrors. Streets
had been widened, properly paved and lighted, trees had been planted,
squares laid out, elevated structures demolished and underground roads
built to replace them. The new government buildings and barracks were fine
bits of architecture, and the long system of stone quays which completely
surrounded the island had been turned into parks which proved a god-send
to the population. The subsidizing of the state theatre and state opera
brought its own reward. The United States National Academy of Design was
much like European institutions of the same kind. Nobody envied the
Secretary of Fine Arts, either his cabinet position or his portfolio. The
Secretary of Forestry and Game Preservation had a much easier time, thanks
to the new system of National Mounted Police. We had profited well by the
latest treaties with France and England; the exclusion of foreign-born
Jews as a measure of self-preservation, the settlement of the new
independent negro state of Suanee, the checking of immigration, the new
laws concerning naturalization, and the gradual centralization of power in
the executive all contributed to national calm and prosperity. When the
Government solved the Indian problem and squadrons of Indian cavalry
scouts in native costume were substituted for the pitiable organizations
tacked on to the tail of skeletonized regiments by a former Secretary of
War, the nation drew a long sigh of relief. When, after the colossal
Congress of Religions, bigotry and intolerance were laid in their graves
and kindness and charity began to draw warring sects together, many
thought the millennium had arrived, at least in the new world which after
all is a world by itself.

But self-preservation is the first law, and the United States had to look
on in helpless sorrow as Germany, Italy, Spain and Belgium writhed in the
throes of Anarchy, while Russia, watching from the Caucasus, stooped and
bound them one by one.

In the city of New York the summer of 1899 was signalized by the
dismantling of the Elevated Railroads. The summer of 1900 will live in
the memories of New York people for many a cycle; the Dodge Statue was
removed in that year. In the following winter began that agitation for
the repeal of the laws prohibiting suicide which bore its final fruit in
the month of April, 1920, when the first Government Lethal Chamber was
opened on Washington Square.

I had walked down that day from Dr. Archer's house on Madison Avenue,
where I had been as a mere formality. Ever since that fall from my horse,
four years before, I had been troubled at times with pains in the back of
my head and neck, but now for months they had been absent, and the doctor
sent me away that day saying there was nothing more to be cured in me. It
was hardly worth his fee to be told that; I knew it myself. Still I did
not grudge him the money. What I minded was the mistake which he made at
first. When they picked me up from the pavement where I lay unconscious,
and somebody had mercifully sent a bullet through my horse's head, I was
carried to Dr. Archer, and he, pronouncing my brain affected, placed me
in his private asylum where I was obliged to endure treatment for
insanity. At last he decided that I was well, and I, knowing that my mind
had always been as sound as his, if not sounder, "paid my tuition" as he
jokingly called it, and left. I told him, smiling, that I would get even
with him for his mistake, and he laughed heartily, and asked me to call
once in a while. I did so, hoping for a chance to even up accounts, but
he gave me none, and I told him I would wait.

The fall from my horse had fortunately left no evil results; on the
contrary it had changed my whole character for the better. From a lazy
young man about town, I had become active, energetic, temperate, and
above all--oh, above all else--ambitious. There was only one thing which
troubled me, I laughed at my own uneasiness, and yet it troubled me.

During my convalescence I had bought and read for the first time, _The
King in Yellow_. I remember after finishing the first act that it
occurred to me that I had better stop. I started up and flung the book
into the fireplace; the volume struck the barred grate and fell open on
the hearth in the firelight. If I had not caught a glimpse of the opening
words in the second act I should never have finished it, but as I stooped
to pick it up, my eyes became riveted to the open page, and with a cry of
terror, or perhaps it was of joy so poignant that I suffered in every
nerve, I snatched the thing out of the coals and crept shaking to my
bedroom, where I read it and reread it, and wept and laughed and trembled
with a horror which at times assails me yet. This is the thing that
troubles me, for I cannot forget Carcosa where black stars hang in the
heavens; where the shadows of men's thoughts lengthen in the afternoon,
when the twin suns sink into the lake of Hali; and my mind will bear for
ever the memory of the Pallid Mask. I pray God will curse the writer, as
the writer has cursed the world with this beautiful, stupendous creation,
terrible in its simplicity, irresistible in its truth--a world which now
trembles before the King in Yellow. When the French Government seized the
translated copies which had just arrived in Paris, London, of course,
became eager to read it. It is well known how the book spread like an
infectious disease, from city to city, from continent to continent,
barred out here, confiscated there, denounced by Press and pulpit,
censured even by the most advanced of literary anarchists. No definite
principles had been violated in those wicked pages, no doctrine
promulgated, no convictions outraged. It could not be judged by any known
standard, yet, although it was acknowledged that the supreme note of art
had been struck in _The King in Yellow_, all felt that human nature
could not bear the strain, nor thrive on words in which the essence of
purest poison lurked. The very banality and innocence of the first act
only allowed the blow to fall afterward with more awful effect.

It was, I remember, the 13th day of April, 1920, that the first
Government Lethal Chamber was established on the south side of Washington
Square, between Wooster Street and South Fifth Avenue. The block which
had formerly consisted of a lot of shabby old buildings, used as cafés
and restaurants for foreigners, had been acquired by the Government in
the winter of 1898. The French and Italian cafés and restaurants were
torn down; the whole block was enclosed by a gilded iron railing, and
converted into a lovely garden with lawns, flowers and fountains. In the
centre of the garden stood a small, white building, severely classical in
architecture, and surrounded by thickets of flowers. Six Ionic columns
supported the roof, and the single door was of bronze. A splendid marble
group of the "Fates" stood before the door, the work of a young American
sculptor, Boris Yvain, who had died in Paris when only twenty-three years
old.

The inauguration ceremonies were in progress as I crossed University
Place and entered the square. I threaded my way through the silent throng
of spectators, but was stopped at Fourth Street by a cordon of police. A
regiment of United States lancers were drawn up in a hollow square round
the Lethal Chamber. On a raised tribune facing Washington Park stood the
Governor of New York, and behind him were grouped the Mayor of New
York and Brooklyn, the Inspector-General of Police, the Commandant of
the state troops, Colonel Livingston, military aid to the President of the
United States, General Blount, commanding at Governor's Island,
Major-General Hamilton, commanding the garrison of New York and Brooklyn,
Admiral Buffby of the fleet in the North River, Surgeon-General
Lanceford, the staff of the National Free Hospital, Senators Wyse and
Franklin of New York, and the Commissioner of Public Works. The tribune
was surrounded by a squadron of hussars of the National Guard.

The Governor was finishing his reply to the short speech of the
Surgeon-General. I heard him say: "The laws prohibiting suicide and
providing punishment for any attempt at self-destruction have been
repealed. The Government has seen fit to acknowledge the right of man to
end an existence which may have become intolerable to him, through
physical suffering or mental despair. It is believed that the community
will be benefited by the removal of such people from their midst. Since
the passage of this law, the number of suicides in the United States has
not increased. Now the Government has determined to establish a Lethal
Chamber in every city, town and village in the country, it remains to be
seen whether or not that class of human creatures from whose desponding
ranks new victims of self-destruction fall daily will accept the relief
thus provided." He paused, and turned to the white Lethal Chamber. The
silence in the street was absolute. "There a painless death awaits him
who can no longer bear the sorrows of this life. If death is welcome let
him seek it there." Then quickly turning to the military aid of the
President's household, he said, "I declare the Lethal Chamber open," and
again facing the vast crowd he cried in a clear voice: "Citizens of New
York and of the United States of America, through me the Government
declares the Lethal Chamber to be open."

The solemn hush was broken by a sharp cry of command, the squadron of
hussars filed after the Governor's carriage, the lancers wheeled and
formed along Fifth Avenue to wait for the commandant of the garrison, and
the mounted police followed them. I left the crowd to gape and stare at
the white marble Death Chamber, and, crossing South Fifth Avenue, walked
along the western side of that thoroughfare to Bleecker Street. Then I
turned to the right and stopped before a dingy shop which bore the sign:

HAWBERK, ARMOURER.

I glanced in at the doorway and saw Hawberk busy in his little shop at
the end of the hall. He looked up, and catching sight of me cried in his
deep, hearty voice, "Come in, Mr. Castaigne!" Constance, his daughter,
rose to meet me as I crossed the threshold, and held out her pretty
hand, but I saw the blush of disappointment on her cheeks, and knew
that it was another Castaigne she had expected, my cousin Louis. I
smiled at her confusion and complimented her on the banner she was
embroidering from a coloured plate. Old Hawberk sat riveting the worn
greaves of some ancient suit of armour, and the ting! ting! ting! of his
little hammer sounded pleasantly in the quaint shop. Presently he
dropped his hammer, and fussed about for a moment with a tiny wrench.
The soft clash of the mail sent a thrill of pleasure through me. I
loved to hear the music of steel brushing against steel, the mellow
shock of the mallet on thigh pieces, and the jingle of chain armour.
That was the only reason I went to see Hawberk. He had never interested
me personally, nor did Constance, except for the fact of her being in
love with Louis. This did occupy my attention, and sometimes even kept
me awake at night. But I knew in my heart that all would come right,
and that I should arrange their future as I expected to arrange that of
my kind doctor, John Archer. However, I should never have troubled
myself about visiting them just then, had it not been, as I say, that
the music of the tinkling hammer had for me this strong fascination. I
would sit for hours, listening and listening, and when a stray sunbeam
struck the inlaid steel, the sensation it gave me was almost too keen
to endure. My eyes would become fixed, dilating with a pleasure that
stretched every nerve almost to breaking, until some movement of the
old armourer cut off the ray of sunlight, then, still thrilling
secretly, I leaned back and listened again to the sound of the
polishing rag, swish! swish! rubbing rust from the rivets.

Constance worked with the embroidery over her knees, now and then pausing
to examine more closely the pattern in the coloured plate from the
Metropolitan Museum.

"Who is this for?" I asked.

Hawberk explained, that in addition to the treasures of armour in the
Metropolitan Museum of which he had been appointed armourer, he also
had charge of several collections belonging to rich amateurs. This was the
missing greave of a famous suit which a client of his had traced to a
little shop in Paris on the Quai d'Orsay. He, Hawberk, had negotiated for
and secured the greave, and now the suit was complete. He laid down his
hammer and read me the history of the suit, traced since 1450 from owner
to owner until it was acquired by Thomas Stainbridge. When his superb
collection was sold, this client of Hawberk's bought the suit, and since
then the search for the missing greave had been pushed until it was,
almost by accident, located in Paris.

"Did you continue the search so persistently without any certainty of the
greave being still in existence?" I demanded.

"Of course," he replied coolly.

Then for the first time I took a personal interest in Hawberk.

"It was worth something to you," I ventured.

"No," he replied, laughing, "my pleasure in finding it was my reward."

"Have you no ambition to be rich?" I asked, smiling.

"My one ambition is to be the best armourer in the world," he answered
gravely.

Constance asked me if I had seen the ceremonies at the Lethal Chamber.
She herself had noticed cavalry passing up Broadway that morning, and had
wished to see the inauguration, but her father wanted the banner
finished, and she had stayed at his request.

"Did you see your cousin, Mr. Castaigne, there?" she asked, with the
slightest tremor of her soft eyelashes.

"No," I replied carelessly. "Louis' regiment is manoeuvring out in
Westchester County." I rose and picked up my hat and cane.

"Are you going upstairs to see the lunatic again?" laughed old Hawberk.
If Hawberk knew how I loathe that word "lunatic," he would never use it
in my presence. It rouses certain feelings within me which I do not care
to explain. However, I answered him quietly: "I think I shall drop in and
see Mr. Wilde for a moment or two."

"Poor fellow," said Constance, with a shake of the head, "it must be hard
to live alone year after year poor, crippled and almost demented. It is
very good of you, Mr. Castaigne, to visit him as often as you do."

"I think he is vicious," observed Hawberk, beginning again with his
hammer. I listened to the golden tinkle on the greave plates; when he had
finished I replied:

"No, he is not vicious, nor is he in the least demented. His mind is a
wonder chamber, from which he can extract treasures that you and I would
give years of our life to acquire."'

Hawberk laughed.

I continued a little impatiently: "He knows history as no one else could
know it. Nothing, however trivial, escapes his search, and his memory is
so absolute, so precise in details, that were it known in New York that
such a man existed, the people could not honour him enough."

"Nonsense," muttered Hawberk, searching on the floor for a fallen rivet.

"Is it nonsense," I asked, managing to suppress what I felt, "is it
nonsense when he says that the tassets and cuissards of the enamelled
suit of armour commonly known as the 'Prince's Emblazoned' can be found
among a mass of rusty theatrical properties, broken stoves and
ragpicker's refuse in a garret in Pell Street?"

Hawberk's hammer fell to the ground, but he picked it up and asked, with
a great deal of calm, how I knew that the tassets and left cuissard were
missing from the "Prince's Emblazoned."

"I did not know until Mr. Wilde mentioned it to me the other day. He said
they were in the garret of 998 Pell Street."

"Nonsense," he cried, but I noticed his hand trembling under his leathern
apron.

"Is this nonsense too?" I asked pleasantly, "is it nonsense when Mr.
Wilde continually speaks of you as the Marquis of Avonshire and of Miss
Constance--"

I did not finish, for Constance had started to her feet with terror
written on every feature. Hawberk looked at me and slowly smoothed his
leathern apron.

"That is impossible," he observed, "Mr. Wilde may know a great many
things--"

"About armour, for instance, and the 'Prince's Emblazoned,'" I
interposed, smiling.

"Yes," he continued, slowly, "about armour also--may be--but he is wrong
in regard to the Marquis of Avonshire, who, as you know, killed his
wife's traducer years ago, and went to Australia where he did not long
survive his wife."

"Mr. Wilde is wrong," murmured Constance. Her lips were blanched, but her
voice was sweet and calm.

"Let us agree, if you please, that in this one circumstance Mr. Wilde is
wrong," I said.




II

I climbed the three dilapidated flights of stairs, which I had so often
climbed before, and knocked at a small door at the end of the corridor.
Mr. Wilde opened the door and I walked in.

When he had double-locked the door and pushed a heavy chest against it,
he came and sat down beside me, peering up into my face with his little
light-coloured eyes. Half a dozen new scratches covered his nose and
cheeks, and the silver wires which supported his artificial ears had
become displaced. I thought I had never seen him so hideously
fascinating. He had no ears. The artificial ones, which now stood out at
an angle from the fine wire, were his one weakness. They were made of wax
and painted a shell pink, but the rest of his face was yellow. He might
better have revelled in the luxury of some artificial fingers for his
left hand, which was absolutely fingerless, but it seemed to cause him no
inconvenience, and he was satisfied with his wax ears. He was very small,
scarcely higher than a child of ten, but his arms were magnificently
developed, and his thighs as thick as any athlete's. Still, the most
remarkable thing about Mr. Wilde was that a man of his marvellous
intelligence and knowledge should have such a head. It was flat and
pointed, like the heads of many of those unfortunates whom people
imprison in asylums for the weak-minded. Many called him insane, but I
knew him to be as sane as I was.

I do not deny that he was eccentric; the mania he had for keeping that
cat and teasing her until she flew at his face like a demon, was
certainly eccentric. I never could understand why he kept the creature,
nor what pleasure he found in shutting himself up in his room with this
surly, vicious beast. I remember once, glancing up from the manuscript I
was studying by the light of some tallow dips, and seeing Mr. Wilde
squatting motionless on his high chair, his eyes fairly blazing with
excitement, while the cat, which had risen from her place before the
stove, came creeping across the floor right at him. Before I could move
she flattened her belly to the ground, crouched, trembled, and sprang
into his face. Howling and foaming they rolled over and over on the
floor, scratching and clawing, until the cat screamed and fled under the
cabinet, and Mr. Wilde turned over on his back, his limbs contracting and
curling up like the legs of a dying spider. He _was_ eccentric.

Mr. Wilde had climbed into his high chair, and, after studying my face,
picked up a dog's-eared ledger and opened it.

"Henry B. Matthews," he read, "book-keeper with Whysot Whysot and
Company, dealers in church ornaments. Called April 3rd. Reputation
damaged on the race-track. Known as a welcher. Reputation to be repaired
by August 1st. Retainer Five Dollars." He turned the page and ran his
fingerless knuckles down the closely-written columns.

"P. Greene Dusenberry, Minister of the Gospel, Fairbeach, New Jersey.
Reputation damaged in the Bowery. To be repaired as soon as possible.
Retainer $100."

He coughed and added, "Called, April 6th."

"Then you are not in need of money, Mr. Wilde," I inquired.

"Listen," he coughed again.

"Mrs. C. Hamilton Chester, of Chester Park, New York City. Called April
7th. Reputation damaged at Dieppe, France. To be repaired by October 1st
Retainer $500.

"Note.--C. Hamilton Chester, Captain U.S.S. 'Avalanche', ordered home
from South Sea Squadron October 1st."

"Well," I said, "the profession of a Repairer of Reputations is
lucrative."

His colourless eyes sought mine, "I only wanted to demonstrate that I
was correct. You said it was impossible to succeed as a Repairer of
Reputations; that even if I did succeed in certain cases it would cost
me more than I would gain by it. To-day I have five hundred men in my
employ, who are poorly paid, but who pursue the work with an enthusiasm
which possibly may be born of fear. These men enter every shade and grade
of society; some even are pillars of the most exclusive social temples;
others are the prop and pride of the financial world; still others, hold
undisputed sway among the 'Fancy and the Talent.' I choose them at my
leisure from those who reply to my advertisements. It is easy enough,
they are all cowards. I could treble the number in twenty days if I
wished. So you see, those who have in their keeping the reputations of
their fellow-citizens, I have in my pay."

"They may turn on you," I suggested.

He rubbed his thumb over his cropped ears, and adjusted the wax
substitutes. "I think not," he murmured thoughtfully, "I seldom have to
apply the whip, and then only once. Besides they like their wages."

"How do you apply the whip?" I demanded.

His face for a moment was awful to look upon. His eyes dwindled to a pair
of green sparks.

"I invite them to come and have a little chat with me," he said in a soft
voice.

A knock at the door interrupted him, and his face resumed its amiable
expression.

"Who is it?" he inquired.

"Mr. Steylette," was the answer.

"Come to-morrow," replied Mr. Wilde.

"Impossible," began the other, but was silenced by a sort of bark from
Mr. Wilde.

"Come to-morrow," he repeated.

We heard somebody move away from the door and turn the corner by the
stairway.

"Who is that?" I asked.

"Arnold Steylette, Owner and Editor in Chief of the great New York
daily."

He drummed on the ledger with his fingerless hand adding: "I pay him very
badly, but he thinks it a good bargain."

"Arnold Steylette!" I repeated amazed.

"Yes," said Mr. Wilde, with a self-satisfied cough.

The cat, which had entered the room as he spoke, hesitated, looked up at
him and snarled. He climbed down from the chair and squatting on the
floor, took the creature into his arms and caressed her. The cat ceased
snarling and presently began a loud purring which seemed to increase in
timbre as he stroked her. "Where are the notes?" I asked. He pointed to
the table, and for the hundredth time I picked up the bundle of
manuscript entitled--

"THE IMPERIAL DYNASTY OF AMERICA."

One by one I studied the well-worn pages, worn only by my own handling,
and although I knew all by heart, from the beginning, "When from Carcosa,
the Hyades, Hastur, and Aldebaran," to "Castaigne, Louis de Calvados,
born December 19th, 1877," I read it with an eager, rapt attention,
pausing to repeat parts of it aloud, and dwelling especially on "Hildred
de Calvados, only son of Hildred Castaigne and Edythe Landes Castaigne,
first in succession," etc., etc.

When I finished, Mr. Wilde nodded and coughed.

"Speaking of your legitimate ambition," he said, "how do Constance and
Louis get along?"

"She loves him," I replied simply.

The cat on his knee suddenly turned and struck at his eyes, and he flung
her off and climbed on to the chair opposite me.

"And Dr. Archer! But that's a matter you can settle any time you wish,"
he added.

"Yes," I replied, "Dr. Archer can wait, but it is time I saw my cousin
Louis."

"It is time," he repeated. Then he took another ledger from the table and
ran over the leaves rapidly. "We are now in communication with ten
thousand men," he muttered. "We can count on one hundred thousand within
the first twenty-eight hours, and in forty-eight hours the state will
rise _en masse_. The country follows the state, and the portion that
will not, I mean California and the Northwest, might better never have
been inhabited. I shall not send them the Yellow Sign."

The blood rushed to my head, but I only answered, "A new broom sweeps
clean."

"The ambition of Caesar and of Napoleon pales before that which could not
rest until it had seized the minds of men and controlled even their
unborn thoughts," said Mr. Wilde.

"You are speaking of the King in Yellow," I groaned, with a shudder.

"He is a king whom emperors have served."

"I am content to serve him," I replied.

Mr. Wilde sat rubbing his ears with his crippled hand. "Perhaps Constance
does not love him," he suggested.

I started to reply, but a sudden burst of military music from the street
below drowned my voice. The twentieth dragoon regiment, formerly in
garrison at Mount St. Vincent, was returning from the manoeuvres in
Westchester County, to its new barracks on East Washington Square. It was
my cousin's regiment. They were a fine lot of fellows, in their pale
blue, tight-fitting jackets, jaunty busbys and white riding breeches with
the double yellow stripe, into which their limbs seemed moulded. Every
other squadron was armed with lances, from the metal points of which
fluttered yellow and white pennons. The band passed, playing the
regimental march, then came the colonel and staff, the horses crowding
and trampling, while their heads bobbed in unison, and the pennons
fluttered from their lance points. The troopers, who rode with the
beautiful English seat, looked brown as berries from their bloodless
campaign among the farms of Westchester, and the music of their sabres
against the stirrups, and the jingle of spurs and carbines was delightful
to me. I saw Louis riding with his squadron. He was as handsome an
officer as I have ever seen. Mr. Wilde, who had mounted a chair by the
window, saw him too, but said nothing. Louis turned and looked straight
at Hawberk's shop as he passed, and I could see the flush on his brown
cheeks. I think Constance must have been at the window. When the last
troopers had clattered by, and the last pennons vanished into South Fifth
Avenue, Mr. Wilde clambered out of his chair and dragged the chest away
from the door.

"Yes," he said, "it is time that you saw your cousin Louis."

He unlocked the door and I picked up my hat and stick and stepped into
the corridor. The stairs were dark. Groping about, I set my foot on
something soft, which snarled and spit, and I aimed a murderous blow at
the cat, but my cane shivered to splinters against the balustrade, and
the beast scurried back into Mr. Wilde's room.

Passing Hawberk's door again I saw him still at work on the armour, but
I did not stop, and stepping out into Bleecker Street, I followed it to
Wooster, skirted the grounds of the Lethal Chamber, and crossing
Washington Park went straight to my rooms in the Benedick. Here I lunched
comfortably, read the _Herald_ and the _Meteor_, and finally went
to the steel safe in my bedroom and set the time combination. The
three and three-quarter minutes which it is necessary to wait, while the
time lock is opening, are to me golden moments. From the instant I set
the combination to the moment when I grasp the knobs and swing back
the solid steel doors, I live in an ecstasy of expectation. Those moments
must be like moments passed in Paradise. I know what I am to find at
the end of the time limit. I know what the massive safe holds secure for
me, for me alone, and the exquisite pleasure of waiting is hardly enhanced
when the safe opens and I lift, from its velvet crown, a diadem of purest
gold, blazing with diamonds. I do this every day, and yet the joy of
waiting and at last touching again the diadem, only seems to increase as
the days pass. It is a diadem fit for a King among kings, an Emperor
among emperors. The King in Yellow might scorn it, but it shall be worn
by his royal servant.

I held it in my arms until the alarm in the safe rang harshly, and then
tenderly, proudly, I replaced it and shut the steel doors. I walked
slowly back into my study, which faces Washington Square, and leaned on
the window sill. The afternoon sun poured into my windows, and a gentle
breeze stirred the branches of the elms and maples in the park, now
covered with buds and tender foliage. A flock of pigeons circled about
the tower of the Memorial Church; sometimes alighting on the purple tiled
roof, sometimes wheeling downward to the lotos fountain in front of the
marble arch. The gardeners were busy with the flower beds around the
fountain, and the freshly turned earth smelled sweet and spicy. A lawn
mower, drawn by a fat white horse, clinked across the green sward, and
watering-carts poured showers of spray over the asphalt drives. Around
the statue of Peter Stuyvesant, which in 1897 had replaced the
monstrosity supposed to represent Garibaldi, children played in the
spring sunshine, and nurse girls wheeled elaborate baby carriages with a
reckless disregard for the pasty-faced occupants, which could probably be
explained by the presence of half a dozen trim dragoon troopers languidly
lolling on the benches. Through the trees, the Washington Memorial Arch
glistened like silver in the sunshine, and beyond, on the eastern
extremity of the square the grey stone barracks of the dragoons, and the
white granite artillery stables were alive with colour and motion.

I looked at the Lethal Chamber on the corner of the square opposite. A
few curious people still lingered about the gilded iron railing, but
inside the grounds the paths were deserted. I watched the fountains
ripple and sparkle; the sparrows had already found this new bathing nook,
and the basins were covered with the dusty-feathered little things. Two
or three white peacocks picked their way across the lawns, and a drab
coloured pigeon sat so motionless on the arm of one of the "Fates," that
it seemed to be a part of the sculptured stone.

As I was turning carelessly away, a slight commotion in the group of
curious loiterers around the gates attracted my attention. A young man
had entered, and was advancing with nervous strides along the gravel path
which leads to the bronze doors of the Lethal Chamber. He paused a moment
before the "Fates," and as he raised his head to those three mysterious
faces, the pigeon rose from its sculptured perch, circled about for a
moment and wheeled to the east. The young man pressed his hand to his
face, and then with an undefinable gesture sprang up the marble steps,
the bronze doors closed behind him, and half an hour later the loiterers
slouched away, and the frightened pigeon returned to its perch in the
arms of Fate.

I put on my hat and went out into the park for a little walk before
dinner. As I crossed the central driveway a group of officers passed, and
one of them called out, "Hello, Hildred," and came back to shake hands
with me. It was my cousin Louis, who stood smiling and tapping his
spurred heels with his riding-whip.

"Just back from Westchester," he said; "been doing the bucolic; milk and
curds, you know, dairy-maids in sunbonnets, who say 'haeow' and 'I don't
think' when you tell them they are pretty. I'm nearly dead for a square
meal at Delmonico's. What's the news?"

"There is none," I replied pleasantly. "I saw your regiment coming in this
morning."

"Did you? I didn't see you. Where were you?"

"In Mr. Wilde's window."

"Oh, hell!" he began impatiently, "that man is stark mad! I don't
understand why you--"

He saw how annoyed I felt by this outburst, and begged my pardon.

"Really, old chap," he said, "I don't mean to run down a man you like,
but for the life of me I can't see what the deuce you find in common with
Mr. Wilde. He's not well bred, to put it generously; he is hideously
deformed; his head is the head of a criminally insane person. You know
yourself he's been in an asylum--"

"So have I," I interrupted calmly.

Louis looked startled and confused for a moment, but recovered and
slapped me heartily on the shoulder. "You were completely cured," he
began; but I stopped him again.

"I suppose you mean that I was simply acknowledged never to have been
insane."

"Of course that--that's what I meant," he laughed.

I disliked his laugh because I knew it was forced, but I nodded gaily and
asked him where he was going. Louis looked after his brother officers who
had now almost reached Broadway.

"We had intended to sample a Brunswick cocktail, but to tell you the
truth I was anxious for an excuse to go and see Hawberk instead. Come
along, I'll make you my excuse."

We found old Hawberk, neatly attired in a fresh spring suit, standing at
the door of his shop and sniffing the air.

"I had just decided to take Constance for a little stroll before dinner,"
he replied to the impetuous volley of questions from Louis. "We thought
of walking on the park terrace along the North River."

At that moment Constance appeared and grew pale and rosy by turns as
Louis bent over her small gloved fingers. I tried to excuse myself,
alleging an engagement uptown, but Louis and Constance would not listen,
and I saw I was expected to remain and engage old Hawberk's attention.
After all it would be just as well if I kept my eye on Louis, I thought,
and when they hailed a Spring Street horse-car, I got in after them and
took my seat beside the armourer.

The beautiful line of parks and granite terraces overlooking the wharves
along the North River, which were built in 1910 and finished in the
autumn of 1917, had become one of the most popular promenades in the
metropolis. They extended from the battery to 190th Street, overlooking
the noble river and affording a fine view of the Jersey shore and the
Highlands opposite. Cafés and restaurants were scattered here and there
among the trees, and twice a week military bands from the garrison played
in the kiosques on the parapets.

We sat down in the sunshine on the bench at the foot of the equestrian
statue of General Sheridan. Constance tipped her sunshade to shield her
eyes, and she and Louis began a murmuring conversation which was
impossible to catch. Old Hawberk, leaning on his ivory headed cane,
lighted an excellent cigar, the mate to which I politely refused, and
smiled at vacancy. The sun hung low above the Staten Island woods, and
the bay was dyed with golden hues reflected from the sun-warmed sails of
the shipping in the harbour.

Brigs, schooners, yachts, clumsy ferry-boats, their decks swarming with
people, railroad transports carrying lines of brown, blue and white
freight cars, stately sound steamers, déclassé tramp steamers, coasters,
dredgers, scows, and everywhere pervading the entire bay impudent little
tugs puffing and whistling officiously;--these were the craft which
churned the sunlight waters as far as the eye could reach. In calm
contrast to the hurry of sailing vessel and steamer a silent fleet of
white warships lay motionless in midstream.

Constance's merry laugh aroused me from my reverie.

"What _are_ you staring at?" she inquired.

"Nothing--the fleet," I smiled.

Then Louis told us what the vessels were, pointing out each by its
relative position to the old Red Fort on Governor's Island.

"That little cigar shaped thing is a torpedo boat," he explained; "there
are four more lying close together. They are the _Tarpon_, the _Falcon_,
the _Sea Fox_, and the _Octopus_. The gun-boats just above are the
_Princeton_, the _Champlain_, the _Still Water_ and the _Erie_. Next to
them lie the cruisers _Faragut_ and _Los Angeles_, and above them the
battle ships _California_, and _Dakota_, and the _Washington_ which is
the flag ship. Those two squatty looking chunks of metal which are
anchored there off Castle William are the double turreted monitors
_Terrible_ and _Magnificent_; behind them lies the ram, _Osceola_."

Constance looked at him with deep approval in her beautiful eyes. "What
loads of things you know for a soldier," she said, and we all joined in
the laugh which followed.

Presently Louis rose with a nod to us and offered his arm to Constance,
and they strolled away along the river wall. Hawberk watched them for a
moment and then turned to me.

"Mr. Wilde was right," he said. "I have found the missing tassets and
left cuissard of the 'Prince's Emblazoned,' in a vile old junk garret in
Pell Street."

"998?" I inquired, with a smile.

"Yes."

"Mr. Wilde is a very intelligent man," I observed.

"I want to give him the credit of this most important discovery,"
continued Hawberk. "And I intend it shall be known that he is entitled
to the fame of it."

"He won't thank you for that," I answered sharply; "please say nothing
about it."

"Do you know what it is worth?" said Hawberk.

"No, fifty dollars, perhaps."

"It is valued at five hundred, but the owner of the 'Prince's Emblazoned'
will give two thousand dollars to the person who completes his suit; that
reward also belongs to Mr. Wilde."

"He doesn't want it! He refuses it!" I answered angrily. "What do you
know about Mr. Wilde? He doesn't need the money. He is rich--or will
be--richer than any living man except myself. What will we care for money
then--what will we care, he and I, when--when--"

"When what?" demanded Hawberk, astonished.

"You will see," I replied, on my guard again.

He looked at me narrowly, much as Doctor Archer used to, and I knew he
thought I was mentally unsound. Perhaps it was fortunate for him that he
did not use the word lunatic just then.

"No," I replied to his unspoken thought, "I am not mentally weak; my mind
is as healthy as Mr. Wilde's. I do not care to explain just yet what I
have on hand, but it is an investment which will pay more than mere gold,
silver and precious stones. It will secure the happiness and prosperity
of a continent--yes, a hemisphere!"

"Oh," said Hawberk.

"And eventually," I continued more quietly, "it will secure the happiness
of the whole world."

"And incidentally your own happiness and prosperity as well as Mr.
Wilde's?"

"Exactly," I smiled. But I could have throttled him for taking that tone.

He looked at me in silence for a while and then said very gently, "Why
don't you give up your books and studies, Mr. Castaigne, and take a tramp
among the mountains somewhere or other? You used to be fond of fishing.
Take a cast or two at the trout in the Rangelys."

"I don't care for fishing any more," I answered, without a shade of
annoyance in my voice.

"You used to be fond of everything," he continued; "athletics, yachting,
shooting, riding--"

"I have never cared to ride since my fall," I said quietly.

"Ah, yes, your fall," he repeated, looking away from me.

I thought this nonsense had gone far enough, so I brought the
conversation back to Mr. Wilde; but he was scanning my face again in a
manner highly offensive to me.

"Mr. Wilde," he repeated, "do you know what he did this afternoon? He
came downstairs and nailed a sign over the hall door next to mine; it
read:

"MR. WILDE,
REPAIRER OF REPUTATIONS.
Third Bell.

"Do you know what a Repairer of Reputations can be?"

"I do," I replied, suppressing the rage within.

"Oh," he said again.

Louis and Constance came strolling by and stopped to ask if we would join
them. Hawberk looked at his watch. At the same moment a puff of smoke
shot from the casemates of Castle William, and the boom of the sunset gun
rolled across the water and was re-echoed from the Highlands opposite.
The flag came running down from the flag-pole, the bugles sounded on the
white decks of the warships, and the first electric light sparkled out
from the Jersey shore.

As I turned into the city with Hawberk I heard Constance murmur something
to Louis which I did not understand; but Louis whispered "My darling," in
reply; and again, walking ahead with Hawberk through the square I heard a
murmur of "sweetheart," and "my own Constance," and I knew the time had
nearly arrived when I should speak of important matters with my cousin
Louis.




III

One morning early in May I stood before the steel safe in my bedroom,
trying on the golden jewelled crown. The diamonds flashed fire as I
turned to the mirror, and the heavy beaten gold burned like a halo about
my head. I remembered Camilla's agonized scream and the awful words
echoing through the dim streets of Carcosa. They were the last lines in
the first act, and I dared not think of what followed--dared not, even
in the spring sunshine, there in my own room, surrounded with familiar
objects, reassured by the bustle from the street and the voices of the
servants in the hallway outside. For those poisoned words had dropped
slowly into my heart, as death-sweat drops upon a bed-sheet and is
absorbed. Trembling, I put the diadem from my head and wiped my forehead,
but I thought of Hastur and of my own rightful ambition, and I remembered
Mr. Wilde as I had last left him, his face all torn and bloody from the
claws of that devil's creature, and what he said--ah, what he said. The
alarm bell in the safe began to whirr harshly, and I knew my time was up;
but I would not heed it, and replacing the flashing circlet upon my head
I turned defiantly to the mirror. I stood for a long time absorbed in the
changing expression of my own eyes. The mirror reflected a face which was
like my own, but whiter, and so thin that I hardly recognized it And all
the time I kept repeating between my clenched teeth, "The day has come!
the day has come!" while the alarm in the safe whirred and clamoured, and
the diamonds sparkled and flamed above my brow. I heard a door open but
did not heed it. It was only when I saw two faces in the mirror:--it was
only when another face rose over my shoulder, and two other eyes met
mine. I wheeled like a flash and seized a long knife from my
dressing-table, and my cousin sprang back very pale, crying: "Hildred!
for God's sake!" then as my hand fell, he said: "It is I, Louis, don't
you know me?" I stood silent. I could not have spoken for my life. He
walked up to me and took the knife from my hand.

"What is all this?" he inquired, in a gentle voice. "Are you ill?"

"No," I replied. But I doubt if he heard me.

"Come, come, old fellow," he cried, "take off that brass crown and toddle
into the study. Are you going to a masquerade? What's all this theatrical
tinsel anyway?"

I was glad he thought the crown was made of brass and paste, yet I didn't
like him any the better for thinking so. I let him take it from my hand,
knowing it was best to humour him. He tossed the splendid diadem in the
air, and catching it, turned to me smiling.

"It's dear at fifty cents," he said. "What's it for?"

I did not answer, but took the circlet from his hands, and placing it in
the safe shut the massive steel door. The alarm ceased its infernal din
at once. He watched me curiously, but did not seem to notice the sudden
ceasing of the alarm. He did, however, speak of the safe as a biscuit
box. Fearing lest he might examine the combination I led the way into my
study. Louis threw himself on the sofa and flicked at flies with his
eternal riding-whip. He wore his fatigue uniform with the braided jacket
and jaunty cap, and I noticed that his riding-boots were all splashed
with red mud.

"Where have you been?" I inquired.

"Jumping mud creeks in Jersey," he said. "I haven't had time to change
yet; I was rather in a hurry to see you. Haven't you got a glass of
something? I'm dead tired; been in the saddle twenty-four hours."

I gave him some brandy from my medicinal store, which he drank with a
grimace.

"Damned bad stuff," he observed. "I'll give you an address where they
sell brandy that is brandy."

"It's good enough for my needs," I said indifferently. "I use it to rub
my chest with." He stared and flicked at another fly.

"See here, old fellow," he began, "I've got something to suggest to you.
It's four years now that you've shut yourself up here like an owl, never
going anywhere, never taking any healthy exercise, never doing a damn
thing but poring over those books up there on the mantelpiece."

He glanced along the row of shelves. "Napoleon, Napoleon, Napoleon!" he
read. "For heaven's sake, have you nothing but Napoleons there?"

"I wish they were bound in gold," I said. "But wait, yes, there is
another book, _The King in Yellow_." I looked him steadily in the
eye.

"Have you never read it?" I asked.

"I? No, thank God! I don't want to be driven crazy."

I saw he regretted his speech as soon as he had uttered it. There is only
one word which I loathe more than I do lunatic and that word is crazy.
But I controlled myself and asked him why he thought _The King in
Yellow_ dangerous.

"Oh, I don't know," he said, hastily. "I only remember the excitement it
created and the denunciations from pulpit and Press. I believe the author
shot himself after bringing forth this monstrosity, didn't he?"

"I understand he is still alive," I answered.

"That's probably true," he muttered; "bullets couldn't kill a fiend like
that."

"It is a book of great truths," I said.

"Yes," he replied, "of 'truths' which send men frantic and blast their
lives. I don't care if the thing is, as they say, the very supreme
essence of art. It's a crime to have written it, and I for one shall
never open its pages."

"Is that what you have come to tell me?" I asked.

"No," he said, "I came to tell you that I am going to be married."

I believe for a moment my heart ceased to beat, but I kept my eyes on his
face.

"Yes," he continued, smiling happily, "married to the sweetest girl on
earth."

"Constance Hawberk," I said mechanically.

"How did you know?" he cried, astonished. "I didn't know it myself until
that evening last April, when we strolled down to the embankment before
dinner."

"When is it to be?" I asked.

"It was to have been next September, but an hour ago a despatch came
ordering our regiment to the Presidio, San Francisco. We leave at noon
to-morrow. To-morrow," he repeated. "Just think, Hildred, to-morrow I
shall be the happiest fellow that ever drew breath in this jolly world,
for Constance will go with me."

I offered him my hand in congratulation, and he seized and shook it like
the good-natured fool he was--or pretended to be.

"I am going to get my squadron as a wedding present," he rattled on.
"Captain and Mrs. Louis Castaigne, eh, Hildred?"

Then he told me where it was to be and who were to be there, and made me
promise to come and be best man. I set my teeth and listened to his
boyish chatter without showing what I felt, but--

I was getting to the limit of my endurance, and when he jumped up, and,
switching his spurs till they jingled, said he must go, I did not detain
him.

"There's one thing I want to ask of you," I said quietly.

"Out with it, it's promised," he laughed.

"I want you to meet me for a quarter of an hour's talk to-night."

"Of course, if you wish," he said, somewhat puzzled. "Where?"

"Anywhere, in the park there."

"What time, Hildred?"

"Midnight."

"What in the name of--" he began, but checked himself and laughingly
assented. I watched him go down the stairs and hurry away, his sabre
banging at every stride. He turned into Bleecker Street, and I knew he
was going to see Constance. I gave him ten minutes to disappear and then
followed in his footsteps, taking with me the jewelled crown and the
silken robe embroidered with the Yellow Sign. When I turned into Bleecker
Street, and entered the doorway which bore the sign--

MR. WILDE,
REPAIRER OF REPUTATIONS.
Third Bell.

I saw old Hawberk moving about in his shop, and imagined I heard
Constance's voice in the parlour; but I avoided them both and hurried up
the trembling stairways to Mr. Wilde's apartment. I knocked and entered
without ceremony. Mr. Wilde lay groaning on the floor, his face covered
with blood, his clothes torn to shreds. Drops of blood were scattered
about over the carpet, which had also been ripped and frayed in the
evidently recent struggle.

"It's that cursed cat," he said, ceasing his groans, and turning his
colourless eyes to me; "she attacked me while I was asleep. I believe she
will kill me yet."

This was too much, so I went into the kitchen, and, seizing a hatchet
from the pantry, started to find the infernal beast and settle her then
and there. My search was fruitless, and after a while I gave it up and
came back to find Mr. Wilde squatting on his high chair by the table. He
had washed his face and changed his clothes. The great furrows which the
cat's claws had ploughed up in his face he had filled with collodion, and
a rag hid the wound in his throat. I told him I should kill the cat when
I came across her, but he only shook his head and turned to the open
ledger before him. He read name after name of the people who had come to
him in regard to their reputation, and the sums he had amassed were
startling.

"I put on the screws now and then," he explained.

"One day or other some of these people will assassinate you," I insisted.

"Do you think so?" he said, rubbing his mutilated ears.

It was useless to argue with him, so I took down the manuscript entitled
Imperial Dynasty of America, for the last time I should ever take it down
in Mr. Wilde's study. I read it through, thrilling and trembling with
pleasure. When I had finished Mr. Wilde took the manuscript and, turning
to the dark passage which leads from his study to his bed-chamber,
called out in a loud voice, "Vance." Then for the first time, I noticed a
man crouching there in the shadow. How I had overlooked him during my
search for the cat, I cannot imagine.

"Vance, come in," cried Mr. Wilde.

The figure rose and crept towards us, and I shall never forget the face
that he raised to mine, as the light from the window illuminated it.

"Vance, this is Mr. Castaigne," said Mr. Wilde. Before he had finished
speaking, the man threw himself on the ground before the table, crying
and grasping, "Oh, God! Oh, my God! Help me! Forgive me! Oh, Mr.
Castaigne, keep that man away. You cannot, you cannot mean it! You are
different--save me! I am broken down--I was in a madhouse and now--when
all was coming right--when I had forgotten the King--the King in Yellow
and--but I shall go mad again--I shall go mad--"

His voice died into a choking rattle, for Mr. Wilde had leapt on him and
his right hand encircled the man's throat. When Vance fell in a heap on
the floor, Mr. Wilde clambered nimbly into his chair again, and rubbing
his mangled ears with the stump of his hand, turned to me and asked me
for the ledger. I reached it down from the shelf and he opened it. After
a moment's searching among the beautifully written pages, he coughed
complacently, and pointed to the name Vance.

"Vance," he read aloud, "Osgood Oswald Vance." At the sound of his name,
the man on the floor raised his head and turned a convulsed face to Mr.
Wilde. His eyes were injected with blood, his lips tumefied. "Called
April 28th," continued Mr. Wilde. "Occupation, cashier in the Seaforth
National Bank; has served a term of forgery at Sing Sing, from whence he
was transferred to the Asylum for the Criminal Insane. Pardoned by the
Governor of New York, and discharged from the Asylum, January 19, 1918.
Reputation damaged at Sheepshead Bay. Rumours that he lives beyond his
income. Reputation to be repaired at once. Retainer $1,500.

"Note.--Has embezzled sums amounting to $30,000 since March 20, 1919,
excellent family, and secured present position through uncle's influence.
Father, President of Seaforth Bank."

I looked at the man on the floor.

"Get up, Vance," said Mr. Wilde in a gentle voice. Vance rose as if
hypnotized. "He will do as we suggest now," observed Mr. Wilde, and
opening the manuscript, he read the entire history of the Imperial
Dynasty of America. Then in a kind and soothing murmur he ran over the
important points with Vance, who stood like one stunned. His eyes were so
blank and vacant that I imagined he had become half-witted, and remarked
it to Mr. Wilde who replied that it was of no consequence anyway. Very
patiently we pointed out to Vance what his share in the affair would be,
and he seemed to understand after a while. Mr. Wilde explained the
manuscript, using several volumes on Heraldry, to substantiate the result
of his researches. He mentioned the establishment of the Dynasty in
Carcosa, the lakes which connected Hastur, Aldebaran and the mystery of
the Hyades. He spoke of Cassilda and Camilla, and sounded the cloudy
depths of Demhe, and the Lake of Hali. "The scolloped tatters of the King
in Yellow must hide Yhtill forever," he muttered, but I do not believe
Vance heard him. Then by degrees he led Vance along the ramifications of
the Imperial family, to Uoht and Thale, from Naotalba and Phantom of
Truth, to Aldones, and then tossing aside his manuscript and notes, he
began the wonderful story of the Last King. Fascinated and thrilled I
watched him. He threw up his head, his long arms were stretched out in a
magnificent gesture of pride and power, and his eyes blazed deep in their
sockets like two emeralds. Vance listened stupefied. As for me, when at
last Mr. Wilde had finished, and pointing to me, cried, "The cousin of
the King!" my head swam with excitement.

Controlling myself with a superhuman effort, I explained to Vance why I
alone was worthy of the crown and why my cousin must be exiled or die.
I made him understand that my cousin must never marry, even after
renouncing all his claims, and how that least of all he should marry the
daughter of the Marquis of Avonshire and bring England into the question.
I showed him a list of thousands of names which Mr. Wilde had drawn up;
every man whose name was there had received the Yellow Sign which no
living human being dared disregard. The city, the state, the whole land,
were ready to rise and tremble before the Pallid Mask.

The time had come, the people should know the son of Hastur, and the
whole world bow to the black stars which hang in the sky over Carcosa.

Vance leaned on the table, his head buried in his hands. Mr. Wilde drew
a rough sketch on the margin of yesterday's _Herald_ with a bit of
lead pencil. It was a plan of Hawberk's rooms. Then he wrote out the
order and affixed the seal, and shaking like a palsied man I signed my
first writ of execution with my name Hildred-Rex.

Mr. Wilde clambered to the floor and unlocking the cabinet, took a long
square box from the first shelf. This he brought to the table and opened.
A new knife lay in the tissue paper inside and I picked it up and handed
it to Vance, along with the order and the plan of Hawberk's apartment.
Then Mr. Wilde told Vance he could go; and he went, shambling like an
outcast of the slums.

I sat for a while watching the daylight fade behind the square tower of
the Judson Memorial Church, and finally, gathering up the manuscript and
notes, took my hat and started for the door.

Mr. Wilde watched me in silence. When I had stepped into the hall I
looked back. Mr. Wilde's small eyes were still fixed on me. Behind him,
the shadows gathered in the fading light. Then I closed the door behind
me and went out into the darkening streets.

I had eaten nothing since breakfast, but I was not hungry. A wretched,
half-starved creature, who stood looking across the street at the Lethal
Chamber, noticed me and came up to tell me a tale of misery. I gave him
money, I don't know why, and he went away without thanking me. An
hour later another outcast approached and whined his story. I had a blank
bit of paper in my pocket, on which was traced the Yellow Sign, and I
handed it to him. He looked at it stupidly for a moment, and then with an
uncertain glance at me, folded it with what seemed to me exaggerated care
and placed it in his bosom.

The electric lights were sparkling among the trees, and the new moon
shone in the sky above the Lethal Chamber. It was tiresome waiting in the
square; I wandered from the Marble Arch to the artillery stables and back
again to the lotos fountain. The flowers and grass exhaled a fragrance
which troubled me. The jet of the fountain played in the moonlight, and
the musical splash of falling drops reminded me of the tinkle of chained
mail in Hawberk's shop. But it was not so fascinating, and the dull
sparkle of the moonlight on the water brought no such sensations of
exquisite pleasure, as when the sunshine played over the polished steel
of a corselet on Hawberk's knee. I watched the bats darting and turning
above the water plants in the fountain basin, but their rapid, jerky
flight set my nerves on edge, and I went away again to walk aimlessly to
and fro among the trees.

The artillery stables were dark, but in the cavalry barracks the
officers' windows were brilliantly lighted, and the sallyport was
constantly filled with troopers in fatigue, carrying straw and harness
and baskets filled with tin dishes.

Twice the mounted sentry at the gates was changed while I wandered up and
down the asphalt walk. I looked at my watch. It was nearly time. The
lights in the barracks went out one by one, the barred gate was closed,
and every minute or two an officer passed in through the side wicket,
leaving a rattle of accoutrements and a jingle of spurs on the night air.
The square had become very silent. The last homeless loiterer had been
driven away by the grey-coated park policeman, the car tracks along
Wooster Street were deserted, and the only sound which broke the
stillness was the stamping of the sentry's horse and the ring of his
sabre against the saddle pommel. In the barracks, the officers' quarters
were still lighted, and military servants passed and repassed before the
bay windows. Twelve o'clock sounded from the new spire of St. Francis
Xavier, and at the last stroke of the sad-toned bell a figure passed
through the wicket beside the portcullis, returned the salute of the
sentry, and crossing the street entered the square and advanced toward
the Benedick apartment house.

"Louis," I called.

The man pivoted on his spurred heels and came straight toward me.

"Is that you, Hildred?"

"Yes, you are on time."

I took his offered hand, and we strolled toward the Lethal Chamber.

He rattled on about his wedding and the graces of Constance, and their
future prospects, calling my attention to his captain's shoulder-straps,
and the triple gold arabesque on his sleeve and fatigue cap. I believe I
listened as much to the music of his spurs and sabre as I did to his
boyish babble, and at last we stood under the elms on the Fourth Street
corner of the square opposite the Lethal Chamber. Then he laughed and
asked me what I wanted with him. I motioned him to a seat on a bench
under the electric light, and sat down beside him. He looked at me
curiously, with that same searching glance which I hate and fear so in
doctors. I felt the insult of his look, but he did not know it, and I
carefully concealed my feelings.

"Well, old chap," he inquired, "what can I do for you?"

I drew from my pocket the manuscript and notes of the Imperial Dynasty
of America, and looking him in the eye said:

"I will tell you. On your word as a soldier, promise me to read this
manuscript from beginning to end, without asking me a question. Promise
me to read these notes in the same way, and promise me to listen to what
I have to tell later."

"I promise, if you wish it," he said pleasantly. "Give me the paper,
Hildred."

He began to read, raising his eyebrows with a puzzled, whimsical air,
which made me tremble with suppressed anger. As he advanced his, eyebrows
contracted, and his lips seemed to form the word "rubbish."

Then he looked slightly bored, but apparently for my sake read, with an
attempt at interest, which presently ceased to be an effort He started
when in the closely written pages he came to his own name, and when he
came to mine he lowered the paper, and looked sharply at me for a moment
But he kept his word, and resumed his reading, and I let the half-formed
question die on his lips unanswered. When he came to the end and read the
signature of Mr. Wilde, he folded the paper carefully and returned it to
me. I handed him the notes, and he settled back, pushing his fatigue cap
up to his forehead, with a boyish gesture, which I remembered so well in
school. I watched his face as he read, and when he finished I took the
notes with the manuscript, and placed them in my pocket. Then I unfolded
a scroll marked with the Yellow Sign. He saw the sign, but he did not
seem to recognize it, and I called his attention to it somewhat sharply.

"Well," he said, "I see it. What is it?"

"It is the Yellow Sign," I said angrily.

"Oh, that's it, is it?" said Louis, in that flattering voice, which
Doctor Archer used to employ with me, and would probably have employed
again, had I not settled his affair for him.

I kept my rage down and answered as steadily as possible, "Listen, you
have engaged your word?"

"I am listening, old chap," he replied soothingly.

I began to speak very calmly.

"Dr. Archer, having by some means become possessed of the secret of the
Imperial Succession, attempted to deprive me of my right, alleging that
because of a fall from my horse four years ago, I had become mentally
deficient. He presumed to place me under restraint in his own house in
hopes of either driving me insane or poisoning me. I have not forgotten
it. I visited him last night and the interview was final."

Louis turned quite pale, but did not move. I resumed triumphantly, "There
are yet three people to be interviewed in the interests of Mr. Wilde and
myself. They are my cousin Louis, Mr. Hawberk, and his daughter
Constance."

Louis sprang to his feet and I arose also, and flung the paper marked
with the Yellow Sign to the ground.

"Oh, I don't need that to tell you what I have to say," I cried, with a
laugh of triumph. "You must renounce the crown to me, do you hear, to
_me_."

Louis looked at me with a startled air, but recovering himself said
kindly, "Of course I renounce the--what is it I must renounce?"

"The crown," I said angrily.

"Of course," he answered, "I renounce it. Come, old chap, I'll walk back
to your rooms with you."

"Don't try any of your doctor's tricks on me," I cried, trembling with
fury. "Don't act as if you think I am insane."

"What nonsense," he replied. "Come, it's getting late, Hildred."

"No," I shouted, "you must listen. You cannot marry, I forbid it. Do you
hear? I forbid it. You shall renounce the crown, and in reward I grant
you exile, but if you refuse you shall die."

He tried to calm me, but I was roused at last, and drawing my long knife
barred his way.

Then I told him how they would find Dr. Archer in the cellar with his
throat open, and I laughed in his face when I thought of Vance and his
knife, and the order signed by me.

"Ah, you are the King," I cried, "but I shall be King. Who are you to
keep me from Empire over all the habitable earth! I was born the cousin
of a king, but I shall be King!"

Louis stood white and rigid before me. Suddenly a man came running up
Fourth Street, entered the gate of the Lethal Temple, traversed the path
to the bronze doors at full speed, and plunged into the death chamber
with the cry of one demented, and I laughed until I wept tears, for I had
recognized Vance, and knew that Hawberk and his daughter were no longer
in my way.

"Go," I cried to Louis, "you have ceased to be a menace. You will never
marry Constance now, and if you marry any one else in your exile, I will
visit you as I did my doctor last night. Mr. Wilde takes charge of you
to-morrow." Then I turned and darted into South Fifth Avenue, and with a
cry of terror Louis dropped his belt and sabre and followed me like the
wind. I heard him close behind me at the corner of Bleecker Street, and I
dashed into the doorway under Hawberk's sign. He cried, "Halt, or I
fire!" but when he saw that I flew up the stairs leaving Hawberk's shop
below, he left me, and I heard him hammering and shouting at their door
as though it were possible to arouse the dead.

Mr. Wilde's door was open, and I entered crying, "It is done, it is done!
Let the nations rise and look upon their King!" but I could not find Mr.
Wilde, so I went to the cabinet and took the splendid diadem from its
case. Then I drew on the white silk robe, embroidered with the Yellow
Sign, and placed the crown upon my head. At last I was King, King by my
right in Hastur, King because I knew the mystery of the Hyades, and my
mind had sounded the depths of the Lake of Hali. I was King! The first
grey pencillings of dawn would raise a tempest which would shake two
hemispheres. Then as I stood, my every nerve pitched to the highest
tension, faint with the joy and splendour of my thought, without, in the
dark passage, a man groaned.

I seized the tallow dip and sprang to the door. The cat passed me like a
demon, and the tallow dip went out, but my long knife flew swifter than
she, and I heard her screech, and I knew that my knife had found her. For
a moment I listened to her tumbling and thumping about in the darkness,
and then when her frenzy ceased, I lighted a lamp and raised it over my
head. Mr. Wilde lay on the floor with his throat torn open. At first I
thought he was dead, but as I looked, a green sparkle came into his
sunken eyes, his mutilated hand trembled, and then a spasm stretched his
mouth from ear to ear. For a moment my terror and despair gave place to
hope, but as I bent over him his eyeballs rolled clean around in his
head, and he died. Then while I stood, transfixed with rage and despair,
seeing my crown, my empire, every hope and every ambition, my very life,
lying prostrate there with the dead master, _they_ came, seized me
from behind, and bound me until my veins stood out like cords, and my
voice failed with the paroxysms of my frenzied screams. But I still
raged, bleeding and infuriated among them, and more than one policeman
felt my sharp teeth. Then when I could no longer move they came nearer; I
saw old Hawberk, and behind him my cousin Louis' ghastly face, and
farther away, in the corner, a woman, Constance, weeping softly.

"Ah! I see it now!" I shrieked. "You have seized the throne and the
empire. Woe! woe to you who are crowned with the crown of the King in
Yellow!"


[EDITOR'S NOTE.--Mr. Castaigne died yesterday in the Asylum for Criminal
Insane.]




THE MASK

CAMILLA: You, sir, should unmask.

STRANGER: Indeed?

CASSILDA: Indeed it's time. We all have laid aside disguise but you.

STRANGER: I wear no mask.

CAMILLA: (Terrified, aside to Cassilda.) No mask? No mask!

_The King in Yellow, Act I, Scene 2_.


I

Although I knew nothing of chemistry, I listened fascinated. He picked up
an Easter lily which Geneviève had brought that morning from Notre Dame,
and dropped it into the basin. Instantly the liquid lost its crystalline
clearness. For a second the lily was enveloped in a milk-white foam,
which disappeared, leaving the fluid opalescent. Changing tints of orange
and crimson played over the surface, and then what seemed to be a ray of
pure sunlight struck through from the bottom where the lily was resting.
At the same instant he plunged his hand into the basin and drew out the
flower. "There is no danger," he explained, "if you choose the right
moment. That golden ray is the signal."

He held the lily toward me, and I took it in my hand. It had turned to
stone, to the purest marble.

"You see," he said, "it is without a flaw. What sculptor could reproduce
it?"

The marble was white as snow, but in its depths the veins of the lily
were tinged with palest azure, and a faint flush lingered deep in its
heart.

"Don't ask me the reason of that," he smiled, noticing my wonder. "I have
no idea why the veins and heart are tinted, but they always are.
Yesterday I tried one of Geneviève's gold-fish,--there it is."

The fish looked as if sculptured in marble. But if you held it to the
light the stone was beautifully veined with a faint blue, and from
somewhere within came a rosy light like the tint which slumbers in an
opal. I looked into the basin. Once more it seemed filled with clearest
crystal.

"If I should touch it now?" I demanded.

"I don't know," he replied, "but you had better not try."

"There is one thing I'm curious about," I said, "and that is where the
ray of sunlight came from."

"It looked like a sunbeam true enough," he said. "I don't know, it always
comes when I immerse any living thing. Perhaps," he continued, smiling,
"perhaps it is the vital spark of the creature escaping to the source
from whence it came."

I saw he was mocking, and threatened him with a mahl-stick, but he only
laughed and changed the subject.

"Stay to lunch. Geneviève will be here directly."

"I saw her going to early mass," I said, "and she looked as fresh and
sweet as that lily--before you destroyed it."

"Do you think I destroyed it?" said Boris gravely.

"Destroyed, preserved, how can we tell?"

We sat in the corner of a studio near his unfinished group of the
"Fates." He leaned back on the sofa, twirling a sculptor's chisel and
squinting at his work.

"By the way," he said, "I have finished pointing up that old academic
Ariadne, and I suppose it will have to go to the Salon. It's all I have
ready this year, but after the success the 'Madonna' brought me I feel
ashamed to send a thing like that."

The "Madonna," an exquisite marble for which Geneviève had sat, had been
the sensation of last year's Salon. I looked at the Ariadne. It was a
magnificent piece of technical work, but I agreed with Boris that the
world would expect something better of him than that. Still, it was
impossible now to think of finishing in time for the Salon that splendid
terrible group half shrouded in the marble behind me. The "Fates" would
have to wait.

We were proud of Boris Yvain. We claimed him and he claimed us on the
strength of his having been born in America, although his father was
French and his mother was a Russian. Every one in the Beaux Arts called
him Boris. And yet there were only two of us whom he addressed in the
same familiar way--Jack Scott and myself.

Perhaps my being in love with Geneviève had something to do with his
affection for me. Not that it had ever been acknowledged between us. But
after all was settled, and she had told me with tears in her eyes that it
was Boris whom she loved, I went over to his house and congratulated him.
The perfect cordiality of that interview did not deceive either of us, I
always believed, although to one at least it was a great comfort. I do
not think he and Geneviève ever spoke of the matter together, but Boris
knew.

Geneviève was lovely. The Madonna-like purity of her face might have been
inspired by the Sanctus in Gounod's Mass. But I was always glad when she
changed that mood for what we called her "April Manoeuvres." She was
often as variable as an April day. In the morning grave, dignified and
sweet, at noon laughing, capricious, at evening whatever one least
expected. I preferred her so rather than in that Madonna-like
tranquillity which stirred the depths of my heart. I was dreaming of
Geneviève when he spoke again.

"What do you think of my discovery, Alec?"

"I think it wonderful."

"I shall make no use of it, you know, beyond satisfying my own curiosity
so far as may be, and the secret will die with me."

"It would be rather a blow to sculpture, would it not? We painters lose
more than we ever gain by photography."

Boris nodded, playing with the edge of the chisel.

"This new vicious discovery would corrupt the world of art. No, I shall
never confide the secret to any one," he said slowly.

It would be hard to find any one less informed about such phenomena than
myself; but of course I had heard of mineral springs so saturated with
silica that the leaves and twigs which fell into them were turned to
stone after a time. I dimly comprehended the process, how the silica
replaced the vegetable matter, atom by atom, and the result was a
duplicate of the object in stone. This, I confess, had never interested
me greatly, and as for the ancient fossils thus produced, they disgusted
me. Boris, it appeared, feeling curiosity instead of repugnance, had
investigated the subject, and had accidentally stumbled on a solution
which, attacking the immersed object with a ferocity unheard of, in a
second did the work of years. This was all I could make out of the
strange story he had just been telling me. He spoke again after a long
silence.

"I am almost frightened when I think what I have found. Scientists would
go mad over the discovery. It was so simple too; it discovered itself.
When I think of that formula, and that new element precipitated in
metallic scales--"

"What new element?"

"Oh, I haven't thought of naming it, and I don't believe I ever shall.
There are enough precious metals now in the world to cut throats over."

I pricked up my ears. "Have you struck gold, Boris?"

"No, better;--but see here, Alec!" he laughed, starting up. "You and I
have all we need in this world. Ah! how sinister and covetous you look
already!" I laughed too, and told him I was devoured by the desire for
gold, and we had better talk of something else; so when Geneviève came in
shortly after, we had turned our backs on alchemy.

Geneviève was dressed in silvery grey from head to foot. The light
glinted along the soft curves of her fair hair as she turned her cheek to
Boris; then she saw me and returned my greeting. She had never before
failed to blow me a kiss from the tips of her white fingers, and I
promptly complained of the omission. She smiled and held out her hand,
which dropped almost before it had touched mine; then she said, looking
at Boris--

"You must ask Alec to stay for luncheon." This also was something new.
She had always asked me herself until to-day.

"I did," said Boris shortly.

"And you said yes, I hope?" She turned to me with a charming conventional
smile. I might have been an acquaintance of the day before yesterday. I
made her a low bow. "J'avais bien l'honneur, madame," but refusing to
take up our usual bantering tone, she murmured a hospitable commonplace
and disappeared. Boris and I looked at one another.

"I had better go home, don't you think?" I asked.

"Hanged if I know," he replied frankly.

While we were discussing the advisability of my departure Geneviève
reappeared in the doorway without her bonnet. She was wonderfully
beautiful, but her colour was too deep and her lovely eyes were too
bright. She came straight up to me and took my arm.

"Luncheon is ready. Was I cross, Alec? I thought I had a headache, but I
haven't. Come here, Boris;" and she slipped her other arm through his.
"Alec knows that after you there is no one in the world whom I like as
well as I like him, so if he sometimes feels snubbed it won't hurt him."

"À la bonheur!" I cried, "who says there are no thunderstorms in April?"

"Are you ready?" chanted Boris. "Aye ready;" and arm-in-arm we raced into
the dining-room, scandalizing the servants. After all we were not so much
to blame; Geneviève was eighteen, Boris was twenty-three, and I not quite
twenty-one.




II

Some work that I was doing about this time on the decorations for
Geneviève's boudoir kept me constantly at the quaint little hotel in the
Rue Sainte-Cécile. Boris and I in those days laboured hard but as we
pleased, which was fitfully, and we all three, with Jack Scott, idled a
great deal together.

One quiet afternoon I had been wandering alone over the house examining
curios, prying into odd corners, bringing out sweetmeats and cigars from
strange hiding-places, and at last I stopped in the bathing-room. Boris,
all over clay, stood there washing his hands.

The room was built of rose-coloured marble excepting the floor, which was
tessellated in rose and grey. In the centre was a square pool sunken
below the surface of the floor; steps led down into it, sculptured
pillars supported a frescoed ceiling. A delicious marble Cupid appeared
to have just alighted on his pedestal at the upper end of the room. The
whole interior was Boris' work and mine. Boris, in his working-clothes of
white canvas, scraped the traces of clay and red modelling wax from his
handsome hands, and coquetted over his shoulder with the Cupid.

"I see you," he insisted, "don't try to look the other way and pretend
not to see me. You know who made you, little humbug!"

It was always my rôle to interpret Cupid's sentiments in these
conversations, and when my turn came I responded in such a manner, that
Boris seized my arm and dragged me toward the pool, declaring he would
duck me. Next instant he dropped my arm and turned pale. "Good God!" he
said, "I forgot the pool is full of the solution!"

I shivered a little, and dryly advised him to remember better where he
had stored the precious liquid.

"In Heaven's name, why do you keep a small lake of that gruesome stuff
here of all places?" I asked.

"I want to experiment on something large," he replied.

"On me, for instance?"

"Ah! that came too close for jesting; but I do want to watch the action
of that solution on a more highly organized living body; there is that
big white rabbit," he said, following me into the studio.

Jack Scott, wearing a paint-stained jacket, came wandering in,
appropriated all the Oriental sweetmeats he could lay his hands on,
looted the cigarette case, and finally he and Boris disappeared together
to visit the Luxembourg Gallery, where a new silver bronze by Rodin and a
landscape of Monet's were claiming the exclusive attention of artistic
France. I went back to the studio, and resumed my work. It was a
Renaissance screen, which Boris wanted me to paint for Geneviève's
boudoir. But the small boy who was unwillingly dawdling through a series
of poses for it, to-day refused all bribes to be good. He never rested an
instant in the same position, and inside of five minutes I had as many
different outlines of the little beggar.

"Are you posing, or are you executing a song and dance, my friend?" I
inquired.

"Whichever monsieur pleases," he replied, with an angelic smile.

Of course I dismissed him for the day, and of course I paid him for the
full time, that being the way we spoil our models.

After the young imp had gone, I made a few perfunctory daubs at my work,
but was so thoroughly out of humour, that it took me the rest of the
afternoon to undo the damage I had done, so at last I scraped my palette,
stuck my brushes in a bowl of black soap, and strolled into the
smoking-room. I really believe that, excepting Geneviève's apartments, no
room in the house was so free from the perfume of tobacco as this one. It
was a queer chaos of odds and ends, hung with threadbare tapestry. A
sweet-toned old spinet in good repair stood by the window. There were
stands of weapons, some old and dull, others bright and modern, festoons
of Indian and Turkish armour over the mantel, two or three good pictures,
and a pipe-rack. It was here that we used to come for new sensations in
smoking. I doubt if any type of pipe ever existed which was not
represented in that rack. When we had selected one, we immediately
carried it somewhere else and smoked it; for the place was, on the whole,
more gloomy and less inviting than any in the house. But this afternoon,
the twilight was very soothing, the rugs and skins on the floor looked
brown and soft and drowsy; the big couch was piled with cushions--I found
my pipe and curled up there for an unaccustomed smoke in the
smoking-room. I had chosen one with a long flexible stem, and lighting it
fell to dreaming. After a while it went out, but I did not stir. I
dreamed on and presently fell asleep.

I awoke to the saddest music I had ever heard. The room was quite dark, I
had no idea what time it was. A ray of moonlight silvered one edge of the
old spinet, and the polished wood seemed to exhale the sounds as perfume
floats above a box of sandalwood. Some one rose in the darkness, and came
away weeping quietly, and I was fool enough to cry out "Geneviève!"

She dropped at my voice, and, I had time to curse myself while I made a
light and tried to raise her from the floor. She shrank away with a
murmur of pain. She was very quiet, and asked for Boris. I carried her to
the divan, and went to look for him, but he was not in the house, and the
servants were gone to bed. Perplexed and anxious, I hurried back to
Geneviève. She lay where I had left her, looking very white.

"I can't find Boris nor any of the servants," I said.

"I know," she answered faintly, "Boris has gone to Ept with Mr. Scott. I
did not remember when I sent you for him just now."

"But he can't get back in that case before to-morrow afternoon, and--are
you hurt? Did I frighten you into falling? What an awful fool I am, but I
was only half awake."

"Boris thought you had gone home before dinner. Do please excuse us for
letting you stay here all this time."

"I have had a long nap," I laughed, "so sound that I did not know whether
I was still asleep or not when I found myself staring at a figure that
was moving toward me, and called out your name. Have you been trying the
old spinet? You must have played very softly."

I would tell a thousand more lies worse than that one to see the look of
relief that came into her face. She smiled adorably, and said in her
natural voice: "Alec, I tripped on that wolf's head, and I think my ankle
is sprained. Please call Marie, and then go home."

I did as she bade me, and left her there when the maid came in.




III

At noon next day when I called, I found Boris walking restlessly about
his studio.

"Geneviève is asleep just now," he told me, "the sprain is nothing, but
why should she have such a high fever? The doctor can't account for it;
or else he will not," he muttered.

"Geneviève has a fever?" I asked.

"I should say so, and has actually been a little light-headed at
intervals all night. The idea! gay little Geneviève, without a care in
the world,--and she keeps saying her heart's broken, and she wants to
die!"

My own heart stood still.

Boris leaned against the door of his studio, looking down, his hands in
his pockets, his kind, keen eyes clouded, a new line of trouble drawn
"over the mouth's good mark, that made the smile." The maid had orders to
summon him the instant Geneviève opened her eyes. We waited and waited,
and Boris, growing restless, wandered about, fussing with modelling wax
and red clay. Suddenly he started for the next room. "Come and see my
rose-coloured bath full of death!" he cried.

"Is it death?" I asked, to humour his mood.

"You are not prepared to call it life, I suppose," he answered. As he
spoke he plucked a solitary goldfish squirming and twisting out of its
globe. "We'll send this one after the other--wherever that is," he said.
There was feverish excitement in his voice. A dull weight of fever lay on
my limbs and on my brain as I followed him to the fair crystal pool with
its pink-tinted sides; and he dropped the creature in. Falling, its
scales flashed with a hot orange gleam in its angry twistings and
contortions; the moment it struck the liquid it became rigid and sank
heavily to the bottom. Then came the milky foam, the splendid hues
radiating on the surface and then the shaft of pure serene light broke
through from seemingly infinite depths. Boris plunged in his hand and
drew out an exquisite marble thing, blue-veined, rose-tinted, and
glistening with opalescent drops.

"Child's play," he muttered, and looked wearily, longingly at me,--as if
I could answer such questions! But Jack Scott came in and entered into
the "game," as he called it, with ardour. Nothing would do but to try the
experiment on the white rabbit then and there. I was willing that Boris
should find distraction from his cares, but I hated to see the life go
out of a warm, living creature and I declined to be present. Picking up a
book at random, I sat down in the studio to read. Alas! I had found
_The King in Yellow_. After a few moments, which seemed ages, I was
putting it away with a nervous shudder, when Boris and Jack came in
bringing their marble rabbit. At the same time the bell rang above, and a
cry came from the sick-room. Boris was gone like a flash, and the next
moment he called, "Jack, run for the doctor; bring him back with you.
Alec, come here."

I went and stood at her door. A frightened maid came out in haste and ran
away to fetch some remedy. Geneviève, sitting bolt upright, with crimson
cheeks and glittering eyes, babbled incessantly and resisted Boris'
gentle restraint. He called me to help. At my first touch she sighed and
sank back, closing her eyes, and then--then--as we still bent above her,
she opened them again, looked straight into Boris' face--poor
fever-crazed girl!--and told her secret. At the same instant our three
lives turned into new channels; the bond that held us so long together
snapped for ever and a new bond was forged in its place, for she had
spoken my name, and as the fever tortured her, her heart poured out its
load of hidden sorrow. Amazed and dumb I bowed my head, while my face
burned like a live coal, and the blood surged in my ears, stupefying me
with its clamour. Incapable of movement, incapable of speech, I listened
to her feverish words in an agony of shame and sorrow. I could not
silence her, I could not look at Boris. Then I felt an arm upon my
shoulder, and Boris turned a bloodless face to mine.

"It is not your fault, Alec; don't grieve so if she loves you--" but he
could not finish; and as the doctor stepped swiftly into the room,
saying--"Ah, the fever!" I seized Jack Scott and hurried him to the
street, saying, "Boris would rather be alone." We crossed the street to
our own apartments, and that night, seeing I was going to be ill too, he
went for the doctor again. The last thing I recollect with any
distinctness was hearing Jack say, "For Heaven's sake, doctor, what ails
him, to wear a face like that?" and I thought of _The King in
Yellow_ and the Pallid Mask.

I was very ill, for the strain of two years which I had endured since
that fatal May morning when Geneviève murmured, "I love you, but I think
I love Boris best," told on me at last. I had never imagined that it
could become more than I could endure. Outwardly tranquil, I had deceived
myself. Although the inward battle raged night after night, and I, lying
alone in my room, cursed myself for rebellious thoughts unloyal to Boris
and unworthy of Geneviève, the morning always brought relief, and I
returned to Geneviève and to my dear Boris with a heart washed clean by
the tempests of the night.

Never in word or deed or thought while with them had I betrayed my sorrow
even to myself.

The mask of self-deception was no longer a mask for me, it was a part of
me. Night lifted it, laying bare the stifled truth below; but there was
no one to see except myself, and when the day broke the mask fell back
again of its own accord. These thoughts passed through my troubled mind
as I lay sick, but they were hopelessly entangled with visions of white
creatures, heavy as stone, crawling about in Boris' basin,--of the wolf's
head on the rug, foaming and snapping at Geneviève, who lay smiling
beside it. I thought, too, of the King in Yellow wrapped in the fantastic
colours of his tattered mantle, and that bitter cry of Cassilda, "Not
upon us, oh King, not upon us!" Feverishly I struggled to put it from me,
but I saw the lake of Hali, thin and blank, without a ripple or wind to
stir it, and I saw the towers of Carcosa behind the moon. Aldebaran, the
Hyades, Alar, Hastur, glided through the cloud-rifts which fluttered and
flapped as they passed like the scolloped tatters of the King in Yellow.
Among all these, one sane thought persisted. It never wavered, no matter
what else was going on in my disordered mind, that my chief reason for
existing was to meet some requirement of Boris and Geneviève. What this
obligation was, its nature, was never clear; sometimes it seemed to be
protection, sometimes support, through a great crisis. Whatever it seemed
to be for the time, its weight rested only on me, and I was never so ill
or so weak that I did not respond with my whole soul. There were always
crowds of faces about me, mostly strange, but a few I recognized, Boris
among them. Afterward they told me that this could not have been, but I
know that once at least he bent over me. It was only a touch, a faint
echo of his voice, then the clouds settled back on my senses, and I lost
him, but he _did_ stand there and bend over me _once_ at least.

At last, one morning I awoke to find the sunlight falling across my bed,
and Jack Scott reading beside me. I had not strength enough to speak
aloud, neither could I think, much less remember, but I could smile
feebly, as Jack's eye met mine, and when he jumped up and asked eagerly
if I wanted anything, I could whisper, "Yes--Boris." Jack moved to the
head of my bed, and leaned down to arrange my pillow: I did not see his
face, but he answered heartily, "You must wait, Alec; you are too weak to
see even Boris."

I waited and I grew strong; in a few days I was able to see whom I would,
but meanwhile I had thought and remembered. From the moment when all the
past grew clear again in my mind, I never doubted what I should do when
the time came, and I felt sure that Boris would have resolved upon the
same course so far as he was concerned; as for what pertained to me
alone, I knew he would see that also as I did. I no longer asked for any
one. I never inquired why no message came from them; why during the week
I lay there, waiting and growing stronger, I never heard their name
spoken. Preoccupied with my own searchings for the right way, and with my
feeble but determined fight against despair, I simply acquiesced in
Jack's reticence, taking for granted that he was afraid to speak of them,
lest I should turn unruly and insist on seeing them. Meanwhile I said
over and over to myself, how would it be when life began again for us
all? We would take up our relations exactly as they were before Geneviève
fell ill. Boris and I would look into each other's eyes, and there would
be neither rancour nor cowardice nor mistrust in that glance. I would be
with them again for a little while in the dear intimacy of their home,
and then, without pretext or explanation, I would disappear from their
lives for ever. Boris would know; Geneviève--the only comfort was that
she would never know. It seemed, as I thought it over, that I had found
the meaning of that sense of obligation which had persisted all through
my delirium, and the only possible answer to it. So, when I was quite
ready, I beckoned Jack to me one day, and said--

"Jack, I want Boris at once; and take my dearest greeting to
Geneviève...."

When at last he made me understand that they were both dead, I fell into
a wild rage that tore all my little convalescent strength to atoms. I
raved and cursed myself into a relapse, from which I crawled forth some
weeks afterward a boy of twenty-one who believed that his youth was gone
for ever. I seemed to be past the capability of further suffering, and
one day when Jack handed me a letter and the keys to Boris' house, I took
them without a tremor and asked him to tell me all. It was cruel of me to
ask him, but there was no help for it, and he leaned wearily on his thin
hands, to reopen the wound which could never entirely heal. He began very
quietly--

"Alec, unless you have a clue that I know nothing about, you will not be
able to explain any more than I what has happened. I suspect that you
would rather not hear these details, but you must learn them, else I
would spare you the relation. God knows I wish I could be spared the
telling. I shall use few words.

"That day when I left you in the doctor's care and came back to Boris, I
found him working on the 'Fates.' Geneviève, he said, was sleeping under
the influence of drugs. She had been quite out of her mind, he said. He
kept on working, not talking any more, and I watched him. Before long, I
saw that the third figure of the group--the one looking straight ahead,
out over the world--bore his face; not as you ever saw it, but as it
looked then and to the end. This is one thing for which I should like to
find an explanation, but I never shall.

"Well, he worked and I watched him in silence, and we went on that way
until nearly midnight. Then we heard the door open and shut sharply, and
a swift rush in the next room. Boris sprang through the doorway and I
followed; but we were too late. She lay at the bottom of the pool, her
hands across her breast. Then Boris shot himself through the heart." Jack
stopped speaking, drops of sweat stood under his eyes, and his thin
cheeks twitched. "I carried Boris to his room. Then I went back and let
that hellish fluid out of the pool, and turning on all the water, washed
the marble clean of every drop. When at length I dared descend the steps,
I found her lying there as white as snow. At last, when I had decided
what was best to do, I went into the laboratory, and first emptied the
solution in the basin into the waste-pipe; then I poured the contents of
every jar and bottle after it. There was wood in the fire-place, so I
built a fire, and breaking the locks of Boris' cabinet I burnt every
paper, notebook and letter that I found there. With a mallet from the
studio I smashed to pieces all the empty bottles, then loading them into
a coal-scuttle, I carried them to the cellar and threw them over the
red-hot bed of the furnace. Six times I made the journey, and at last,
not a vestige remained of anything which might again aid in seeking for
the formula which Boris had found. Then at last I dared call the doctor.
He is a good man, and together we struggled to keep it from the public.
Without him I never could have succeeded. At last we got the servants
paid and sent away into the country, where old Rosier keeps them quiet
with stones of Boris' and Geneviève's travels in distant lands, from
whence they will not return for years. We buried Boris in the little
cemetery of Sèvres. The doctor is a good creature, and knows when to pity
a man who can bear no more. He gave his certificate of heart disease and
asked no questions of me."

Then, lifting his head from his hands, he said, "Open the letter, Alec;
it is for us both."

I tore it open. It was Boris' will dated a year before. He left
everything to Geneviève, and in case of her dying childless, I was to
take control of the house in the Rue Sainte-Cécile, and Jack Scott the
management at Ept. On our deaths the property reverted to his mother's
family in Russia, with the exception of the sculptured marbles executed
by himself. These he left to me.

The page blurred under our eyes, and Jack got up and walked to the
window. Presently he returned and sat down again. I dreaded to hear what
he was going to say, but he spoke with the same simplicity and
gentleness.

"Geneviève lies before the Madonna in the marble room. The Madonna bends
tenderly above her, and Geneviève smiles back into that calm face that
never would have been except for her."

His voice broke, but he grasped my hand, saying, "Courage, Alec." Next
morning he left for Ept to fulfil his trust.




IV

The same evening I took the keys and went into the house I had known so
well. Everything was in order, but the silence was terrible. Though I
went twice to the door of the marble room, I could not force myself to
enter. It was beyond my strength. I went into the smoking-room and sat
down before the spinet. A small lace handkerchief lay on the keys, and I
turned away, choking. It was plain I could not stay, so I locked every
door, every window, and the three front and back gates, and went away.
Next morning Alcide packed my valise, and leaving him in charge of my
apartments I took the Orient express for Constantinople. During the two
years that I wandered through the East, at first, in our letters, we
never mentioned Geneviève and Boris, but gradually their names crept in.
I recollect particularly a passage in one of Jack's letters replying to
one of mine--

"What you tell me of seeing Boris bending over you while you lay ill, and
feeling his touch on your face, and hearing his voice, of course troubles
me. This that you describe must have happened a fortnight after he died.
I say to myself that you were dreaming, that it was part of your
delirium, but the explanation does not satisfy me, nor would it you."

Toward the end of the second year a letter came from Jack to me in India
so unlike anything that I had ever known of him that I decided to return
at once to Paris. He wrote: "I am well, and sell all my pictures as
artists do who have no need of money. I have not a care of my own, but I
am more restless than if I had. I am unable to shake off a strange
anxiety about you. It is not apprehension, it is rather a breathless
expectancy--of what, God knows! I can only say it is wearing me out.
Nights I dream always of you and Boris. I can never recall anything
afterward, but I wake in the morning with my heart beating, and all day
the excitement increases until I fall asleep at night to recall the same
experience. I am quite exhausted by it, and have determined to break up
this morbid condition. I must see you. Shall I go to Bombay, or will you
come to Paris?"

I telegraphed him to expect me by the next steamer.

When we met I thought he had changed very little; I, he insisted, looked
in splendid health. It was good to hear his voice again, and as we sat
and chatted about what life still held for us, we felt that it was
pleasant to be alive in the bright spring weather.

We stayed in Paris together a week, and then I went for a week to Ept
with him, but first of all we went to the cemetery at Sèvres, where Boris
lay.

"Shall we place the 'Fates' in the little grove above him?" Jack asked,
and I answered--

"I think only the 'Madonna' should watch over Boris' grave." But Jack was
none the better for my home-coming. The dreams of which he could not
retain even the least definite outline continued, and he said that at
times the sense of breathless expectancy was suffocating.

"You see I do you harm and not good," I said. "Try a change without me."
So he started alone for a ramble among the Channel Islands, and I went
back to Paris. I had not yet entered Boris' house, now mine, since my
return, but I knew it must be done. It had been kept in order by Jack;
there were servants there, so I gave up my own apartment and went there
to live. Instead of the agitation I had feared, I found myself able to
paint there tranquilly. I visited all the rooms--all but one. I could not
bring myself to enter the marble room where Geneviève lay, and yet I felt
the longing growing daily to look upon her face, to kneel beside her.

One April afternoon, I lay dreaming in the smoking-room, just as I had
lain two years before, and mechanically I looked among the tawny Eastern
rugs for the wolf-skin. At last I distinguished the pointed ears and flat
cruel head, and I thought of my dream where I saw Geneviève lying beside
it. The helmets still hung against the threadbare tapestry, among them
the old Spanish morion which I remembered Geneviève had once put on when
we were amusing ourselves with the ancient bits of mail. I turned my eyes
to the spinet; every yellow key seemed eloquent of her caressing hand,
and I rose, drawn by the strength of my life's passion to the sealed door
of the marble room. The heavy doors swung inward under my trembling
hands. Sunlight poured through the window, tipping with gold the wings of
Cupid, and lingered like a nimbus over the brows of the Madonna. Her
tender face bent in compassion over a marble form so exquisitely pure
that I knelt and signed myself. Geneviève lay in the shadow under the
Madonna, and yet, through her white arms, I saw the pale azure vein, and
beneath her softly clasped hands the folds of her dress were tinged with
rose, as if from some faint warm light within her breast.

Bending, with a breaking heart, I touched the marble drapery with my
lips, then crept back into the silent house.

A maid came and brought me a letter, and I sat down in the little
conservatory to read it; but as I was about to break the seal, seeing the
girl lingering, I asked her what she wanted.

She stammered something about a white rabbit that had been caught in the
house, and asked what should be done with it I told her to let it loose
in the walled garden behind the house, and opened my letter. It was from
Jack, but so incoherent that I thought he must have lost his reason. It
was nothing but a series of prayers to me not to leave the house until he
could get back; he could not tell me why, there were the dreams, he
said--he could explain nothing, but he was sure that I must not leave the
house in the Rue Sainte-Cécile.

As I finished reading I raised my eyes and saw the same maid-servant
standing in the doorway holding a glass dish in which two gold-fish were
swimming: "Put them back into the tank and tell me what you mean by
interrupting me," I said.

With a half-suppressed whimper she emptied water and fish into an
aquarium at the end of the conservatory, and turning to me asked my
permission to leave my service. She said people were playing tricks on
her, evidently with a design of getting her into trouble; the marble
rabbit had been stolen and a live one had been brought into the house;
the two beautiful marble fish were gone, and she had just found those
common live things flopping on the dining-room floor. I reassured her and
sent her away, saying I would look about myself. I went into the studio;
there was nothing there but my canvases and some casts, except the marble
of the Easter lily. I saw it on a table across the room. Then I strode
angrily over to it. But the flower I lifted from the table was fresh and
fragile and filled the air with perfume.

Then suddenly I comprehended, and sprang through the hall-way to the
marble room. The doors flew open, the sunlight streamed into my face, and
through it, in a heavenly glory, the Madonna smiled, as Geneviève lifted
her flushed face from her marble couch and opened her sleepy eyes.




IN THE COURT OF THE DRAGON


  "Oh, thou who burn'st in heart for those who burn
  In Hell, whose fires thyself shall feed in turn;
  How long be crying--'Mercy on them.' God!
  Why, who art thou to teach and He to learn?"

In the Church of St. Barnabé vespers were over; the clergy left the
altar; the little choir-boys flocked across the chancel and settled in
the stalls. A Suisse in rich uniform marched down the south aisle,
sounding his staff at every fourth step on the stone pavement; behind him
came that eloquent preacher and good man, Monseigneur C----.

My chair was near the chancel rail, I now turned toward the west end of
the church. The other people between the altar and the pulpit turned too.
There was a little scraping and rustling while the congregation seated
itself again; the preacher mounted the pulpit stairs, and the organ
voluntary ceased.

I had always found the organ-playing at St. Barnabé highly interesting.
Learned and scientific it was, too much so for my small knowledge, but
expressing a vivid if cold intelligence. Moreover, it possessed the
French quality of taste: taste reigned supreme, self-controlled,
dignified and reticent.

To-day, however, from the first chord I had felt a change for the worse,
a sinister change. During vespers it had been chiefly the chancel organ
which supported the beautiful choir, but now and again, quite wantonly as
it seemed, from the west gallery where the great organ stands, a heavy
hand had struck across the church at the serene peace of those clear
voices. It was something more than harsh and dissonant, and it betrayed
no lack of skill. As it recurred again and again, it set me thinking of
what my architect's books say about the custom in early times to
consecrate the choir as soon as it was built, and that the nave, being
finished sometimes half a century later, often did not get any blessing
at all: I wondered idly if that had been the case at St. Barnabé, and
whether something not usually supposed to be at home in a Christian
church might have entered undetected and taken possession of the west
gallery. I had read of such things happening, too, but not in works on
architecture.

Then I remembered that St. Barnabé was not much more than a hundred years
old, and smiled at the incongruous association of mediaeval superstitions
with that cheerful little piece of eighteenth-century rococo.

But now vespers were over, and there should have followed a few quiet
chords, fit to accompany meditation, while we waited for the sermon.
Instead of that, the discord at the lower end of the church broke out
with the departure of the clergy, as if now nothing could control it.

I belong to those children of an older and simpler generation who do not
love to seek for psychological subtleties in art; and I have ever refused
to find in music anything more than melody and harmony, but I felt that
in the labyrinth of sounds now issuing from that instrument there was
something being hunted. Up and down the pedals chased him, while the
manuals blared approval. Poor devil! whoever he was, there seemed small
hope of escape!

My nervous annoyance changed to anger. Who was doing this? How dare he
play like that in the midst of divine service? I glanced at the people
near me: not one appeared to be in the least disturbed. The placid brows
of the kneeling nuns, still turned towards the altar, lost none of their
devout abstraction under the pale shadow of their white head-dress. The
fashionable lady beside me was looking expectantly at Monseigneur C----.
For all her face betrayed, the organ might have been singing an Ave
Maria.

But now, at last, the preacher had made the sign of the cross, and
commanded silence. I turned to him gladly. Thus far I had not found the
rest I had counted on when I entered St. Barnabé that afternoon.

I was worn out by three nights of physical suffering and mental trouble:
the last had been the worst, and it was an exhausted body, and a mind
benumbed and yet acutely sensitive, which I had brought to my favourite
church for healing. For I had been reading _The King in Yellow_.

"The sun ariseth; they gather themselves together and lay them down in
their dens." Monseigneur C---- delivered his text in a calm voice,
glancing quietly over the congregation. My eyes turned, I knew not why,
toward the lower end of the church. The organist was coming from behind
his pipes, and passing along the gallery on his way out, I saw him
disappear by a small door that leads to some stairs which descend
directly to the street. He was a slender man, and his face was as white
as his coat was black. "Good riddance!" I thought, "with your wicked
music! I hope your assistant will play the closing voluntary."

With a feeling of relief--with a deep, calm feeling of relief, I turned
back to the mild face in the pulpit and settled myself to listen. Here,
at last, was the ease of mind I longed for.

"My children," said the preacher, "one truth the human soul finds hardest
of all to learn: that it has nothing to fear. It can never be made to see
that nothing can really harm it."

"Curious doctrine!" I thought, "for a Catholic priest. Let us see how he
will reconcile that with the Fathers."

"Nothing can really harm the soul," he went on, in, his coolest, clearest
tones, "because----"

But I never heard the rest; my eye left his face, I knew not for what
reason, and sought the lower end of the church. The same man was coming
out from behind the organ, and was passing along the gallery _the same
way_. But there had not been time for him to return, and if he had
returned, I must have seen him. I felt a faint chill, and my heart sank;
and yet, his going and coming were no affair of mine. I looked at him: I
could not look away from his black figure and his white face. When he was
exactly opposite to me, he turned and sent across the church straight
into my eyes, a look of hate, intense and deadly: I have never seen any
other like it; would to God I might never see it again! Then he
disappeared by the same door through which I had watched him depart less
than sixty seconds before.

I sat and tried to collect my thoughts. My first sensation was like that
of a very young child badly hurt, when it catches its breath before
crying out.

To suddenly find myself the object of such hatred was exquisitely
painful: and this man was an utter stranger. Why should he hate me
so?--me, whom he had never seen before? For the moment all other
sensation was merged in this one pang: even fear was subordinate to
grief, and for that moment I never doubted; but in the next I began to
reason, and a sense of the incongruous came to my aid.

As I have said, St. Barnabé is a modern church. It is small and well
lighted; one sees all over it almost at a glance. The organ gallery gets
a strong white light from a row of long windows in the clerestory, which
have not even coloured glass.

The pulpit being in the middle of the church, it followed that, when I
was turned toward it, whatever moved at the west end could not fail to
attract my eye. When the organist passed it was no wonder that I saw him:
I had simply miscalculated the interval between his first and his second
passing. He had come in that last time by the other side-door. As for the
look which had so upset me, there had been no such thing, and I was a
nervous fool.

I looked about. This was a likely place to harbour supernatural horrors!
That clear-cut, reasonable face of Monseigneur C----, his collected
manner and easy, graceful gestures, were they not just a little
discouraging to the notion of a gruesome mystery? I glanced above his
head, and almost laughed. That flyaway lady supporting one corner of the
pulpit canopy, which looked like a fringed damask table-cloth in a high
wind, at the first attempt of a basilisk to pose up there in the organ
loft, she would point her gold trumpet at him, and puff him out of
existence! I laughed to myself over this conceit, which, at the time, I
thought very amusing, and sat and chaffed myself and everything else,
from the old harpy outside the railing, who had made me pay ten centimes
for my chair, before she would let me in (she was more like a basilisk, I
told myself, than was my organist with the anaemic complexion): from that
grim old dame, to, yes, alas! Monseigneur C---- himself. For all
devoutness had fled. I had never yet done such a thing in my life, but
now I felt a desire to mock.

As for the sermon, I could not hear a word of it for the jingle in my
ears of

 "The skirts of St. Paul has reached.
  Having preached us those six Lent lectures,
  More unctuous than ever he preached,"

keeping time to the most fantastic and irreverent thoughts.

It was no use to sit there any longer: I must get out of doors and shake
myself free from this hateful mood. I knew the rudeness I was committing,
but still I rose and left the church.

A spring sun was shining on the Rue St. Honoré, as I ran down the church
steps. On one corner stood a barrow full of yellow jonquils, pale violets
from the Riviera, dark Russian violets, and white Roman hyacinths in a
golden cloud of mimosa. The street was full of Sunday pleasure-seekers. I
swung my cane and laughed with the rest. Some one overtook and passed me.
He never turned, but there was the same deadly malignity in his white
profile that there had been in his eyes. I watched him as long as I could
see him. His lithe back expressed the same menace; every step that
carried him away from me seemed to bear him on some errand connected with
my destruction.

I was creeping along, my feet almost refusing to move. There began to
dawn in me a sense of responsibility for something long forgotten. It
began to seem as if I deserved that which he threatened: it reached a
long way back--a long, long way back. It had lain dormant all these
years: it was there, though, and presently it would rise and confront me.
But I would try to escape; and I stumbled as best I could into the Rue de
Rivoli, across the Place de la Concorde and on to the Quai. I looked with
sick eyes upon the sun, shining through the white foam of the fountain,
pouring over the backs of the dusky bronze river-gods, on the far-away
Arc, a structure of amethyst mist, on the countless vistas of grey stems
and bare branches faintly green. Then I saw him again coming down one of
the chestnut alleys of the Cours la Reine.

I left the river-side, plunged blindly across to the Champs Elysées and
turned toward the Arc. The setting sun was sending its rays along the
green sward of the Rond-point: in the full glow he sat on a bench,
children and young mothers all about him. He was nothing but a Sunday
lounger, like the others, like myself. I said the words almost aloud, and
all the while I gazed on the malignant hatred of his face. But he was not
looking at me. I crept past and dragged my leaden feet up the Avenue. I
knew that every time I met him brought him nearer to the accomplishment
of his purpose and my fate. And still I tried to save myself.

The last rays of sunset were pouring through the great Arc. I passed
under it, and met him face to face. I had left him far down the Champs
Elysées, and yet he came in with a stream of people who were returning
from the Bois de Boulogne. He came so close that he brushed me. His
slender frame felt like iron inside its loose black covering. He showed
no signs of haste, nor of fatigue, nor of any human feeling. His whole
being expressed one thing: the will, and the power to work me evil.

In anguish I watched him where he went down the broad crowded Avenue,
that was all flashing with wheels and the trappings of horses and the
helmets of the Garde Republicaine.

He was soon lost to sight; then I turned and fled. Into the Bois, and far
out beyond it--I know not where I went, but after a long while as it
seemed to me, night had fallen, and I found myself sitting at a table
before a small café. I had wandered back into the Bois. It was hours now
since I had seen him. Physical fatigue and mental suffering had left me
no power to think or feel. I was tired, so tired! I longed to hide away
in my own den. I resolved to go home. But that was a long way off.

I live in the Court of the Dragon, a narrow passage that leads from the
Rue de Rennes to the Rue du Dragon.

It is an "impasse"; traversable only for foot passengers. Over the
entrance on the Rue de Rennes is a balcony, supported by an iron dragon.
Within the court tall old houses rise on either side, and close the ends
that give on the two streets. Huge gates, swung back during the day into
the walls of the deep archways, close this court, after midnight, and one
must enter then by ringing at certain small doors on the side. The sunken
pavement collects unsavoury pools. Steep stairways pitch down to doors
that open on the court. The ground floors are occupied by shops of
second-hand dealers, and by iron workers. All day long the place rings
with the clink of hammers and the clang of metal bars.

Unsavoury as it is below, there is cheerfulness, and comfort, and hard,
honest work above.

Five flights up are the ateliers of architects and painters, and the
hiding-places of middle-aged students like myself who want to live alone.
When I first came here to live I was young, and not alone.

I had to walk a while before any conveyance appeared, but at last, when I
had almost reached the Arc de Triomphe again, an empty cab came along and
I took it.

From the Arc to the Rue de Rennes is a drive of more than half an hour,
especially when one is conveyed by a tired cab horse that has been at the
mercy of Sunday fete-makers.

There had been time before I passed under the Dragon's wings to meet my
enemy over and over again, but I never saw him once, and now refuge was
close at hand.

Before the wide gateway a small mob of children were playing. Our
concierge and his wife walked among them, with their black poodle,
keeping order; some couples were waltzing on the side-walk. I returned
their greetings and hurried in.

All the inhabitants of the court had trooped out into the street. The
place was quite deserted, lighted by a few lanterns hung high up, in
which the gas burned dimly.

My apartment was at the top of a house, halfway down the court, reached
by a staircase that descended almost into the street, with only a bit of
passage-way intervening, I set my foot on the threshold of the open door,
the friendly old ruinous stairs rose before me, leading up to rest and
shelter. Looking back over my right shoulder, I saw _him,_ ten paces
off. He must have entered the court with me.

He was coming straight on, neither slowly, nor swiftly, but straight on
to me. And now he was looking at me. For the first time since our eyes
encountered across the church they met now again, and I knew that the
time had come.

Retreating backward, down the court, I faced him. I meant to escape by
the entrance on the Rue du Dragon. His eyes told me that I never should
escape.

It seemed ages while we were going, I retreating, he advancing, down the
court in perfect silence; but at last I felt the shadow of the archway,
and the next step brought me within it. I had meant to turn here and
spring through into the street. But the shadow was not that of an
archway; it was that of a vault. The great doors on the Rue du Dragon
were closed. I felt this by the blackness which surrounded me, and at the
same instant I read it in his face. How his face gleamed in the darkness,
drawing swiftly nearer! The deep vaults, the huge closed doors, their
cold iron clamps were all on his side. The thing which he had threatened
had arrived: it gathered and bore down on me from the fathomless shadows;
the point from which it would strike was his infernal eyes. Hopeless, I
set my back against the barred doors and defied him.


There was a scraping of chairs on the stone floor, and a rustling as the
congregation rose. I could hear the Suisse's staff in the south aisle,
preceding Monseigneur C---- to the sacristy.

The kneeling nuns, roused from their devout abstraction, made their
reverence and went away. The fashionable lady, my neighbour, rose also,
with graceful reserve. As she departed her glance just flitted over my
face in disapproval.

Half dead, or so it seemed to me, yet intensely alive to every trifle, I
sat among the leisurely moving crowd, then rose too and went toward the
door.

I had slept through the sermon. Had I slept through the sermon? I looked
up and saw him passing along the gallery to his place. Only his side I
saw; the thin bent arm in its black covering looked like one of those
devilish, nameless instruments which lie in the disused torture-chambers
of mediaeval castles.

But I had escaped him, though his eyes had said I should not. _Had_
I escaped him? That which gave him the power over me came back out of
oblivion, where I had hoped to keep it. For I knew him now. Death and the
awful abode of lost souls, whither my weakness long ago had sent
him--they had changed him for every other eye, but not for mine. I had
recognized him almost from the first; I had never doubted what he was
come to do; and now I knew while my body sat safe in the cheerful little
church, he had been hunting my soul in the Court of the Dragon.

I crept to the door: the organ broke out overhead with a blare. A
dazzling light filled the church, blotting the altar from my eyes. The
people faded away, the arches, the vaulted roof vanished. I raised my
seared eyes to the fathomless glare, and I saw the black stars hanging in
the heavens: and the wet winds from the lake of Hali chilled my face.

And now, far away, over leagues of tossing cloud-waves, I saw the moon
dripping with spray; and beyond, the towers of Carcosa rose behind the
moon.

Death and the awful abode of lost souls, whither my weakness long ago had
sent him, had changed him for every other eye but mine. And now I heard
_his voice_, rising, swelling, thundering through the flaring light,
and as I fell, the radiance increasing, increasing, poured over me in
waves of flame. Then I sank into the depths, and I heard the King in
Yellow whispering to my soul: "It is a fearful thing to fall into the
hands of the living God!"




THE YELLOW SIGN

  "Let the red dawn surmise
    What we shall do,
  When this blue starlight dies
    And all is through."


I

There are so many things which are impossible to explain! Why should
certain chords in music make me think of the brown and golden tints of
autumn foliage? Why should the Mass of Sainte Cécile bend my thoughts
wandering among caverns whose walls blaze with ragged masses of virgin
silver? What was it in the roar and turmoil of Broadway at six o'clock
that flashed before my eyes the picture of a still Breton forest where
sunlight filtered through spring foliage and Sylvia bent, half curiously,
half tenderly, over a small green lizard, murmuring: "To think that this
also is a little ward of God!"

When I first saw the watchman his back was toward me. I looked at him
indifferently until he went into the church. I paid no more attention to
him than I had to any other man who lounged through Washington Square
that morning, and when I shut my window and turned back into my studio I
had forgotten him. Late in the afternoon, the day being warm, I raised
the window again and leaned out to get a sniff of air. A man was standing
in the courtyard of the church, and I noticed him again with as little
interest as I had that morning. I looked across the square to where the
fountain was playing and then, with my mind filled with vague impressions
of trees, asphalt drives, and the moving groups of nursemaids and
holiday-makers, I started to walk back to my easel. As I turned, my
listless glance included the man below in the churchyard. His face was
toward me now, and with a perfectly involuntary movement I bent to see
it. At the same moment he raised his head and looked at me. Instantly I
thought of a coffin-worm. Whatever it was about the man that repelled me
I did not know, but the impression of a plump white grave-worm was so
intense and nauseating that I must have shown it in my expression, for he
turned his puffy face away with a movement which made me think of a
disturbed grub in a chestnut.

I went back to my easel and motioned the model to resume her pose. After
working a while I was satisfied that I was spoiling what I had done as
rapidly as possible, and I took up a palette knife and scraped the colour
out again. The flesh tones were sallow and unhealthy, and I did not
understand how I could have painted such sickly colour into a study which
before that had glowed with healthy tones.

I looked at Tessie. She had not changed, and the clear flush of health
dyed her neck and cheeks as I frowned.

"Is it something I've done?" she said.

"No,--I've made a mess of this arm, and for the life of me I can't see
how I came to paint such mud as that into the canvas," I replied.

"Don't I pose well?" she insisted.

"Of course, perfectly."

"Then it's not my fault?"

"No. It's my own."

"I am very sorry," she said.

I told her she could rest while I applied rag and turpentine to the
plague spot on my canvas, and she went off to smoke a cigarette and look
over the illustrations in the _Courrier Français_.

I did not know whether it was something in the turpentine or a defect in
the canvas, but the more I scrubbed the more that gangrene seemed to
spread. I worked like a beaver to get it out, and yet the disease
appeared to creep from limb to limb of the study before me. Alarmed, I
strove to arrest it, but now the colour on the breast changed and the
whole figure seemed to absorb the infection as a sponge soaks up water.
Vigorously I plied palette-knife, turpentine, and scraper, thinking all
the time what a _séance_ I should hold with Duval who had sold me
the canvas; but soon I noticed that it was not the canvas which was
defective nor yet the colours of Edward. "It must be the turpentine," I
thought angrily, "or else my eyes have become so blurred and confused by
the afternoon light that I can't see straight." I called Tessie, the
model. She came and leaned over my chair blowing rings of smoke into the
air.

"What _have_ you been doing to it?" she exclaimed

"Nothing," I growled, "it must be this turpentine!"

"What a horrible colour it is now," she continued. "Do you think my flesh
resembles green cheese?"

"No, I don't," I said angrily; "did you ever know me to paint like that
before?"

"No, indeed!"

"Well, then!"

"It must be the turpentine, or something," she admitted.

She slipped on a Japanese robe and walked to the window. I scraped and
rubbed until I was tired, and finally picked up my brushes and hurled
them through the canvas with a forcible expression, the tone alone of
which reached Tessie's ears.

Nevertheless she promptly began: "That's it! Swear and act silly and ruin
your brushes! You have been three weeks on that study, and now look!
What's the good of ripping the canvas? What creatures artists are!"

I felt about as much ashamed as I usually did after such an outbreak, and
I turned the ruined canvas to the wall. Tessie helped me clean my
brushes, and then danced away to dress. From the screen she regaled me
with bits of advice concerning whole or partial loss of temper, until,
thinking, perhaps, I had been tormented sufficiently, she came out to
implore me to button her waist where she could not reach it on the
shoulder.

"Everything went wrong from the time you came back from the window and
talked about that horrid-looking man you saw in the churchyard," she
announced.

"Yes, he probably bewitched the picture," I said, yawning. I looked at my
watch.

"It's after six, I know," said Tessie, adjusting her hat before the
mirror.

"Yes," I replied, "I didn't mean to keep you so long." I leaned out of
the window but recoiled with disgust, for the young man with the pasty
face stood below in the churchyard. Tessie saw my gesture of disapproval
and leaned from the window.

"Is that the man you don't like?" she whispered.

I nodded.

"I can't see his face, but he does look fat and soft. Someway or other,"
she continued, turning to look at me, "he reminds me of a dream,--an
awful dream I once had. Or," she mused, looking down at her shapely
shoes, "was it a dream after all?"

"How should I know?" I smiled.

Tessie smiled in reply.

"You were in it," she said, "so perhaps you might know something about
it."

"Tessie! Tessie!" I protested, "don't you dare flatter by saying that you
dream about me!"

"But I did," she insisted; "shall I tell you about it?"

"Go ahead," I replied, lighting a cigarette.

Tessie leaned back on the open window-sill and began very seriously.

"One night last winter I was lying in bed thinking about nothing at all
in particular. I had been posing for you and I was tired out, yet it
seemed impossible for me to sleep. I heard the bells in the city ring
ten, eleven, and midnight. I must have fallen asleep about midnight
because I don't remember hearing the bells after that. It seemed to me
that I had scarcely closed my eyes when I dreamed that something impelled
me to go to the window. I rose, and raising the sash leaned out.
Twenty-fifth Street was deserted as far as I could see. I began to be
afraid; everything outside seemed so--so black and uncomfortable. Then
the sound of wheels in the distance came to my ears, and it seemed to me
as though that was what I must wait for. Very slowly the wheels
approached, and, finally, I could make out a vehicle moving along the
street. It came nearer and nearer, and when it passed beneath my window I
saw it was a hearse. Then, as I trembled with fear, the driver turned and
looked straight at me. When I awoke I was standing by the open window
shivering with cold, but the black-plumed hearse and the driver were
gone. I dreamed this dream again in March last, and again awoke beside
the open window. Last night the dream came again. You remember how it was
raining; when I awoke, standing at the open window, my night-dress was
soaked."

"But where did I come into the dream?" I asked.

"You--you were in the coffin; but you were not dead."

"In the coffin?"

"Yes."

"How did you know? Could you see me?"

"No; I only knew you were there."

"Had you been eating Welsh rarebits, or lobster salad?" I began,
laughing, but the girl interrupted me with a frightened cry.

"Hello! What's up?" I said, as she shrank into the embrasure by the
window.

"The--the man below in the churchyard;--he drove the hearse."

"Nonsense," I said, but Tessie's eyes were wide with terror. I went to
the window and looked out. The man was gone. "Come, Tessie," I urged,
"don't be foolish. You have posed too long; you are nervous."

"Do you think I could forget that face?" she murmured. "Three times I saw
the hearse pass below my window, and every time the driver turned and
looked up at me. Oh, his face was so white and--and soft? It looked
dead--it looked as if it had been dead a long time."

I induced the girl to sit down and swallow a glass of Marsala. Then I sat
down beside her, and tried to give her some advice.

"Look here, Tessie," I said, "you go to the country for a week or two,
and you'll have no more dreams about hearses. You pose all day, and when
night comes your nerves are upset. You can't keep this up. Then again,
instead of going to bed when your day's work is done, you run off to
picnics at Sulzer's Park, or go to the Eldorado or Coney Island, and when
you come down here next morning you are fagged out. There was no real
hearse. There was a soft-shell crab dream."

She smiled faintly.

"What about the man in the churchyard?"

"Oh, he's only an ordinary unhealthy, everyday creature."

"As true as my name is Tessie Reardon, I swear to you, Mr. Scott, that
the face of the man below in the churchyard is the face of the man who
drove the hearse!"

"What of it?" I said. "It's an honest trade."

"Then you think I _did_ see the hearse?"

"Oh," I said diplomatically, "if you really did, it might not be unlikely
that the man below drove it. There is nothing in that."

Tessie rose, unrolled her scented handkerchief, and taking a bit of gum
from a knot in the hem, placed it in her mouth. Then drawing on her
gloves she offered me her hand, with a frank, "Good-night, Mr. Scott,"
and walked out.




II

The next morning, Thomas, the bell-boy, brought me the _Herald_ and
a bit of news. The church next door had been sold. I thanked Heaven for
it, not that being a Catholic I had any repugnance for the congregation
next door, but because my nerves were shattered by a blatant exhorter,
whose every word echoed through the aisle of the church as if it had been
my own rooms, and who insisted on his r's with a nasal persistence which
revolted my every instinct. Then, too, there was a fiend in human shape,
an organist, who reeled off some of the grand old hymns with an
interpretation of his own, and I longed for the blood of a creature who
could play the doxology with an amendment of minor chords which one hears
only in a quartet of very young undergraduates. I believe the minister
was a good man, but when he bellowed: "And the Lorrrrd said unto Moses,
the Lorrrd is a man of war; the Lorrrd is his name. My wrath shall wax
hot and I will kill you with the sworrrrd!" I wondered how many centuries
of purgatory it would take to atone for such a sin.

"Who bought the property?" I asked Thomas.

"Nobody that I knows, sir. They do say the gent wot owns this 'ere
'Amilton flats was lookin' at it. 'E might be a bildin' more studios."

I walked to the window. The young man with the unhealthy face stood by
the churchyard gate, and at the mere sight of him the same overwhelming
repugnance took possession of me.

"By the way, Thomas," I said, "who is that fellow down there?"

Thomas sniffed. "That there worm, sir? 'Es night-watchman of the church,
sir. 'E maikes me tired a-sittin' out all night on them steps and lookin'
at you insultin' like. I'd a punched 'is 'ed, sir--beg pardon, sir--"

"Go on, Thomas."

"One night a comin' 'ome with Arry, the other English boy, I sees 'im a
sittin' there on them steps. We 'ad Molly and Jen with us, sir, the two
girls on the tray service, an' 'e looks so insultin' at us that I up and
sez: 'Wat you looking hat, you fat slug?'--beg pardon, sir, but that's
'ow I sez, sir. Then 'e don't say nothin' and I sez: 'Come out and I'll
punch that puddin' 'ed.' Then I hopens the gate an' goes in, but 'e don't
say nothin', only looks insultin' like. Then I 'its 'im one, but, ugh!
'is 'ed was that cold and mushy it ud sicken you to touch 'im."

"What did he do then?" I asked curiously.

"'Im? Nawthin'."

"And you, Thomas?"

The young fellow flushed with embarrassment and smiled uneasily.

"Mr. Scott, sir, I ain't no coward, an' I can't make it out at all why I
run. I was in the 5th Lawncers, sir, bugler at Tel-el-Kebir, an' was shot
by the wells."

"You don't mean to say you ran away?"

"Yes, sir; I run."

"Why?"

"That's just what I want to know, sir. I grabbed Molly an' run, an' the
rest was as frightened as I."

"But what were they frightened at?"

Thomas refused to answer for a while, but now my curiosity was aroused
about the repulsive young man below and I pressed him. Three years'
sojourn in America had not only modified Thomas' cockney dialect but had
given him the American's fear of ridicule.

"You won't believe me, Mr. Scott, sir?"

"Yes, I will."

"You will lawf at me, sir?"

"Nonsense!"

He hesitated. "Well, sir, it's Gawd's truth that when I 'it 'im 'e
grabbed me wrists, sir, and when I twisted 'is soft, mushy fist one of
'is fingers come off in me 'and."

The utter loathing and horror of Thomas' face must have been reflected in
my own, for he added:

"It's orful, an' now when I see 'im I just go away. 'E maikes me hill."

When Thomas had gone I went to the window. The man stood beside the
church-railing with both hands on the gate, but I hastily retreated to my
easel again, sickened and horrified, for I saw that the middle finger of
his right hand was missing.

At nine o'clock Tessie appeared and vanished behind the screen with a
merry "Good morning, Mr. Scott." When she had reappeared and taken her
pose upon the model-stand I started a new canvas, much to her delight.
She remained silent as long as I was on the drawing, but as soon as the
scrape of the charcoal ceased and I took up my fixative she began to
chatter.

"Oh, I had such a lovely time last night. We went to Tony Pastor's."

"Who are 'we'?" I demanded.

"Oh, Maggie, you know, Mr. Whyte's model, and Pinkie McCormick--we call
her Pinkie because she's got that beautiful red hair you artists like so
much--and Lizzie Burke."

I sent a shower of spray from the fixative over the canvas, and said:
"Well, go on."

"We saw Kelly and Baby Barnes the skirt-dancer and--and all the rest. I
made a mash."

"Then you have gone back on me, Tessie?"

She laughed and shook her head.

"He's Lizzie Burke's brother, Ed. He's a perfect gen'l'man."

I felt constrained to give her some parental advice concerning mashing,
which she took with a bright smile.

"Oh, I can take care of a strange mash," she said, examining her chewing
gum, "but Ed is different. Lizzie is my best friend."

Then she related how Ed had come back from the stocking mill in Lowell,
Massachusetts, to find her and Lizzie grown up, and what an accomplished
young man he was, and how he thought nothing of squandering half-a-dollar
for ice-cream and oysters to celebrate his entry as clerk into the
woollen department of Macy's. Before she finished I began to paint, and
she resumed the pose, smiling and chattering like a sparrow. By noon I
had the study fairly well rubbed in and Tessie came to look at it.

"That's better," she said.

I thought so too, and ate my lunch with a satisfied feeling that all was
going well. Tessie spread her lunch on a drawing table opposite me and we
drank our claret from the same bottle and lighted our cigarettes from the
same match. I was very much attached to Tessie. I had watched her shoot
up into a slender but exquisitely formed woman from a frail, awkward
child. She had posed for me during the last three years, and among all my
models she was my favourite. It would have troubled me very much indeed
had she become "tough" or "fly," as the phrase goes, but I never noticed
any deterioration of her manner, and felt at heart that she was all
right. She and I never discussed morals at all, and I had no intention of
doing so, partly because I had none myself, and partly because I knew she
would do what she liked in spite of me. Still I did hope she would steer
clear of complications, because I wished her well, and then also I had a
selfish desire to retain the best model I had. I knew that mashing, as
she termed it, had no significance with girls like Tessie, and that such
things in America did not resemble in the least the same things in Paris.
Yet, having lived with my eyes open, I also knew that somebody would take
Tessie away some day, in one manner or another, and though I professed to
myself that marriage was nonsense, I sincerely hoped that, in this case,
there would be a priest at the end of the vista. I am a Catholic. When I
listen to high mass, when I sign myself, I feel that everything,
including myself, is more cheerful, and when I confess, it does me good.
A man who lives as much alone as I do, must confess to somebody. Then,
again, Sylvia was Catholic, and it was reason enough for me. But I was
speaking of Tessie, which is very different. Tessie also was Catholic and
much more devout than I, so, taking it all in all, I had little fear for
my pretty model until she should fall in love. But _then_ I knew
that fate alone would decide her future for her, and I prayed inwardly
that fate would keep her away from men like me and throw into her path
nothing but Ed Burkes and Jimmy McCormicks, bless her sweet face!

Tessie sat blowing rings of smoke up to the ceiling and tinkling the ice
in her tumbler.

"Do you know that I also had a dream last night?" I observed.

"Not about that man," she laughed.

"Exactly. A dream similar to yours, only much worse."

It was foolish and thoughtless of me to say this, but you know how little
tact the average painter has. "I must have fallen asleep about ten
o'clock," I continued, "and after a while I dreamt that I awoke. So
plainly did I hear the midnight bells, the wind in the tree-branches, and
the whistle of steamers from the bay, that even now I can scarcely
believe I was not awake. I seemed to be lying in a box which had a glass
cover. Dimly I saw the street lamps as I passed, for I must tell you,
Tessie, the box in which I reclined appeared to lie in a cushioned wagon
which jolted me over a stony pavement. After a while I became impatient
and tried to move, but the box was too narrow. My hands were crossed on
my breast, so I could not raise them to help myself. I listened and then
tried to call. My voice was gone. I could hear the trample of the horses
attached to the wagon, and even the breathing of the driver. Then another
sound broke upon my ears like the raising of a window sash. I managed to
turn my head a little, and found I could look, not only through the glass
cover of my box, but also through the glass panes in the side of the
covered vehicle. I saw houses, empty and silent, with neither light nor
life about any of them excepting one. In that house a window was open on
the first floor, and a figure all in white stood looking down into the
street. It was you."

Tessie had turned her face away from me and leaned on the table with her
elbow.

"I could see your face," I resumed, "and it seemed to me to be very
sorrowful. Then we passed on and turned into a narrow black lane.
Presently the horses stopped. I waited and waited, closing my eyes with
ear and impatience, but all was silent as the grave. After what seemed to
me hours, I began to feel uncomfortable. A sense that somebody was close
to me made me unclose my eyes. Then I saw the white face of the
hearse-driver looking at me through the coffin-lid----"

A sob from Tessie interrupted me. She was trembling like a leaf. I saw I
had made an ass of myself and attempted to repair the damage.

"Why, Tess," I said, "I only told you this to show you what influence
your story might have on another person's dreams. You don't suppose I
really lay in a coffin, do you? What are you trembling for? Don't you see
that your dream and my unreasonable dislike for that inoffensive watchman
of the church simply set my brain working as soon as I fell asleep?"

She laid her head between her arms, and sobbed as if her heart would
break. What a precious triple donkey I had made of myself! But I was
about to break my record. I went over and put my arm about her.

"Tessie dear, forgive me," I said; "I had no business to frighten you
with such nonsense. You are too sensible a girl, too good a Catholic to
believe in dreams."

Her hand tightened on mine and her head fell back upon my shoulder, but
she still trembled and I petted her and comforted her.

"Come, Tess, open your eyes and smile."

Her eyes opened with a slow languid movement and met mine, but their
expression was so queer that I hastened to reassure her again.

"It's all humbug, Tessie; you surely are not afraid that any harm will
come to you because of that."

"No," she said, but her scarlet lips quivered.

"Then, what's the matter? Are you afraid?"

"Yes. Not for myself."

"For me, then?" I demanded gaily.

"For you," she murmured in a voice almost inaudible. "I--I care for you."

At first I started to laugh, but when I understood her, a shock passed
through me, and I sat like one turned to stone. This was the crowning bit
of idiocy I had committed. During the moment which elapsed between her
reply and my answer I thought of a thousand responses to that innocent
confession. I could pass it by with a laugh, I could misunderstand her
and assure her as to my health, I could simply point out that it was
impossible she could love me. But my reply was quicker than my thoughts,
and I might think and think now when it was too late, for I had kissed
her on the mouth.

That evening I took my usual walk in Washington Park, pondering over the
occurrences of the day. I was thoroughly committed. There was no back out
now, and I stared the future straight in the face. I was not good, not
even scrupulous, but I had no idea of deceiving either myself or Tessie.
The one passion of my life lay buried in the sunlit forests of Brittany.
Was it buried for ever? Hope cried "No!" For three years I had been
listening to the voice of Hope, and for three years I had waited for a
footstep on my threshold. Had Sylvia forgotten? "No!" cried Hope.

I said that I was no good. That is true, but still I was not exactly a
comic opera villain. I had led an easy-going reckless life, taking what
invited me of pleasure, deploring and sometimes bitterly regretting
consequences. In one thing alone, except my painting, was I serious, and
that was something which lay hidden if not lost in the Breton forests.

It was too late for me to regret what had occurred during the day.
Whatever it had been, pity, a sudden tenderness for sorrow, or the more
brutal instinct of gratified vanity, it was all the same now, and unless
I wished to bruise an innocent heart, my path lay marked before me. The
fire and strength, the depth of passion of a love which I had never even
suspected, with all my imagined experience in the world, left me no
alternative but to respond or send her away. Whether because I am so
cowardly about giving pain to others, or whether it was that I have
little of the gloomy Puritan in me, I do not know, but I shrank from
disclaiming responsibility for that thoughtless kiss, and in fact had no
time to do so before the gates of her heart opened and the flood poured
forth. Others who habitually do their duty and find a sullen satisfaction
in making themselves and everybody else unhappy, might have withstood it.
I did not. I dared not. After the storm had abated I did tell her that
she might better have loved Ed Burke and worn a plain gold ring, but she
would not hear of it, and I thought perhaps as long as she had decided to
love somebody she could not marry, it had better be me. I, at least,
could treat her with an intelligent affection, and whenever she became
tired of her infatuation she could go none the worse for it. For I was
decided on that point although I knew how hard it would be. I remembered
the usual termination of Platonic liaisons, and thought how disgusted I
had been whenever I heard of one. I knew I was undertaking a great deal
for so unscrupulous a man as I was, and I dreamed the future, but never
for one moment did I doubt that she was safe with me. Had it been anybody
but Tessie I should not have bothered my head about scruples. For it did
not occur to me to sacrifice Tessie as I would have sacrificed a woman of
the world. I looked the future squarely in the face and saw the several
probable endings to the affair. She would either tire of the whole thing,
or become so unhappy that I should have either to marry her or go away.
If I married her we would be unhappy. I with a wife unsuited to me, and
she with a husband unsuitable for any woman. For my past life could
scarcely entitle me to marry. If I went away she might either fall ill,
recover, and marry some Eddie Burke, or she might recklessly or
deliberately go and do something foolish. On the other hand, if she tired
of me, then her whole life would be before her with beautiful vistas of
Eddie Burkes and marriage rings and twins and Harlem flats and Heaven
knows what. As I strolled along through the trees by the Washington Arch,
I decided that she should find a substantial friend in me, anyway, and
the future could take care of itself. Then I went into the house and put
on my evening dress, for the little faintly-perfumed note on my dresser
said, "Have a cab at the stage door at eleven," and the note was signed
"Edith Carmichel, Metropolitan Theatre."

I took supper that night, or rather we took supper, Miss Carmichel and I,
at Solari's, and the dawn was just beginning to gild the cross on the
Memorial Church as I entered Washington Square after leaving Edith at the
Brunswick. There was not a soul in the park as I passed along the trees
and took the walk which leads from the Garibaldi statue to the Hamilton
Apartment House, but as I passed the churchyard I saw a figure sitting on
the stone steps. In spite of myself a chill crept over me at the sight of
the white puffy face, and I hastened to pass. Then he said something
which might have been addressed to me or might merely have been a mutter
to himself, but a sudden furious anger flamed up within me that such a
creature should address me. For an instant I felt like wheeling about and
smashing my stick over his head, but I walked on, and entering the
Hamilton went to my apartment. For some time I tossed about the bed
trying to get the sound of his voice out of my ears, but could not. It
filled my head, that muttering sound, like thick oily smoke from a
fat-rendering vat or an odour of noisome decay. And as I lay and tossed
about, the voice in my ears seemed more distinct, and I began to
understand the words he had muttered. They came to me slowly as if I had
forgotten them, and at last I could make some sense out of the sounds. It
was this:

"Have you found the Yellow Sign?"

"Have you found the Yellow Sign?"

"Have you found the Yellow Sign?"

I was furious. What did he mean by that? Then with a curse upon him and
his I rolled over and went to sleep, but when I awoke later I looked pale
and haggard, for I had dreamed the dream of the night before, and it
troubled me more than I cared to think.

I dressed and went down into my studio. Tessie sat by the window, but as
I came in she rose and put both arms around my neck for an innocent kiss.
She looked so sweet and dainty that I kissed her again and then sat down
before the easel.

"Hello! Where's the study I began yesterday?" I asked.

Tessie looked conscious, but did not answer. I began to hunt among the
piles of canvases, saying, "Hurry up, Tess, and get ready; we must take
advantage of the morning light."

When at last I gave up the search among the other canvases and turned to
look around the room for the missing study I noticed Tessie standing by
the screen with her clothes still on.

"What's the matter," I asked, "don't you feel well?"

"Yes."

"Then hurry."

"Do you want me to pose as--as I have always posed?"

Then I understood. Here was a new complication. I had lost, of course,
the best nude model I had ever seen. I looked at Tessie. Her face was
scarlet. Alas! Alas! We had eaten of the tree of knowledge, and Eden and
native innocence were dreams of the past--I mean for her.

I suppose she noticed the disappointment on my face, for she said: "I
will pose if you wish. The study is behind the screen here where I put
it."

"No," I said, "we will begin something new;" and I went into my wardrobe
and picked out a Moorish costume which fairly blazed with tinsel. It was
a genuine costume, and Tessie retired to the screen with it enchanted.
When she came forth again I was astonished. Her long black hair was bound
above her forehead with a circlet of turquoises, and the ends, curled
about her glittering girdle. Her feet were encased in the embroidered
pointed slippers and the skirt of her costume, curiously wrought with
arabesques in silver, fell to her ankles. The deep metallic blue vest
embroidered with silver and the short Mauresque jacket spangled and sewn
with turquoises became her wonderfully. She came up to me and held up her
face smiling. I slipped my hand into my pocket, and drawing out a gold
chain with a cross attached, dropped it over her head.

"It's yours, Tessie."

"Mine?" she faltered.

"Yours. Now go and pose," Then with a radiant smile she ran behind the
screen and presently reappeared with a little box on which was written my
name.

"I had intended to give it to you when I went home to-night," she said,
"but I can't wait now."

I opened the box. On the pink cotton inside lay a clasp of black onyx, on
which was inlaid a curious symbol or letter in gold. It was neither
Arabic nor Chinese, nor, as I found afterwards, did it belong to any
human script.

"It's all I had to give you for a keepsake," she said timidly.

I was annoyed, but I told her how much I should prize it, and promised to
wear it always. She fastened it on my coat beneath the lapel.

"How foolish, Tess, to go and buy me such a beautiful thing as this," I
said.

"I did not buy it," she laughed.

"Where did you get it?"

Then she told me how she had found it one day while coming from the
Aquarium in the Battery, how she had advertised it and watched the
papers, but at last gave up all hopes of finding the owner.

"That was last winter," she said, "the very day I had the first horrid
dream about the hearse."

I remembered my dream of the previous night but said nothing, and
presently my charcoal was flying over a new canvas, and Tessie stood
motionless on the model-stand.




III

The day following was a disastrous one for me. While moving a framed
canvas from one easel to another my foot slipped on the polished floor,
and I fell heavily on both wrists. They were so badly sprained that it
was useless to attempt to hold a brush, and I was obliged to wander about
the studio, glaring at unfinished drawings and sketches, until despair
seized me and I sat down to smoke and twiddle my thumbs with rage. The
rain blew against the windows and rattled on the roof of the church,
driving me into a nervous fit with its interminable patter. Tessie sat
sewing by the window, and every now and then raised her head and looked
at me with such innocent compassion that I began to feel ashamed of my
irritation and looked about for something to occupy me. I had read all
the papers and all the books in the library, but for the sake of
something to do I went to the bookcases and shoved them open with my
elbow. I knew every volume by its colour and examined them all, passing
slowly around the library and whistling to keep up my spirits. I was
turning to go into the dining-room when my eye fell upon a book bound in
serpent skin, standing in a corner of the top shelf of the last bookcase.
I did not remember it, and from the floor could not decipher the pale
lettering on the back, so I went to the smoking-room and called Tessie.
She came in from the studio and climbed up to reach the book.

"What is it?" I asked.

"_The King in Yellow._"

I was dumfounded. Who had placed it there? How came it in my rooms? I had
long ago decided that I should never open that book, and nothing on earth
could have persuaded me to buy it. Fearful lest curiosity might tempt me
to open it, I had never even looked at it in book-stores. If I ever had
had any curiosity to read it, the awful tragedy of young Castaigne, whom
I knew, prevented me from exploring its wicked pages. I had always
refused to listen to any description of it, and indeed, nobody ever
ventured to discuss the second part aloud, so I had absolutely no
knowledge of what those leaves might reveal. I stared at the poisonous
mottled binding as I would at a snake.

"Don't touch it, Tessie," I said; "come down."

Of course my admonition was enough to arouse her curiosity, and before I
could prevent it she took the book and, laughing, danced off into the
studio with it. I called to her, but she slipped away with a tormenting
smile at my helpless hands, and I followed her with some impatience.

"Tessie!" I cried, entering the library, "listen, I am serious. Put that
book away. I do not wish you to open it!" The library was empty. I went
into both drawing-rooms, then into the bedrooms, laundry, kitchen, and
finally returned to the library and began a systematic search. She had
hidden herself so well that it was half-an-hour later when I discovered
her crouching white and silent by the latticed window in the store-room
above. At the first glance I saw she had been punished for her
foolishness. _The King in Yellow_ lay at her feet, but the book was
open at the second part. I looked at Tessie and saw it was too late. She
had opened _The King in Yellow_. Then I took her by the hand and led
her into the studio. She seemed dazed, and when I told her to lie down on
the sofa she obeyed me without a word. After a while she closed her eyes
and her breathing became regular and deep, but I could not determine
whether or not she slept. For a long while I sat silently beside her, but
she neither stirred nor spoke, and at last I rose, and, entering the
unused store-room, took the book in my least injured hand. It seemed
heavy as lead, but I carried it into the studio again, and sitting down
on the rug beside the sofa, opened it and read it through from beginning
to end.

When, faint with excess of my emotions, I dropped the volume and leaned
wearily back against the sofa, Tessie opened her eyes and looked at
me....

We had been speaking for some time in a dull monotonous strain before I
realized that we were discussing _The King in Yellow_. Oh the sin of
writing such words,--words which are clear as crystal, limpid and musical
as bubbling springs, words which sparkle and glow like the poisoned
diamonds of the Medicis! Oh the wickedness, the hopeless damnation of a
soul who could fascinate and paralyze human creatures with such
words,--words understood by the ignorant and wise alike, words which are
more precious than jewels, more soothing than music, more awful than
death!

We talked on, unmindful of the gathering shadows, and she was begging me
to throw away the clasp of black onyx quaintly inlaid with what we now
knew to be the Yellow Sign. I never shall know why I refused, though even
at this hour, here in my bedroom as I write this confession, I should be
glad to know _what_ it was that prevented me from tearing the Yellow
Sign from my breast and casting it into the fire. I am sure I wished to
do so, and yet Tessie pleaded with me in vain. Night fell and the hours
dragged on, but still we murmured to each other of the King and the
Pallid Mask, and midnight sounded from the misty spires in the
fog-wrapped city. We spoke of Hastur and of Cassilda, while outside the
fog rolled against the blank window-panes as the cloud waves roll and
break on the shores of Hali.

The house was very silent now, and not a sound came up from the misty
streets. Tessie lay among the cushions, her face a grey blot in the
gloom, but her hands were clasped in mine, and I knew that she knew and
read my thoughts as I read hers, for we had understood the mystery of the
Hyades and the Phantom of Truth was laid. Then as we answered each other,
swiftly, silently, thought on thought, the shadows stirred in the gloom
about us, and far in the distant streets we heard a sound. Nearer and
nearer it came, the dull crunching of wheels, nearer and yet nearer, and
now, outside before the door it ceased, and I dragged myself to the
window and saw a black-plumed hearse. The gate below opened and shut, and
I crept shaking to my door and bolted it, but I knew no bolts, no locks,
could keep that creature out who was coming for the Yellow Sign. And now
I heard him moving very softly along the hall. Now he was at the door,
and the bolts rotted at his touch. Now he had entered. With eyes starting
from my head I peered into the darkness, but when he came into the room I
did not see him. It was only when I felt him envelope me in his cold soft
grasp that I cried out and struggled with deadly fury, but my hands were
useless and he tore the onyx clasp from my coat and struck me full in the
face. Then, as I fell, I heard Tessie's soft cry and her spirit fled: and
even while falling I longed to follow her, for I knew that the King in
Yellow had opened his tattered mantle and there was only God to cry to
now.

I could tell more, but I cannot see what help it will be to the world. As
for me, I am past human help or hope. As I lie here, writing, careless
even whether or not I die before I finish, I can see the doctor gathering
up his powders and phials with a vague gesture to the good priest beside
me, which I understand.

They will be very curious to know the tragedy--they of the outside world
who write books and print millions of newspapers, but I shall write no
more, and the father confessor will seal my last words with the seal of
sanctity when his holy office is done. They of the outside world may send
their creatures into wrecked homes and death-smitten firesides, and their
newspapers will batten on blood and tears, but with me their spies must
halt before the confessional. They know that Tessie is dead and that I am
dying. They know how the people in the house, aroused by an infernal
scream, rushed into my room and found one living and two dead, but they
do not know what I shall tell them now; they do not know that the doctor
said as he pointed to a horrible decomposed heap on the floor--the livid
corpse of the watchman from the church: "I have no theory, no explanation.
That man must have been dead for months!"


I think I am dying. I wish the priest would--




THE DEMOISELLE D'YS

  "Mais je croy que je
  Suis descendu on puiz
  Ténébreux onquel disoit
  Heraclytus estre Vereté cachée."

"There be three things which are too wonderful for me, yea, four which I
know not:

"The way of an eagle in the air; the way of a serpent upon a rock; the
way of a ship in the midst of the sea; and the way of a man with a maid."


I

The utter desolation of the scene began to have its effect; I sat down to
face the situation and, if possible, recall to mind some landmark which
might aid me in extricating myself from my present position. If I could
only find the ocean again all would be clear, for I knew one could see
the island of Groix from the cliffs.

I laid down my gun, and kneeling behind a rock lighted a pipe. Then I
looked at my watch. It was nearly four o'clock. I might have wandered far
from Kerselec since daybreak.

Standing the day before on the cliffs below Kerselec with Goulven,
looking out over the sombre moors among which I had now lost my way,
these downs had appeared to me level as a meadow, stretching to the
horizon, and although I knew how deceptive is distance, I could not
realize that what from Kerselec seemed to be mere grassy hollows were
great valleys covered with gorse and heather, and what looked like
scattered boulders were in reality enormous cliffs of granite.

"It's a bad place for a stranger," old Goulven had said: "you'd better
take a guide;" and I had replied, "I shall not lose myself." Now I knew
that I had lost myself, as I sat there smoking, with the sea-wind blowing
in my face. On every side stretched the moorland, covered with flowering
gorse and heath and granite boulders. There was not a tree in sight, much
less a house. After a while, I picked up the gun, and turning my back on
the sun tramped on again.

There was little use in following any of the brawling streams which every
now and then crossed my path, for, instead of flowing into the sea, they
ran inland to reedy pools in the hollows of the moors. I had followed
several, but they all led me to swamps or silent little ponds from which
the snipe rose peeping and wheeled away in an ecstasy of fright I began
to feel fatigued, and the gun galled my shoulder in spite of the double
pads. The sun sank lower and lower, shining level across yellow gorse and
the moorland pools.

As I walked my own gigantic shadow led me on, seeming to lengthen at
every step. The gorse scraped against my leggings, crackled beneath my
feet, showering the brown earth with blossoms, and the brake bowed and
billowed along my path. From tufts of heath rabbits scurried away through
the bracken, and among the swamp grass I heard the wild duck's drowsy
quack. Once a fox stole across my path, and again, as I stooped to drink
at a hurrying rill, a heron flapped heavily from the reeds beside me. I
turned to look at the sun. It seemed to touch the edges of the plain.
When at last I decided that it was useless to go on, and that I must make
up my mind to spend at least one night on the moors, I threw myself down
thoroughly fagged out. The evening sunlight slanted warm across my body,
but the sea-winds began to rise, and I felt a chill strike through me
from my wet shooting-boots. High overhead gulls were wheeling and tossing
like bits of white paper; from some distant marsh a solitary curlew
called. Little by little the sun sank into the plain, and the zenith
flushed with the after-glow. I watched the sky change from palest gold to
pink and then to smouldering fire. Clouds of midges danced above me, and
high in the calm air a bat dipped and soared. My eyelids began to droop.
Then as I shook off the drowsiness a sudden crash among the bracken
roused me. I raised my eyes. A great bird hung quivering in the air above
my face. For an instant I stared, incapable of motion; then something
leaped past me in the ferns and the bird rose, wheeled, and pitched
headlong into the brake.

I was on my feet in an instant peering through the gorse. There came the
sound of a struggle from a bunch of heather close by, and then all was
quiet. I stepped forward, my gun poised, but when I came to the heather
the gun fell under my arm again, and I stood motionless in silent
astonishment A dead hare lay on the ground, and on the hare stood a
magnificent falcon, one talon buried in the creature's neck, the other
planted firmly on its limp flank. But what astonished me, was not the
mere sight of a falcon sitting upon its prey. I had seen that more than
once. It was that the falcon was fitted with a sort of leash about both
talons, and from the leash hung a round bit of metal like a sleigh-bell.
The bird turned its fierce yellow eyes on me, and then stooped and struck
its curved beak into the quarry. At the same instant hurried steps
sounded among the heather, and a girl sprang into the covert in front.
Without a glance at me she walked up to the falcon, and passing her
gloved hand under its breast, raised it from the quarry. Then she deftly
slipped a small hood over the bird's head, and holding it out on her
gauntlet, stooped and picked up the hare.

She passed a cord about the animal's legs and fastened the end of the
thong to her girdle. Then she started to retrace her steps through the
covert As she passed me I raised my cap and she acknowledged my presence
with a scarcely perceptible inclination. I had been so astonished, so
lost in admiration of the scene before my eyes, that it had not occurred
to me that here was my salvation. But as she moved away I recollected
that unless I wanted to sleep on a windy moor that night I had better
recover my speech without delay. At my first word she hesitated, and as I
stepped before her I thought a look of fear came into her beautiful eyes.
But as I humbly explained my unpleasant plight, her face flushed and she
looked at me in wonder.

"Surely you did not come from Kerselec!" she repeated.

Her sweet voice had no trace of the Breton accent nor of any accent which
I knew, and yet there was something in it I seemed to have heard before,
something quaint and indefinable, like the theme of an old song.

I explained that I was an American, unacquainted with Finistère, shooting
there for my own amusement.

"An American," she repeated in the same quaint musical tones. "I have
never before seen an American."

For a moment she stood silent, then looking at me she said. "If you
should walk all night you could not reach Kerselec now, even if you had a
guide."

This was pleasant news.

"But," I began, "if I could only find a peasant's hut where I might get
something to eat, and shelter."

The falcon on her wrist fluttered and shook its head. The girl smoothed
its glossy back and glanced at me.

"Look around," she said gently. "Can you see the end of these moors?
Look, north, south, east, west. Can you see anything but moorland and
bracken?"

"No," I said.

"The moor is wild and desolate. It is easy to enter, but sometimes they
who enter never leave it. There are no peasants' huts here."

"Well," I said, "if you will tell me in which direction Kerselec lies,
to-morrow it will take me no longer to go back than it has to come."

She looked at me again with an expression almost like pity.

"Ah," she said, "to come is easy and takes hours; to go is different--and
may take centuries."

I stared at her in amazement but decided that I had misunderstood her.
Then before I had time to speak she drew a whistle from her belt and
sounded it.

"Sit down and rest," she said to me; "you have come a long distance and
are tired."

She gathered up her pleated skirts and motioning me to follow picked her
dainty way through the gorse to a flat rock among the ferns.

"They will be here directly," she said, and taking a seat at one end of
the rock invited me to sit down on the other edge. The after-glow was
beginning to fade in the sky and a single star twinkled faintly through
the rosy haze. A long wavering triangle of water-fowl drifted southward
over our heads, and from the swamps around plover were calling.

"They are very beautiful--these moors," she said quietly.

"Beautiful, but cruel to strangers," I answered.

"Beautiful and cruel," she repeated dreamily, "beautiful and cruel."

"Like a woman," I said stupidly.

"Oh," she cried with a little catch in her breath, and looked at me. Her
dark eyes met mine, and I thought she seemed angry or frightened.

"Like a woman," she repeated under her breath, "How cruel to say so!"
Then after a pause, as though speaking aloud to herself, "How cruel for
him to say that!"

I don't know what sort of an apology I offered for my inane, though
harmless speech, but I know that she seemed so troubled about it that I
began to think I had said something very dreadful without knowing it, and
remembered with horror the pitfalls and snares which the French language
sets for foreigners. While I was trying to imagine what I might have
said, a sound of voices came across the moor, and the girl rose to her
feet.

"No," she said, with a trace of a smile on her pale face, "I will not
accept your apologies, monsieur, but I must prove you wrong, and that
shall be my revenge. Look. Here come Hastur and Raoul."

Two men loomed up in the twilight. One had a sack across his shoulders
and the other carried a hoop before him as a waiter carries a tray. The
hoop was fastened with straps to his shoulders, and around the edge of
the circlet sat three hooded falcons fitted with tinkling bells. The girl
stepped up to the falconer, and with a quick turn of her wrist
transferred her falcon to the hoop, where it quickly sidled off and
nestled among its mates, who shook their hooded heads and ruffled their
feathers till the belled jesses tinkled again. The other man stepped
forward and bowing respectfully took up the hare and dropped it into the
game-sack.

"These are my piqueurs," said the girl, turning to me with a gentle
dignity. "Raoul is a good fauconnier, and I shall some day make him grand
veneur. Hastur is incomparable."

The two silent men saluted me respectfully.

"Did I not tell you, monsieur, that I should prove you wrong?" she
continued. "This, then, is my revenge, that you do me the courtesy of
accepting food and shelter at my own house."

Before I could answer she spoke to the falconers, who started instantly
across the heath, and with a gracious gesture to me she followed. I don't
know whether I made her understand how profoundly grateful I felt, but
she seemed pleased to listen, as we walked over the dewy heather.

"Are you not very tired?" she asked.

I had clean forgotten my fatigue in her presence, and I told her so.

"Don't you think your gallantry is a little old-fashioned?" she said; and
when I looked confused and humbled, she added quietly, "Oh, I like it, I
like everything old-fashioned, and it is delightful to hear you say such
pretty things."

The moorland around us was very still now under its ghostly sheet of
mist. The plovers had ceased their calling; the crickets and all the
little creatures of the fields were silent as we passed, yet it seemed to
me as if I could hear them beginning again far behind us. Well in
advance, the two tall falconers strode across the heather, and the faint
jingling of the hawks' bells came to our ears in distant murmuring
chimes.

Suddenly a splendid hound dashed out of the mist in front, followed by
another and another until half-a-dozen or more were bounding and leaping
around the girl beside me. She caressed and quieted them with her gloved
hand, speaking to them in quaint terms which I remembered to have seen in
old French manuscripts.

Then the falcons on the circlet borne by the falconer ahead began to beat
their wings and scream, and from somewhere out of sight the notes of a
hunting-horn floated across the moor. The hounds sprang away before us
and vanished in the twilight, the falcons flapped and squealed upon their
perch, and the girl, taking up the song of the horn, began to hum. Clear
and mellow her voice sounded in the night air.

  "Chasseur, chasseur, chassez encore,
  Quittez Rosette et Jeanneton,
  Tonton, tonton, tontaine, tonton,
  Ou, pour, rabattre, dès l'aurore,
  Que les Amours soient de planton,
  Tonton, tontaine, tonton."

As I listened to her lovely voice a grey mass which rapidly grew more
distinct loomed up in front, and the horn rang out joyously through the
tumult of the hounds and falcons. A torch glimmered at a gate, a light
streamed through an opening door, and we stepped upon a wooden bridge
which trembled under our feet and rose creaking and straining behind us
as we passed over the moat and into a small stone court, walled on every
side. From an open doorway a man came and, bending in salutation,
presented a cup to the girl beside me. She took the cup and touched it
with her lips, then lowering it turned to me and said in a low voice, "I
bid you welcome."

At that moment one of the falconers came with another cup, but before
handing it to me, presented it to the girl, who tasted it. The falconer
made a gesture to receive it, but she hesitated a moment, and then,
stepping forward, offered me the cup with her own hands. I felt this to
be an act of extraordinary graciousness, but hardly knew what was
expected of me, and did not raise it to my lips at once. The girl flushed
crimson. I saw that I must act quickly.

"Mademoiselle," I faltered, "a stranger whom you have saved from dangers
he may never realize empties this cup to the gentlest and loveliest
hostess of France."

"In His name," she murmured, crossing herself as I drained the cup. Then
stepping into the doorway she turned to me with a pretty gesture and,
taking my hand in hers, led me into the house, saying again and again:
"You are very welcome, indeed you are welcome to the Château d'Ys."




II

I awoke next morning with the music of the horn in my ears, and leaping
out of the ancient bed, went to a curtained window where the sunlight
filtered through little deep-set panes. The horn ceased as I looked into
the court below.

A man who might have been brother to the two falconers of the night
before stood in the midst of a pack of hounds. A curved horn was strapped
over his back, and in his hand he held a long-lashed whip. The dogs
whined and yelped, dancing around him in anticipation; there was the
stamp of horses, too, in the walled yard.

"Mount!" cried a voice in Breton, and with a clatter of hoofs the two
falconers, with falcons upon their wrists, rode into the courtyard among
the hounds. Then I heard another voice which sent the blood throbbing
through my heart: "Piriou Louis, hunt the hounds well and spare neither
spur nor whip. Thou Raoul and thou Gaston, see that the _epervier_
does not prove himself _niais_, and if it be best in your judgment,
_faites courtoisie à l'oiseau. Jardiner un oiseau_, like the
_mué_ there on Hastur's wrist, is not difficult, but thou, Raoul,
mayest not find it so simple to govern that _hagard_. Twice last
week he foamed _au vif_ and lost the _beccade_ although he is
used to the _leurre_. The bird acts like a stupid _branchier.
Paître un hagard n'est pas si facile."_

Was I dreaming? The old language of falconry which I had read in yellow
manuscripts--the old forgotten French of the middle ages was sounding in
my ears while the hounds bayed and the hawks' bells tinkled accompaniment
to the stamping horses. She spoke again in the sweet forgotten language:

"If you would rather attach the _longe_ and leave thy _hagard au
bloc_, Raoul, I shall say nothing; for it were a pity to spoil so fair
a day's sport with an ill-trained _sors_. _Essimer abaisser_,--it is
possibly the best way. _Ça lui donnera des reins._ I was perhaps hasty
with the bird. It takes time to pass _à la filière_ and the exercises
_d'escap_."

Then the falconer Raoul bowed in his stirrups and replied: "If it be the
pleasure of Mademoiselle, I shall keep the hawk."

"It is my wish," she answered. "Falconry I know, but you have yet to give
me many a lesson in _Autourserie_, my poor Raoul. Sieur Piriou Louis
mount!"

The huntsman sprang into an archway and in an instant returned, mounted
upon a strong black horse, followed by a piqueur also mounted.

"Ah!" she cried joyously, "speed Glemarec René! speed! speed all! Sound
thy horn, Sieur Piriou!"

The silvery music of the hunting-horn filled the courtyard, the hounds
sprang through the gateway and galloping hoof-beats plunged out of the
paved court; loud on the drawbridge, suddenly muffled, then lost in the
heather and bracken of the moors. Distant and more distant sounded the
horn, until it became so faint that the sudden carol of a soaring lark
drowned it in my ears. I heard the voice below responding to some call
from within the house.

"I do not regret the chase, I will go another time Courtesy to the
stranger, Pelagie, remember!"

And a feeble voice came quavering from within the house,
"_Courtoisie_."

I stripped, and rubbed myself from head to foot in the huge earthen basin
of icy water which stood upon the stone floor at the foot of my bed. Then
I looked about for my clothes. They were gone, but on a settle near the
door lay a heap of garments which I inspected with astonishment. As my
clothes had vanished, I was compelled to attire myself in the costume
which had evidently been placed there for me to wear while my own clothes
dried. Everything was there, cap, shoes, and hunting doublet of silvery
grey homespun; but the close-fitting costume and seamless shoes belonged
to another century, and I remembered the strange costumes of the three
falconers in the court-yard. I was sure that it was not the modern dress
of any portion of France or Brittany; but not until I was dressed and
stood before a mirror between the windows did I realize that I was
clothed much more like a young huntsman of the middle ages than like a
Breton of that day. I hesitated and picked up the cap. Should I go down
and present myself in that strange guise? There seemed to be no help for
it, my own clothes were gone and there was no bell in the ancient chamber
to call a servant; so I contented myself with removing a short hawk's
feather from the cap, and, opening the door, went downstairs.

By the fireplace in the large room at the foot of the stairs an old
Breton woman sat spinning with a distaff. She looked up at me when I
appeared, and, smiling frankly, wished me health in the Breton language,
to which I laughingly replied in French. At the same moment my hostess
appeared and returned my salutation with a grace and dignity that sent a
thrill to my heart. Her lovely head with its dark curly hair was crowned
with a head-dress which set all doubts as to the epoch of my own costume
at rest. Her slender figure was exquisitely set off in the homespun
hunting-gown edged with silver, and on her gauntlet-covered wrist she
bore one of her petted hawks. With perfect simplicity she took my hand
and led me into the garden in the court, and seating herself before a
table invited me very sweetly to sit beside her. Then she asked me in her
soft quaint accent how I had passed the night, and whether I was very
much inconvenienced by wearing the clothes which old Pelagie had put
there for me while I slept. I looked at my own clothes and shoes, drying
in the sun by the garden-wall, and hated them. What horrors they were
compared with the graceful costume which I now wore! I told her this
laughing, but she agreed with me very seriously.

"We will throw them away," she said in a quiet voice. In my astonishment
I attempted to explain that I not only could not think of accepting
clothes from anybody, although for all I knew it might be the custom of
hospitality in that part of the country, but that I should cut an
impossible figure if I returned to France clothed as I was then.

She laughed and tossed her pretty head, saying something in old French
which I did not understand, and then Pelagie trotted out with a tray on
which stood two bowls of milk, a loaf of white bread, fruit, a platter of
honey-comb, and a flagon of deep red wine. "You see I have not yet broken
my fast because I wished you to eat with me. But I am very hungry," she
smiled.

"I would rather die than forget one word of what you have said!" I
blurted out, while my cheeks burned. "She will think me mad," I added to
myself, but she turned to me with sparkling eyes.

"Ah!" she murmured. "Then Monsieur knows all that there is of chivalry--"

She crossed herself and broke bread. I sat and watched her white hands,
not daring to raise my eyes to hers.

"Will you not eat?" she asked. "Why do you look so troubled?"

Ah, why? I knew it now. I knew I would give my life to touch with my lips
those rosy palms--I understood now that from the moment when I looked
into her dark eyes there on the moor last night I had loved her. My great
and sudden passion held me speechless.

"Are you ill at ease?" she asked again.

Then, like a man who pronounces his own doom, I answered in a low voice:
"Yes, I am ill at ease for love of you." And as she did not stir nor
answer, the same power moved my lips in spite of me and I said, "I, who
am unworthy of the lightest of your thoughts, I who abuse hospitality and
repay your gentle courtesy with bold presumption, I love you."

She leaned her head upon her hands, and answered softly, "I love you.
Your words are very dear to me. I love you."

"Then I shall win you."

"Win me," she replied.

But all the time I had been sitting silent, my face turned toward her.
She, also silent, her sweet face resting on her upturned palm, sat facing
me, and as her eyes looked into mine I knew that neither she nor I had
spoken human speech; but I knew that her soul had answered mine, and I
drew myself up feeling youth and joyous love coursing through every vein.
She, with a bright colour in her lovely face, seemed as one awakened from
a dream, and her eyes sought mine with a questioning glance which made me
tremble with delight. We broke our fast, speaking of ourselves. I told
her my name and she told me hers, the Demoiselle Jeanne d'Ys.

She spoke of her father and mother's death, and how the nineteen of her
years had been passed in the little fortified farm alone with her nurse
Pelagie, Glemarec René the piqueur, and the four falconers, Raoul,
Gaston, Hastur, and the Sieur Piriou Louis, who had served her father.
She had never been outside the moorland--never even had seen a human soul
before, except the falconers and Pelagie. She did not know how she had
heard of Kerselec; perhaps the falconers had spoken of it. She knew the
legends of Loup Garou and Jeanne la Flamme from her nurse Pelagie. She
embroidered and spun flax. Her hawks and hounds were her only
distraction. When she had met me there on the moor she had been so
frightened that she almost dropped at the sound of my voice. She had, it
was true, seen ships at sea from the cliffs, but as far as the eye could
reach the moors over which she galloped were destitute of any sign of
human life. There was a legend which old Pelagie told, how anybody once
lost in the unexplored moorland might never return, because the moors
were enchanted. She did not know whether it was true, she never had
thought about it until she met me. She did not know whether the falconers
had even been outside, or whether they could go if they would. The books
in the house which Pelagie, the nurse, had taught her to read were
hundreds of years old.

All this she told me with a sweet seriousness seldom seen in any one but
children. My own name she found easy to pronounce, and insisted, because
my first name was Philip, I must have French blood in me. She did not
seem curious to learn anything about the outside world, and I thought
perhaps she considered it had forfeited her interest and respect from the
stories of her nurse.

We were still sitting at the table, and she was throwing grapes to the
small field birds which came fearlessly to our very feet.

I began to speak in a vague way of going, but she would not hear of it,
and before I knew it I had promised to stay a week and hunt with hawk and
hound in their company. I also obtained permission to come again from
Kerselec and visit her after my return.

"Why," she said innocently, "I do not know what I should do if you never
came back;" and I, knowing that I had no right to awaken her with the
sudden shock which the avowal of my own love would bring to her, sat
silent, hardly daring to breathe.

"You will come very often?" she asked.

"Very often," I said.

"Every day?"

"Every day."

"Oh," she sighed, "I am very happy. Come and see my hawks."

She rose and took my hand again with a childlike innocence of possession,
and we walked through the garden and fruit trees to a grassy lawn which
was bordered by a brook. Over the lawn were scattered fifteen or twenty
stumps of trees--partially imbedded in the grass--and upon all of these
except two sat falcons. They were attached to the stumps by thongs which
were in turn fastened with steel rivets to their legs just above the
talons. A little stream of pure spring water flowed in a winding course
within easy distance of each perch.

The birds set up a clamour when the girl appeared, but she went from one
to another, caressing some, taking others for an instant upon her wrist,
or stooping to adjust their jesses.

"Are they not pretty?" she said. "See, here is a falcon-gentil. We call
it 'ignoble,' because it takes the quarry in direct chase. This is a blue
falcon. In falconry we call it 'noble' because it rises over the quarry,
and wheeling, drops upon it from above. This white bird is a gerfalcon
from the north. It is also 'noble!' Here is a merlin, and this tiercelet
is a falcon-heroner."

I asked her how she had learned the old language of falconry. She did not
remember, but thought her father must have taught it to her when she was
very young.

Then she led me away and showed me the young falcons still in the nest.
"They are termed _niais_ in falconry," she explained. "A
_branchier_ is the young bird which is just able to leave the nest
and hop from branch to branch. A young bird which has not yet moulted is
called a _sors_, and a _mué_ is a hawk which has moulted in
captivity. When we catch a wild falcon which has changed its plumage we
term it a _hagard_. Raoul first taught me to dress a falcon. Shall I
teach you how it is done?"

She seated herself on the bank of the stream among the falcons and I
threw myself at her feet to listen.

Then the Demoiselle d'Ys held up one rosy-tipped finger and began very
gravely.

"First one must catch the falcon."

"I am caught," I answered.

She laughed very prettily and told me my _dressage_ would perhaps be
difficult, as I was noble.

"I am already tamed," I replied; "jessed and belled."

She laughed, delighted. "Oh, my brave falcon; then you will return at my
call?"

"I am yours," I answered gravely.

She sat silent for a moment. Then the colour heightened in her cheeks and
she held up her finger again, saying, "Listen; I wish to speak of
falconry--"

"I listen, Countess Jeanne d'Ys."

But again she fell into the reverie, and her eyes seemed fixed on
something beyond the summer clouds.

"Philip," she said at last.

"Jeanne," I whispered.

"That is all,--that is what I wished," she sighed,--"Philip and Jeanne."

She held her hand toward me and I touched it with my lips.

"Win me," she said, but this time it was the body and soul which spoke in
unison.

After a while she began again: "Let us speak of falconry."

"Begin," I replied; "we have caught the falcon."

Then Jeanne d'Ys took my hand in both of hers and told me how with
infinite patience the young falcon was taught to perch upon the wrist,
how little by little it became used to the belled jesses and the
_chaperon à cornette_.

"They must first have a good appetite," she said; "then little by little
I reduce their nourishment; which in falconry we call _pât_. When,
after many nights passed _au bloc_ as these birds are now, I prevail
upon the _hagard_ to stay quietly on the wrist, then the bird is
ready to be taught to come for its food. I fix the _pât_ to the end
of a thong, or _leurre_, and teach the bird to come to me as soon as
I begin to whirl the cord in circles about my head. At first I drop the
_pât_ when the falcon comes, and he eats the food on the ground.
After a little he will learn to seize the _leurre_ in motion as I
whirl it around my head or drag it over the ground. After this it is easy
to teach the falcon to strike at game, always remembering to _'faire
courtoisie á l'oiseau'_, that is, to allow the bird to taste the
quarry."

A squeal from one of the falcons interrupted her, and she arose to adjust
the _longe_ which had become whipped about the _bloc_, but the
bird still flapped its wings and screamed.

"What _is_ the matter?" she said. "Philip, can you see?"

I looked around and at first saw nothing to cause the commotion, which
was now heightened by the screams and flapping of all the birds. Then my
eye fell upon the flat rock beside the stream from which the girl had
risen. A grey serpent was moving slowly across the surface of the
boulder, and the eyes in its flat triangular head sparkled like jet.

"A couleuvre," she said quietly.

"It is harmless, is it not?" I asked.

She pointed to the black V-shaped figure on the neck.

"It is certain death," she said; "it is a viper."

We watched the reptile moving slowly over the smooth rock to where the
sunlight fell in a broad warm patch.

I started forward to examine it, but she clung to my arm crying, "Don't,
Philip, I am afraid."

"For me?"

"For you, Philip,--I love you."

Then I took her in my arms and kissed her on the lips, but all I could
say was: "Jeanne, Jeanne, Jeanne." And as she lay trembling on my breast,
something struck my foot in the grass below, but I did not heed it. Then
again something struck my ankle, and a sharp pain shot through me. I
looked into the sweet face of Jeanne d'Ys and kissed her, and with all my
strength lifted her in my arms and flung her from me. Then bending, I
tore the viper from my ankle and set my heel upon its head. I remember
feeling weak and numb,--I remember falling to the ground. Through my
slowly glazing eyes I saw Jeanne's white face bending close to mine, and
when the light in my eyes went out I still felt her arms about my neck,
and her soft cheek against my drawn lips.


When I opened my eyes, I looked around in terror. Jeanne was gone. I saw
the stream and the flat rock; I saw the crushed viper in the grass beside
me, but the hawks and _blocs_ had disappeared. I sprang to my feet.
The garden, the fruit trees, the drawbridge and the walled court were
gone. I stared stupidly at a heap of crumbling ruins, ivy-covered and
grey, through which great trees had pushed their way. I crept forward,
dragging my numbed foot, and as I moved, a falcon sailed from the
tree-tops among the ruins, and soaring, mounting in narrowing circles,
faded and vanished in the clouds above.

"Jeanne, Jeanne," I cried, but my voice died on my lips, and I fell on my
knees among the weeds. And as God willed it, I, not knowing, had fallen
kneeling before a crumbling shrine carved in stone for our Mother of
Sorrows. I saw the sad face of the Virgin wrought in the cold stone. I
saw the cross and thorns at her feet, and beneath it I read:

  "PRAY FOR THE SOUL OF THE
  DEMOISELLE JEANNE D'Ys,
  WHO DIED
  IN HER YOUTH FOR LOVE OF
  PHILIP, A STRANGER.
  A.D. 1573."

But upon the icy slab lay a woman's glove still warm and fragrant.




THE PROPHETS' PARADISE

  "If but the Vine and Love Abjuring Band
  Are in the Prophets' Paradise to stand,
  Alack, I doubt the Prophets' Paradise,
  Were empty as the hollow of one's hand."




THE STUDIO

He smiled, saying, "Seek her throughout the world."

I said, "Why tell me of the world? My world is here, between these walls
and the sheet of glass above; here among gilded flagons and dull jewelled
arms, tarnished frames and canvasses, black chests and high-backed
chairs, quaintly carved and stained in blue and gold."

"For whom do you wait?" he said, and I answered, "When she comes I shall
know her."

On my hearth a tongue of flame whispered secrets to the whitening ashes.
In the street below I heard footsteps, a voice, and a song.

"For whom then do you wait?" he said, and I answered, "I shall know her."

Footsteps, a voice, and a song in the street below, and I knew the song
but neither the steps nor the voice.

"Fool!" he cried, "the song is the same, the voice and steps have but
changed with years!"

On the hearth a tongue of flame whispered above the whitening ashes:
"Wait no more; they have passed, the steps and the voice in the street
below."

Then he smiled, saying, "For whom do you wait? Seek her throughout the
world!"

I answered, "My world is here, between these walls and the sheet of glass
above; here among gilded flagons and dull jewelled arms, tarnished frames
and canvasses, black chests and high-backed chairs, quaintly carved and
stained in blue and gold."




THE PHANTOM

The Phantom of the Past would go no further.

"If it is true," she sighed, "that you find in me a friend, let us turn
back together. You will forget, here, under the summer sky."

I held her close, pleading, caressing; I seized her, white with anger,
but she resisted.

"If it is true," she sighed, "that you find in me a friend, let us turn
back together."

The Phantom of the Past would go no further.




THE SACRIFICE

I went into a field of flowers, whose petals are whiter than snow and
whose hearts are pure gold.

Far afield a woman cried, "I have killed him I loved!" and from a jar she
poured blood upon the flowers whose petals are whiter than snow and whose
hearts are pure gold.

Far afield I followed, and on the jar I read a thousand names, while from
within the fresh blood bubbled to the brim.

"I have killed him I loved!" she cried. "The world's athirst; now let it
drink!" She passed, and far afield I watched her pouring blood upon the
flowers whose petals are whiter than snow and whose hearts are pure gold.




DESTINY

I came to the bridge which few may pass.

"Pass!" cried the keeper, but I laughed, saying, "There is time;" and he
smiled and shut the gates.

To the bridge which few may pass came young and old. All were refused.
Idly I stood and counted them, until, wearied of their noise and
lamentations, I came again to the bridge which few may pass.

Those in the throng about the gates shrieked out, "He comes too late!"
But I laughed, saying, "There is time."

"Pass!" cried the keeper as I entered; then smiled and shut the gates.




THE THRONG

There, where the throng was thickest in the street, I stood with Pierrot.
All eyes were turned on me.

"What are they laughing at?" I asked, but he grinned, dusting the chalk
from my black cloak. "I cannot see; it must be something droll, perhaps
an honest thief!"

All eyes were turned on me.

"He has robbed you of your purse!" they laughed.

"My purse!" I cried; "Pierrot--help! it is a thief!"

They laughed: "He has robbed you of your purse!"

Then Truth stepped out, holding a mirror. "If he is an honest thief,"
cried Truth, "Pierrot shall find him with this mirror!" but he only
grinned, dusting the chalk from my black cloak.

"You see," he said, "Truth is an honest thief, she brings you back your
mirror."

All eyes were turned on me.

"Arrest Truth!" I cried, forgetting it was not a mirror but a purse I
lost, standing with Pierrot, there, where the throng was thickest in the
street.




THE JESTER

"Was she fair?" I asked, but he only chuckled, listening to the bells
jingling on his cap.

"Stabbed," he tittered. "Think of the long journey, the days of peril,
the dreadful nights! Think how he wandered, for her sake, year after
year, through hostile lands, yearning for kith and kin, yearning for
her!"

"Stabbed," he tittered, listening to the bells jingling on his cap.

"Was she fair?" I asked, but he only snarled, muttering to the bells
jingling on his cap.

"She kissed him at the gate," he tittered, "but in the hall his brother's
welcome touched his heart."

"Was she fair?" I asked.

"Stabbed," he chuckled. "Think of the long journey, the days of peril,
the dreadful nights! Think how he wandered, for her sake, year after year
through hostile lands, yearning for kith and kin, yearning for her!"

"She kissed him at the gate, but in the hall his brother's welcome
touched his heart."

"Was she fair?" I asked; but he only snarled, listening to the bells
jingling in his cap.




THE GREEN ROOM

The Clown turned his powdered face to the mirror.

"If to be fair is to be beautiful," he said, "who can compare with me in
my white mask?"

"Who can compare with him in his white mask?" I asked of Death beside me.

"Who can compare with me?" said Death, "for I am paler still."

"You are very beautiful," sighed the Clown, turning his powdered face
from the mirror.




THE LOVE TEST

"If it is true that you love," said Love, "then wait no longer. Give her
these jewels which would dishonour her and so dishonour you in loving
one dishonoured. If it is true that you love," said Love, "then wait no
longer."

I took the jewels and went to her, but she trod upon them, sobbing:
"Teach me to wait--I love you!"

"Then wait, if it is true," said Love.




THE STREET OF THE FOUR WINDS

  "Ferme tes yeux à demi,
  Croise tes bras sur ton sein,
  Et de ton coeur endormi
  Chasse à jamais tout dessein."

  "Je chante la nature,
  Les étoiles du soir, les larmes du matin,
  Les couchers de soleil à l'horizon lointain,
  Le ciel qui parle au coeur d'existence future!"


I

The animal paused on the threshold, interrogative alert, ready for flight
if necessary. Severn laid down his palette, and held out a hand of
welcome. The cat remained motionless, her yellow eyes fastened upon
Severn.

"Puss," he said, in his low, pleasant voice, "come in."

The tip of her thin tail twitched uncertainly.

"Come in," he said again.

Apparently she found his voice reassuring, for she slowly settled upon all
fours, her eyes still fastened upon him, her tail tucked under her gaunt
flanks.

He rose from his easel smiling. She eyed him quietly, and when he walked
toward her she watched him bend above her without a wince; her eyes
followed his hand until it touched her head. Then she uttered a ragged
mew.

It had long been Severn's custom to converse with animals, probably
because he lived so much alone; and now he said, "What's the matter,
puss?"

Her timid eyes sought his.

"I understand," he said gently, "you shall have it at once."

Then moving quietly about he busied himself with the duties of a host,
rinsed a saucer, filled it with the rest of the milk from the bottle on
the window-sill, and kneeling down, crumbled a roll into the hollow of his
hand.

The creature rose and crept toward the saucer.

With the handle of a palette-knife he stirred the crumbs and milk together
and stepped back as she thrust her nose into the mess. He watched her in
silence. From time to time the saucer clinked upon the tiled floor as she
reached for a morsel on the rim; and at last the bread was all gone, and
her purple tongue travelled over every unlicked spot until the saucer
shone like polished marble. Then she sat up, and coolly turning her back
to him, began her ablutions.

"Keep it up," said Severn, much interested, "you need it."

She flattened one ear, but neither turned nor interrupted her toilet. As
the grime was slowly removed Severn observed that nature had intended her
for a white cat. Her fur had disappeared in patches, from disease or the
chances of war, her tail was bony and her spine sharp. But what charms she
had were becoming apparent under vigorous licking, and he waited until she
had finished before re-opening the conversation. When at last she closed
her eyes and folded her forepaws under her breast, he began again very
gently: "Puss, tell me your troubles."

At the sound of his voice she broke into a harsh rumbling which he
recognized as an attempt to purr. He bent over to rub her cheek and she
mewed again, an amiable inquiring little mew, to which he replied,
"Certainly, you are greatly improved, and when you recover your plumage
you will be a gorgeous bird." Much flattered, she stood up and marched
around and around his legs, pushing her head between them and making
pleased remarks, to which he responded with grave politeness.

"Now, what sent you here," he said--"here into the Street of the Four
Winds, and up five flights to the very door where you would be welcome?
What was it that prevented your meditated flight when I turned from my
canvas to encounter your yellow eyes? Are you a Latin Quarter cat as I am
a Latin Quarter man? And why do you wear a rose-coloured flowered garter
buckled about your neck?" The cat had climbed into his lap, and now sat
purring as he passed his hand over her thin coat.

"Excuse me," he continued in lazy soothing tones, harmonizing with her
purring, "if I seem indelicate, but I cannot help musing on this
rose-coloured garter, flowered so quaintly and fastened with a silver
clasp. For the clasp is silver; I can see the mint mark on the edge, as is
prescribed by the law of the French Republic. Now, why is this garter
woven of rose silk and delicately embroidered,--why is this silken garter
with its silver clasp about your famished throat? Am I indiscreet when I
inquire if its owner is your owner? Is she some aged dame living in memory
of youthful vanities, fond, doting on you, decorating you with her
intimate personal attire? The circumference of the garter would suggest
this, for your neck is thin, and the garter fits you. But then again I
notice--I notice most things--that the garter is capable of being much
enlarged. These small silver-rimmed eyelets, of which I count five, are
proof of that. And now I observe that the fifth eyelet is worn out, as
though the tongue of the clasp were accustomed to lie there. That seems to
argue a well-rounded form."

The cat curled her toes in contentment. The street was very still outside.

He murmured on: "Why should your mistress decorate you with an article
most necessary to her at all times? Anyway, at most times. How did she
come to slip this bit of silk and silver about your neck? Was it the
caprice of a moment,--when you, before you had lost your pristine
plumpness, marched singing into her bedroom to bid her good-morning? Of
course, and she sat up among the pillows, her coiled hair tumbling to her
shoulders, as you sprang upon the bed purring: 'Good-day, my lady.' Oh, it
is very easy to understand," he yawned, resting his head on the back of
the chair. The cat still purred, tightening and relaxing her padded claws
over his knee.

"Shall I tell you all about her, cat? She is very beautiful--your
mistress," he murmured drowsily, "and her hair is heavy as burnished
gold. I could paint her,--not on canvas--for I should need shades and
tones and hues and dyes more splendid than the iris of a splendid rainbow.
I could only paint her with closed eyes, for in dreams alone can such
colours as I need be found. For her eyes, I must have azure from skies
untroubled by a cloud--the skies of dreamland. For her lips, roses from
the palaces of slumberland, and for her brow, snow-drifts from mountains
which tower in fantastic pinnacles to the moons;--oh, much higher than our
moon here,--the crystal moons of dreamland. She is--very--beautiful, your
mistress."

The words died on his lips and his eyelids drooped.

The cat, too, was asleep, her cheek turned up upon her wasted flank, her
paws relaxed and limp.




II

"It is fortunate," said Severn, sitting up and stretching, "that we have
tided over the dinner hour, for I have nothing to offer you for supper but
what may be purchased with one silver franc."

The cat on his knee rose, arched her back, yawned, and looked up at him.

"What shall it be? A roast chicken with salad? No? Possibly you prefer
beef? Of course,--and I shall try an egg and some white bread. Now for the
wines. Milk for you? Good. I shall take a little water, fresh from the
wood," with a motion toward the bucket in the sink.

He put on his hat and left the room. The cat followed to the door, and
after he had closed it behind him, she settled down, smelling at the
cracks, and cocking one ear at every creak from the crazy old building.

The door below opened and shut. The cat looked serious, for a moment
doubtful, and her ears flattened in nervous expectation. Presently she
rose with a jerk of her tail and started on a noiseless tour of the
studio. She sneezed at a pot of turpentine, hastily retreating to the
table, which she presently mounted, and having satisfied her curiosity
concerning a roll of red modelling wax, returned to the door and sat down
with her eyes on the crack over the threshold Then she lifted her voice in
a thin plaint.

When Severn returned he looked grave, but the cat, joyous and
demonstrative, marched around him, rubbing her gaunt body against his
legs, driving her head enthusiastically into his hand, and purring until
her voice mounted to a squeal.

He placed a bit of meat, wrapped in brown paper, upon the table, and with
a penknife cut it into shreds. The milk he took from a bottle which had
served for medicine, and poured it into the saucer on the hearth.

The cat crouched before it, purring and lapping at the same time.

He cooked his egg and ate it with a slice of bread, watching her busy with
the shredded meat, and when he had finished, and had filled and emptied a
cup of water from the bucket in the sink, he sat down, taking her into his
lap, where she at once curled up and began her toilet. He began to speak
again, touching her caressingly at times by way of emphasis.

"Cat, I have found out where your mistress lives. It is not very far
away;--it is here, under this same leaky roof, but in the north wing which
I had supposed was uninhabited. My janitor tells me this. By chance, he is
almost sober this evening. The butcher on the rue de Seine, where I bought
your meat, knows you, and old Cabane the baker identified you with
needless sarcasm. They tell me hard tales of your mistress which I shall
not believe. They say she is idle and vain and pleasure-loving; they say
she is hare-brained and reckless. The little sculptor on the ground floor,
who was buying rolls from old Cabane, spoke to me to-night for the first
time, although we have always bowed to each other. He said she was very
good and very beautiful. He has only seen her once, and does not know her
name. I thanked him;--I don't know why I thanked him so warmly. Cabane
said, 'Into this cursed Street of the Four Winds, the four winds blow all
things evil.' The sculptor looked confused, but when he went out with his
rolls, he said to me, 'I am sure, Monsieur, that she is as good as she is
beautiful.'"

The cat had finished her toilet, and now, springing softly to the floor,
went to the door and sniffed. He knelt beside her, and unclasping the
garter held it for a moment in his hands. After a while he said: "There is
a name engraved upon the silver clasp beneath the buckle. It is a pretty
name, Sylvia Elven. Sylvia is a woman's name, Elven is the name of a town.
In Paris, in this quarter, above all, in this Street of the Four Winds,
names are worn and put away as the fashions change with the seasons. I
know the little town of Elven, for there I met Fate face to face and Fate
was unkind. But do you know that in Elven Fate had another name, and that
name was Sylvia?"

He replaced the garter and stood up looking down at the cat crouched
before the closed door.

"The name of Elven has a charm for me. It tells me of meadows and clear
rivers. The name of Sylvia troubles me like perfume from dead flowers."

The cat mewed.

"Yes, yes," he said soothingly, "I will take you back. Your Sylvia is not
my Sylvia; the world is wide and Elven is not unknown. Yet in the darkness
and filth of poorer Paris, in the sad shadows of this ancient house, these
names are very pleasant to me."

He lifted her in his arms and strode through the silent corridors to the
stairs. Down five flights and into the moonlit court, past the little
sculptor's den, and then again in at the gate of the north wing and up the
worm-eaten stairs he passed, until he came to a closed door. When he had
stood knocking for a long time, something moved behind the door; it opened
and he went in. The room was dark. As he crossed the threshold, the cat
sprang from his arms into the shadows. He listened but heard nothing. The
silence was oppressive and he struck a match. At his elbow stood a table
and on the table a candle in a gilded candlestick. This he lighted, then
looked around. The chamber was vast, the hangings heavy with embroidery.
Over the fireplace towered a carved mantel, grey with the ashes of dead
fires. In a recess by the deep-set windows stood a bed, from which the
bedclothes, soft and fine as lace, trailed to the polished floor. He
lifted the candle above his head. A handkerchief lay at his feet. It was
faintly perfumed. He turned toward the windows. In front of them was a
_canapé_ and over it were flung, pell-mell, a gown of silk, a heap of
lace-like garments, white and delicate as spiders' meshes, long, crumpled
gloves, and, on the floor beneath, the stockings, the little pointed
shoes, and one garter of rosy silk, quaintly flowered and fitted with a
silver clasp. Wondering, he stepped forward and drew the heavy curtains
from the bed. For a moment the candle flared in his hand; then his eyes
met two other eyes, wide open, smiling, and the candle-flame flashed over
hair heavy as gold.

She was pale, but not as white as he; her eyes were untroubled as a
child's; but he stared, trembling from head to foot, while the candle
flickered in his hand.

At last he whispered: "Sylvia, it is I."

Again he said, "It is I."

Then, knowing that she was dead, he kissed her on the mouth. And through
the long watches of the night the cat purred on his knee, tightening and
relaxing her padded claws, until the sky paled above the Street of the
Four Winds.




THE STREET OF THE FIRST SHELL


  "Be of Good Cheer, the Sullen Month will die,
  And a young Moon requite us by and by:
  Look how the Old one, meagre, bent, and wan
  With age and Fast, is fainting from the sky."

The room was already dark. The high roofs opposite cut off what little
remained of the December daylight. The girl drew her chair nearer the
window, and choosing a large needle, threaded it, knotting the thread over
her fingers. Then she smoothed the baby garment across her knees, and
bending, bit off the thread and drew the smaller needle from where it
rested in the hem. When she had brushed away the stray threads and bits of
lace, she laid it again over her knees caressingly. Then she slipped the
threaded needle from her corsage and passed it through a button, but as
the button spun down the thread, her hand faltered, the thread snapped,
and the button rolled across the floor. She raised her head. Her eyes were
fixed on a strip of waning light above the chimneys. From somewhere in the
city came sounds like the distant beating of drums, and beyond, far
beyond, a vague muttering, now growing, swelling, rumbling in the distance
like the pounding of surf upon the rocks, now like the surf again,
receding, growling, menacing. The cold had become intense, a bitter
piercing cold which strained and snapped at joist and beam and turned the
slush of yesterday to flint. From the street below every sound broke sharp
and metallic--the clatter of sabots, the rattle of shutters or the rare
sound of a human voice. The air was heavy, weighted with the black cold as
with a pall. To breathe was painful, to move an effort.

In the desolate sky there was something that wearied, in the brooding
clouds, something that saddened. It penetrated the freezing city cut by
the freezing river, the splendid city with its towers and domes, its quays
and bridges and its thousand spires. It entered the squares, it seized the
avenues and the palaces, stole across bridges and crept among the narrow
streets of the Latin Quarter, grey under the grey of the December sky.
Sadness, utter sadness. A fine icy sleet was falling, powdering the
pavement with a tiny crystalline dust. It sifted against the window-panes
and drifted in heaps along the sill. The light at the window had nearly
failed, and the girl bent low over her work. Presently she raised her
head, brushing the curls from her eyes.

"Jack?"

"Dearest?"

"Don't forget to clean your palette."

He said, "All right," and picking up the palette, sat down upon the floor
in front of the stove. His head and shoulders were in the shadow, but the
firelight fell across his knees and glimmered red on the blade of the
palette-knife. Full in the firelight beside him stood a colour-box. On the
lid was carved,

  J. TRENT.
  Ecole des Beaux Arts.
  1870.

This inscription was ornamented with an American and a French flag.

The sleet blew against the window-panes, covering them with stars and
diamonds, then, melting from the warmer air within, ran down and froze
again in fern-like traceries.

A dog whined and the patter of small paws sounded on the zinc behind the
stove.

"Jack, dear, do you think Hercules is hungry?"

The patter of paws was redoubled behind the stove.

"He's whining," she continued nervously, "and if it isn't because he's
hungry it is because--"

Her voice faltered. A loud humming filled the air, the windows vibrated.

"Oh, Jack," she cried, "another--" but her voice was drowned in the scream
of a shell tearing through the clouds overhead.

"That is the nearest yet," she murmured.

"Oh, no," he answered cheerfully, "it probably fell way over by
Montmartre," and as she did not answer, he said again with exaggerated
unconcern, "They wouldn't take the trouble to fire at the Latin Quarter;
anyway they haven't a battery that can hurt it."

After a while she spoke up brightly: "Jack, dear, when are you going to
take me to see Monsieur West's statues?"

"I will bet," he said, throwing down his palette and walking over to the
window beside her, "that Colette has been here to-day."

"Why?" she asked, opening her eyes very wide. Then, "Oh, it's too
bad!--really, men are tiresome when they think they know everything! And I
warn you that if Monsieur West is vain enough to imagine that Colette--"

From the north another shell came whistling and quavering through the sky,
passing above them with long-drawn screech which left the windows singing.

"That," he blurted out, "was too near for comfort."

They were silent for a while, then he spoke again gaily: "Go on, Sylvia,
and wither poor West;" but she only sighed, "Oh, dear, I can never seem to
get used to the shells."

He sat down on the arm of the chair beside her.

Her scissors fell jingling to the floor; she tossed the unfinished frock
after them, and putting both arms about his neck drew him down into her
lap.

"Don't go out to-night, Jack."

He kissed her uplifted face; "You know I must; don't make it hard for me."

"But when I hear the shells and--and know you are out in the city--"

"But they all fall in Montmartre--"

"They may all fall in the Beaux Arts; you said yourself that two struck
the Quai d'Orsay--"

"Mere accident--"

"Jack, have pity on me! Take me with you!"

"And who will there be to get dinner?"

She rose and flung herself on the bed.

"Oh, I can't get used to it, and I know you must go, but I beg you not to
be late to dinner. If you knew what I suffer! I--I--cannot help it, and
you must be patient with me, dear."

He said, "It is as safe there as it is in our own house."

She watched him fill for her the alcohol lamp, and when he had lighted it
and had taken his hat to go, she jumped up and clung to him in silence.
After a moment he said: "Now, Sylvia, remember my courage is sustained by
yours. Come, I must go!" She did not move, and he repeated: "I must go."
Then she stepped back and he thought she was going to speak and waited,
but she only looked at him, and, a little impatiently, he kissed her
again, saying: "Don't worry, dearest."

When he had reached the last flight of stairs on his way to the street a
woman hobbled out of the house-keeper's lodge waving a letter and calling:
"Monsieur Jack! Monsieur Jack! this was left by Monsieur Fallowby!"

He took the letter, and leaning on the threshold of the lodge, read it:

"Dear Jack,

"I believe Braith is dead broke and I'm sure Fallowby is. Braith swears he
isn't, and Fallowby swears he is, so you can draw your own conclusions.
I've got a scheme for a dinner, and if it works, I will let you fellows
in.

"Yours faithfully,

"West.

"P.S.--Fallowby has shaken Hartman and his gang, thank the Lord! There is
something rotten there,--or it may be he's only a miser.

"P.P.S.--I'm more desperately in love than ever, but I'm sure she does not
care a straw for me."

"All right," said Trent, with a smile, to the concierge; "but tell me, how
is Papa Cottard?"

The old woman shook her head and pointed to the curtained bed in the
lodge.

"Père Cottard!" he cried cheerily, "how goes the wound to-day?"

He walked over to the bed and drew the curtains. An old man was lying
among the tumbled sheets.

"Better?" smiled Trent.

"Better," repeated the man wearily; and, after a pause, "Have you any
news, Monsieur Jack?"

"I haven't been out to-day. I will bring you any rumour I may hear, though
goodness knows I've got enough of rumours," he muttered to himself. Then
aloud: "Cheer up; you're looking better."

"And the sortie?"

"Oh, the sortie, that's for this week. General Trochu sent orders last
night."

"It will be terrible."

"It will be sickening," thought Trent as he went not into the street and
turned the corner toward the rue de Seine; "slaughter, slaughter, phew!
I'm glad I'm not going."

The street was almost deserted. A few women muffled in tattered military
capes crept along the frozen pavement, and a wretchedly clad gamin hovered
over the sewer-hole on the corner of the Boulevard. A rope around his
waist held his rags together. From the rope hung a rat, still warm and
bleeding.

"There's another in there," he yelled at Trent; "I hit him but he got
away."

Trent crossed the street and asked: "How much?"

"Two francs for a quarter of a fat one; that's what they give at the St.
Germain Market."

A violent fit of coughing interrupted him, but he wiped his face with the
palm of his hand and looked cunningly at Trent.

"Last week you could buy a rat for six francs, but," and here he swore
vilely, "the rats have quit the rue de Seine and they kill them now over
by the new hospital. I'll let you have this for seven francs; I can sell
it for ten in the Isle St. Louis."

"You lie," said Trent, "and let me tell you that if you try to swindle
anybody in this quarter the people will make short work of you and your
rats."

He stood a moment eyeing the gamin, who pretended to snivel. Then he
tossed him a franc, laughing. The child caught it, and thrusting it into
his mouth wheeled about to the sewer-hole. For a second he crouched,
motionless, alert, his eyes on the bars of the drain, then leaping forward
he hurled a stone into the gutter, and Trent left him to finish a fierce
grey rat that writhed squealing at the mouth of the sewer.

"Suppose Braith should come to that," he thought; "poor little chap;" and
hurrying, he turned in the dirty passage des Beaux Arts and entered the
third house to the left.

"Monsieur is at home," quavered the old concierge.

Home? A garret absolutely bare, save for the iron bedstead in the corner
and the iron basin and pitcher on the floor.

West appeared at the door, winking with much mystery, and motioned Trent
to enter. Braith, who was painting in bed to keep warm, looked up,
laughed, and shook hands.

"Any news?"

The perfunctory question was answered as usual by: "Nothing but the
cannon."

Trent sat down on the bed.

"Where on earth did you get that?" he demanded, pointing to a
half-finished chicken nestling in a wash-basin.

West grinned.

"Are you millionaires, you two? Out with it."

Braith, looking a little ashamed, began, "Oh, it's one of West's
exploits," but was cut short by West, who said he would tell the story
himself.

"You see, before the siege, I had a letter of introduction to a '_type_'
here, a fat banker, German-American variety. You know the species, I see.
Well, of course I forgot to present the letter, but this morning, judging
it to be a favourable opportunity, I called on him.

"The villain lives in comfort;--fires, my boy!--fires in the ante-rooms!
The Buttons finally condescends to carry my letter and card up, leaving me
standing in the hallway, which I did not like, so I entered the first room
I saw and nearly fainted at the sight of a banquet on a table by the fire.
Down comes Buttons, very insolent. No, oh, no, his master, 'is not at
home, and in fact is too busy to receive letters of introduction just now;
the siege, and many business difficulties--'

"I deliver a kick to Buttons, pick up this chicken from the table, toss my
card on to the empty plate, and addressing Buttons as a species of
Prussian pig, march out with the honours of war."

Trent shook his head.

"I forgot to say that Hartman often dines there, and I draw my own
conclusions," continued West. "Now about this chicken, half of it is for
Braith and myself, and half for Colette, but of course you will help me
eat my part because I'm not hungry."

"Neither am I," began Braith, but Trent, with a smile at the pinched faces
before him, shook his head saying, "What nonsense! You know I'm never
hungry!"

West hesitated, reddened, and then slicing off Braith's portion, but not
eating any himself, said good-night, and hurried away to number 470 rue
Serpente, where lived a pretty girl named Colette, orphan after Sedan, and
Heaven alone knew where she got the roses in her cheeks, for the siege
came hard on the poor.

"That chicken will delight her, but I really believe she's in love with
West," said Trent. Then walking over to the bed: "See here, old man, no
dodging, you know, how much have you left?"

The other hesitated and flushed.

"Come, old chap," insisted Trent.

Braith drew a purse from beneath his bolster, and handed it to his friend
with a simplicity that touched him.

"Seven sons," he counted; "you make me tired! Why on earth don't you come
to me? I take it d----d ill, Braith! How many times must I go over the same
thing and explain to you that because I have money it is my duty to share
it, and your duty and the duty of every American to share it with me? You
can't get a cent, the city's blockaded, and the American Minister has his
hands full with all the German riff-raff and deuce knows what! Why don't
you act sensibly?"

"I--I will, Trent, but it's an obligation that perhaps I can never even in
part repay, I'm poor and--"

"Of course you'll pay me! If I were a usurer I would take your talent for
security. When you are rich and famous--"

"Don't, Trent--"

"All right, only no more monkey business."

He slipped a dozen gold pieces into the purse, and tucking it again under
the mattress smiled at Braith.

"How old are you?" he demanded.

"Sixteen."

Trent laid his hand lightly on his friend's shoulder. "I'm twenty-two, and
I have the rights of a grandfather as far as you are concerned. You'll do
as I say until you're twenty-one."

"The siège will be over then, I hope," said Braith, trying to laugh, but
the prayer in their hearts: "How long, O Lord, how long!" was answered by
the swift scream of a shell soaring among the storm-clouds of that
December night.




II

West, standing in the doorway of a house in the rue Serpentine, was
speaking angrily. He said he didn't care whether Hartman liked it or not;
he was telling him, not arguing with him.

"You call yourself an American!" he sneered; "Berlin and hell are full of
that kind of American. You come loafing about Colette with your pockets
stuffed with white bread and beef, and a bottle of wine at thirty francs
and you can't really afford to give a dollar to the American Ambulance and
Public Assistance, which Braith does, and he's half starved!"

Hartman retreated to the curbstone, but West followed him, his face like a
thunder-cloud. "Don't you dare to call yourself a countryman of mine," he
growled,--"no,--nor an artist either! Artists don't worm themselves into
the service of the Public Defence where they do nothing but feed like rats
on the people's food! And I'll tell you now," he continued dropping his
voice, for Hartman had started as though stung, "you might better keep
away from that Alsatian Brasserie and the smug-faced thieves who haunt it.
You know what they do with suspects!"

"You lie, you hound!" screamed Hartman, and flung the bottle in his hand
straight at West's face. West had him by the throat in a second, and
forcing him against the dead wall shook him wickedly.

"Now you listen to me," he muttered, through his clenched teeth. "You are
already a suspect and--I swear--I believe you are a paid spy! It isn't my
business to detect such vermin, and I don't intend to denounce you, but
understand this! Colette don't like you and I can't stand you, and if I
catch you in this street again I'll make it somewhat unpleasant. Get out,
you sleek Prussian!"

Hartman had managed to drag a knife from his pocket, but West tore it from
him and hurled him into the gutter. A gamin who had seen this burst into a
peal of laughter, which rattled harshly in the silent street. Then
everywhere windows were raised and rows of haggard faces appeared
demanding to know why people should laugh in the starving city.

"Is it a victory?" murmured one.

"Look at that," cried West as Hartman picked himself up from the pavement,
"look! you miser! look at those faces!" But Hartman gave _him_ a look
which he never forgot, and walked away without a word. Trent, who suddenly
appeared at the corner, glanced curiously at West, who merely nodded
toward his door saying, "Come in; Fallowby's upstairs."

"What are you doing with that knife?" demanded Fallowby, as he and Trent
entered the studio.

West looked at his wounded hand, which still clutched the knife, but
saying, "Cut myself by accident," tossed it into a corner and washed the
blood from his fingers.

Fallowby, fat and lazy, watched him without comment, but Trent, half
divining how things had turned, walked over to Fallowby smiling.

"I've a bone to pick with you!" he said.

"Where is it? I'm hungry," replied Fallowby with affected eagerness, but
Trent, frowning, told him to listen.

"How much did I advance you a week ago?"

"Three hundred and eighty francs," replied the other, with a squirm of
contrition.

"Where is it?"

Fallowby began a series of intricate explanations, which were soon cut
short by Trent.

"I know; you blew it in;--you always blow it in. I don't care a rap what
you did before the siege: I know you are rich and have a right to dispose
of your money as you wish to, and I also know that, generally speaking, it
is none of my business. But _now_ it is my business, as I have to supply
the funds until you get some more, which you won't until the siege is
ended one way or another. I wish to share what I have, but I won't see it
thrown out of the window. Oh, yes, of course I know you will reimburse me,
but that isn't the question; and, anyway, it's the opinion of your
friends, old man, that you will not be worse off for a little abstinence
from fleshly pleasures. You are positively a freak in this famine-cursed
city of skeletons!"

"I _am_ rather stout," he admitted.

"Is it true you are out of money?" demanded Trent.

"Yes, I am," sighed the other.

"That roast sucking pig on the rue St. Honoré,--is it there yet?"
continued Trent.

"Wh--at?" stammered the feeble one.

"Ah--I thought so! I caught you in ecstasy before that sucking pig at
least a dozen times!"

Then laughing, he presented Fallowby with a roll of twenty franc pieces
saying: "If these go for luxuries you must live on your own flesh," and
went over to aid West, who sat beside the wash-basin binding up his hand.

West suffered him to tie the knot, and then said: "You remember,
yesterday, when I left you and Braith to take the chicken to Colette."

"Chicken! Good heavens!" moaned Fallowby.

"Chicken," repeated West, enjoying Fallowby's grief;--"I--that is, I must
explain that things are changed. Colette and I--are to be married--"

"What--what about the chicken?" groaned Fallowby.

"Shut up!" laughed Trent, and slipping his arm through West's, walked to
the stairway.

"The poor little thing," said West, "just think, not a splinter of
firewood for a week and wouldn't tell me because she thought I needed
it for my clay figure. Whew! When I heard it I smashed that smirking
clay nymph to pieces, and the rest can freeze and be hanged!" After a
moment he added timidly: "Won't you call on your way down and say _bon
soir_? It's No. 17."

"Yes," said Trent, and he went out softly closing the door behind.

He stopped on the third landing, lighted a match, scanned the numbers over
the row of dingy doors, and knocked at No. 17.

"C'est toi Georges?" The door opened.

"Oh, pardon, Monsieur Jack, I thought it was Monsieur West," then blushing
furiously, "Oh, I see you have heard! Oh, thank you so much for your
wishes, and I'm sure we love each other very much,--and I'm dying to see
Sylvia and tell her and--"

"And what?" laughed Trent.

"I am very happy," she sighed.

"He's pure gold," returned Trent, and then gaily: "I want you and George
to come and dine with us to-night. It's a little treat,--you see to-morrow
is Sylvia's _fête_. She will be nineteen. I have written to Thorne, and
the Guernalecs will come with their cousin Odile. Fallowby has engaged not
to bring anybody but himself."

The girl accepted shyly, charging him with loads of loving messages to
Sylvia, and he said good-night.

He started up the street, walking swiftly, for it was bitter cold, and
cutting across the rue de la Lune he entered the rue de Seine. The early
winter night had fallen, almost without warning, but the sky was clear and
myriads of stars glittered in the heavens. The bombardment had become
furious--a steady rolling thunder from the Prussian cannon punctuated by
the heavy shocks from Mont Valérien.

The shells streamed across the sky leaving trails like shooting stars, and
now, as he turned to look back, rockets blue and red flared above the
horizon from the Fort of Issy, and the Fortress of the North flamed like a
bonfire.

"Good news!" a man shouted over by the Boulevard St. Germain. As if by
magic the streets were filled with people,--shivering, chattering people
with shrunken eyes.

"Jacques!" cried one. "The Army of the Loire!"

"Eh! _mon vieux_, it has come then at last! I told thee! I told thee!
To-morrow--to-night--who knows?"

"Is it true? Is it a sortie?"

Some one said: "Oh, God--a sortie--and my son?" Another cried: "To the
Seine? They say one can see the signals of the Army of the Loire from the
Pont Neuf."

There was a child standing near Trent who kept repeating: "Mamma, Mamma,
then to-morrow we may eat white bread?" and beside him, an old man
swaying, stumbling, his shrivelled hands crushed to his breast, muttering
as if insane.

"Could it be true? Who has heard the news? The shoemaker on the rue de
Buci had it from a Mobile who had heard a Franctireur repeat it to a
captain of the National Guard."

Trent followed the throng surging through the rue de Seine to the river.

Rocket after rocket clove the sky, and now, from Montmartre, the cannon
clanged, and the batteries on Montparnasse joined in with a crash. The
bridge was packed with people.

Trent asked: "Who has seen the signals of the Army of the Loire?"

"We are waiting for them," was the reply.

He looked toward the north. Suddenly the huge silhouette of the Arc de
Triomphe sprang into black relief against the flash of a cannon. The boom
of the gun rolled along the quay and the old bridge vibrated.

Again over by the Point du Jour a flash and heavy explosion shook the
bridge, and then the whole eastern bastion of the fortifications blazed
and crackled, sending a red flame into the sky.

"Has any one seen the signals yet?" he asked again.

"We are waiting," was the reply.

"Yes, waiting," murmured a man behind him, "waiting, sick, starved,
freezing, but waiting. Is it a sortie? They go gladly. Is it to starve?
They starve. They have no time to think of surrender. Are they
heroes,--these Parisians? Answer me, Trent!"

The American Ambulance surgeon turned about and scanned the parapets of
the bridge.

"Any news, Doctor," asked Trent mechanically.

"News?" said the doctor; "I don't know any;--I haven't time to know any.
What are these people after?"

"They say that the Army of the Loire has signalled Mont Valérien."

"Poor devils." The doctor glanced about him for an instant, and then: "I'm
so harried and worried that I don't know what to do. After the last sortie
we had the work of fifty ambulances on our poor little corps. To-morrow
there's another sortie, and I wish you fellows could come over to
headquarters. We may need volunteers. How is madame?" he added abruptly.

"Well," replied Trent, "but she seems to grow more nervous every day. I
ought to be with her now."

"Take care of her," said the doctor, then with a sharp look at the people:
"I can't stop now--goodnight!" and he hurried away muttering, "Poor
devils!"

Trent leaned over the parapet and blinked at the black river surging
through the arches. Dark objects, carried swiftly on the breast of the
current, struck with a grinding tearing noise against the stone piers,
spun around for an instant, and hurried away into the darkness. The ice
from the Marne.

As he stood staring into the water, a hand was laid on his shoulder.
"Hello, Southwark!" he cried, turning around; "this is a queer place for
you!"

"Trent, I have something to tell you. Don't stay here,--don't believe in
the Army of the Loire:" and the _attaché_ of the American Legation slipped
his arm through Trent's and drew him toward the Louvre.

"Then it's another lie!" said Trent bitterly.

"Worse--we know at the Legation--I can't speak of it. But that's not what
I have to say. Something happened this afternoon. The Alsatian Brasserie
was visited and an American named Hartman has been arrested. Do you know
him?"

"I know a German who calls himself an American;--his name is Hartman."

"Well, he was arrested about two hours ago. They mean to shoot him."

"What!"

"Of course we at the Legation can't allow them to shoot him off-hand, but
the evidence seems conclusive."

"Is he a spy?"

"Well, the papers seized in his rooms are pretty damning proofs, and
besides he was caught, they say, swindling the Public Food Committee. He
drew rations for fifty, how, I don't know. He claims to be an American
artist here, and we have been obliged to take notice of it at the
Legation. It's a nasty affair."

"To cheat the people at such a time is worse than robbing the poor-box,"
cried Trent angrily. "Let them shoot him!"

"He's an American citizen."

"Yes, oh yes," said the other with bitterness. "American citizenship is a
precious privilege when every goggle-eyed German--" His anger choked him.

Southwark shook hands with him warmly. "It can't be helped, we must own
the carrion. I am afraid you may be called upon to identify him as an
American artist," he said with a ghost of a smile on his deep-lined face;
and walked away through the Cours la Reine.

Trent swore silently for a moment and then drew out his watch. Seven
o'clock. "Sylvia will be anxious," he thought, and hurried back to the
river. The crowd still huddled shivering on the bridge, a sombre pitiful
congregation, peering out into the night for the signals of the Army of
the Loire: and their hearts beat time to the pounding of the guns, their
eyes lighted with each flash from the bastions, and hope rose with the
drifting rockets.

A black cloud hung over the fortifications. From horizon to horizon the
cannon smoke stretched in wavering bands, now capping the spires and domes
with cloud, now blowing in streamers and shreds along the streets, now
descending from the housetops, enveloping quays, bridges, and river, in a
sulphurous mist. And through the smoke pall the lightning of the cannon
played, while from time to time a rift above showed a fathomless black
vault set with stars.

He turned again into the rue de Seine, that sad abandoned street, with its
rows of closed shutters and desolate ranks of unlighted lamps. He was a
little nervous and wished once or twice for a revolver, but the slinking
forms which passed him in the darkness were too weak with hunger to be
dangerous, he thought, and he passed on unmolested to his doorway. But
there somebody sprang at his throat. Over and over the icy pavement he
rolled with his assailant, tearing at the noose about his neck, and then
with a wrench sprang to his feet.

"Get up," he cried to the other.

Slowly and with great deliberation, a small gamin picked himself out of
the gutter and surveyed Trent with disgust.

"That's a nice clean trick," said Trent; "a whelp of your age! You'll
finish against a dead wall! Give me that cord!"

The urchin handed him the noose without a word.

Trent struck a match and looked at his assailant. It was the rat-killer of
the day before.

"H'm! I thought so," he muttered.

"Tiens, c'est toi?" said the gamin tranquilly.

The impudence, the overpowering audacity of the ragamuffin took Trent's
breath away.

"Do you know, you young strangler," he gasped, "that they shoot thieves of
your age?"

The child turned a passionless face to Trent. "Shoot, then."

That was too much, and he turned on his heel and entered his hotel.

Groping up the unlighted stairway, he at last reached his own landing and
felt about in the darkness for the door. From his studio came the sound of
voices, West's hearty laugh and Fallowby's chuckle, and at last he found
the knob and, pushing back the door, stood a moment confused by the light.

"Hello, Jack!" cried West, "you're a pleasant creature, inviting people to
dine and letting them wait. Here's Fallowby weeping with hunger--"

"Shut up," observed the latter, "perhaps he's been out to buy a turkey."

"He's been out garroting, look at his noose!" laughed Guernalec.

"So now we know where you get your cash!" added West; "vive le coup du
Père François!"

Trent shook hands with everybody and laughed at Sylvia's pale face.

"I didn't mean to be late; I stopped on the bridge a moment to watch the
bombardment. Were you anxious, Sylvia?"

She smiled and murmured, "Oh, no!" but her hand dropped into his and
tightened convulsively.

"To the table!" shouted Fallowby, and uttered a joyous whoop.

"Take it easy," observed Thorne, with a remnant of manners; "you are not
the host, you know."

Marie Guernalec, who had been chattering with Colette, jumped up and took
Thorne's arm and Monsieur Guernalec drew Odile's arm through his.

Trent, bowing gravely, offered his own arm to Colette, West took in
Sylvia, and Fallowby hovered anxiously in the rear.

"You march around the table three times singing the Marseillaise,"
explained Sylvia, "and Monsieur Fallowby pounds on the table and beats
time."

Fallowby suggested that they could sing after dinner, but his protest was
drowned in the ringing chorus--

  "Aux armes!
  Formez vos bataillons!"

Around the room they marched singing,

  "Marchons! Marchons!"

with all their might, while Fallowby with very bad grace, hammered on the
table, consoling himself a little with the hope that the exercise would
increase his appetite. Hercules, the black and tan, fled under the bed,
from which retreat he yapped and whined until dragged out by Guernalec and
placed in Odile's lap.

"And now," said Trent gravely, when everybody was seated, "listen!" and he
read the menu.

  Beef Soup à la Siège de Paris.

  Fish.
  Sardines à la père Lachaise.
  (White Wine).

  Rôti (Red Wine).
  Fresh Beef à la sortie.

  Vegetables.
  Canned Beans à la chasse-pot,
  Canned Peas Gravelotte,
  Potatoes Irlandaises,
  Miscellaneous.

  Cold Corned Beef à la Thieis,
  Stewed Prunes à la Garibaldi.

  Dessert.
  Dried prunes--White bread,
  Currant Jelly,
  Tea--Café,
  Liqueurs,
  Pipes and Cigarettes.

Fallowby applauded frantically, and Sylvia served the soup.

"Isn't it delicious?" sighed Odile.

Marie Guernalec sipped her soup in rapture.

"Not at all like horse, and I don't care what they say, horse doesn't
taste like beef," whispered Colette to West. Fallowby, who had finished,
began to caress his chin and eye the tureen.

"Have some more, old chap?" inquired Trent.

"Monsieur Fallowby cannot have any more," announced Sylvia; "I am saving
this for the concierge." Fallowby transferred his eyes to the fish.

The sardines, hot from the grille, were a great success. While the others
were eating Sylvia ran downstairs with the soup for the old concierge and
her husband, and when she hurried back, flushed and breathless, and had
slipped into her chair with a happy smile at Trent, that young man arose,
and silence fell over the table. For an instant he looked at Sylvia and
thought he had never seen her so beautiful.

"You all know," he began, "that to-day is my wife's nineteenth birthday--"

Fallowby, bubbling with enthusiasm, waved his glass in circles about his
head to the terror of Odile and Colette, his neighbours, and Thorne, West
and Guernalec refilled their glasses three times before the storm of
applause which the toast of Sylvia had provoked, subsided.

Three times the glasses were filled and emptied to Sylvia, and again to
Trent, who protested.

"This is irregular," he cried, "the next toast is to the twin Republics,
France and America?"

"To the Republics! To the Republics!" they cried, and the toast was drunk
amid shouts of "Vive a France! Vive l'Amérique! Vive la Nation!"

Then Trent, with a smile at West, offered the toast, "To a Happy Pair!"
and everybody understood, and Sylvia leaned over and kissed Colette, while
Trent bowed to West.

The beef was eaten in comparative calm, but when it was finished and a
portion of it set aside for the old people below, Trent cried: "Drink to
Paris! May she rise from her ruins and crush the invader!" and the cheers
rang out, drowning for a moment the monotonous thunder of the Prussian
guns.

Pipes and cigarettes were lighted, and Trent listened an instant to the
animated chatter around him, broken by ripples of laughter from the girls
or the mellow chuckle of Fallowby. Then he turned to West.

"There is going to be a sortie to-night," he said. "I saw the American
Ambulance surgeon just before I came in and he asked me to speak to you
fellows. Any aid we can give him will not come amiss."

Then dropping his voice and speaking in English, "As for me, I shall go
out with the ambulance to-morrow morning. There is of course no danger,
but it's just as well to keep it from Sylvia."

West nodded. Thorne and Guernalec, who had heard, broke in and offered
assistance, and Fallowby volunteered with a groan.

"All right," said Trent rapidly,--"no more now, but meet me at Ambulance
headquarters to-morrow morning at eight."

Sylvia and Colette, who were becoming uneasy at the conversation in
English, now demanded to know what they were talking about.

"What does a sculptor usually talk about?" cried West, with a laugh.

Odile glanced reproachfully at Thorne, her _fiancé_.

"You are not French, you know, and it is none of your business, this war,"
said Odile with much dignity.

Thorne looked meek, but West assumed an air of outraged virtue.

"It seems," he said to Fallowby, "that a fellow cannot discuss the
beauties of Greek sculpture in his mother tongue, without being openly
suspected."

Colette placed her hand over his mouth and turning to Sylvia, murmured,
"They are horridly untruthful, these men."

"I believe the word for ambulance is the same in both languages," said
Marie Guernalec saucily; "Sylvia, don't trust Monsieur Trent."

"Jack," whispered Sylvia, "promise me--"

A knock at the studio door interrupted her.

"Come in!" cried Fallowby, but Trent sprang up, and opening the door,
looked out. Then with a hasty excuse to the rest, he stepped into the
hall-way and closed the door.

When he returned he was grumbling.

"What is it, Jack?" cried West.

"What is it?" repeated Trent savagely; "I'll tell you what it is. I have
received a dispatch from the American Minister to go at once and identify
and claim, as a fellow-countryman and a brother artist, a rascally thief
and a German spy!"

"Don't go," suggested Fallowby.

"If I don't they'll shoot him at once."

"Let them," growled Thorne.

"Do you fellows know who it is?"

"Hartman!" shouted West, inspired.

Sylvia sprang up deathly white, but Odile slipped her arm around her and
supported her to a chair, saying calmly, "Sylvia has fainted,--it's the
hot room,--bring some water."

Trent brought it at once.

Sylvia opened her eyes, and after a moment rose, and supported by Marie
Guernalec and Trent, passed into the bedroom.

It was the signal for breaking up, and everybody came and shook hands with
Trent, saying they hoped Sylvia would sleep it off and that it would be
nothing.

When Marie Guernalec took leave of him, she avoided his eyes, but he spoke
to her cordially and thanked her for her aid.

"Anything I can do, Jack?" inquired West, lingering, and then hurried
downstairs to catch up with the rest.

Trent leaned over the banisters, listening to their footsteps and chatter,
and then the lower door banged and the house was silent. He lingered,
staring down into the blackness, biting his lips; then with an impatient
movement, "I am crazy!" he muttered, and lighting a candle, went into the
bedroom. Sylvia was lying on the bed. He bent over her, smoothing the
curly hair on her forehead.

"Are you better, dear Sylvia?"

She did not answer, but raised her eyes to his. For an instant he met her
gaze, but what he read there sent a chill to his heart and he sat down
covering his face with his hands.

At last she spoke in a voice, changed and strained,--a voice which he had
never heard, and he dropped his hands and listened, bolt upright in his
chair.

"Jack, it has come at last. I have feared it and trembled,--ah! how often
have I lain awake at night with this on my heart and prayed that I might
die before you should ever know of it! For I love you, Jack, and if you go
away I cannot live. I have deceived you;--it happened before I knew you,
but since that first day when you found me weeping in the Luxembourg and
spoke to me, Jack, I have been faithful to you in every thought and deed.
I loved you from the first, and did not dare to tell you this--fearing
that you would go away; and since then my love has grown--grown--and oh! I
suffered!--but I dared not tell you. And now you know, but you do not know
the worst. For him--now--what do I care? He was cruel--oh, so cruel!"

She hid her face in her arms.

"Must I go on? Must I tell you--can you not imagine, oh! Jack--"

He did not stir; his eyes seemed dead.

"I--I was so young, I knew nothing, and he said--said that he loved me--"

Trent rose and struck the candle with his clenched fist, and the room was
dark.

The bells of St. Sulpice tolled the hour, and she started up, speaking
with feverish haste,--"I must finish! When you told me you loved
me--you--you asked me nothing; but then, even then, it was too late, and
_that other life_ which binds me to him, must stand for ever between you
and me! For there _is another_ whom he has claimed, and is good to. He
must not die,--they cannot shoot him, for that _other's_ sake!"

Trent sat motionless, but his thoughts ran on in an interminable whirl.

Sylvia, little Sylvia, who shared with him his student life,--who bore
with him the dreary desolation of the siege without complaint,--this
slender blue-eyed girl whom he was so quietly fond of, whom he teased or
caressed as the whim suited, who sometimes made him the least bit
impatient with her passionate devotion to him,--could this be the same
Sylvia who lay weeping there in the darkness?

Then he clinched his teeth. "Let him die! Let him die!"--but then,--for
Sylvia's sake, and,--for that _other's_ sake,--Yes, he would go,--he
_must_ go,--his duty was plain before him. But Sylvia,--he could not be
what he had been to her, and yet a vague terror seized him, now all was
said. Trembling, he struck a light.

She lay there, her curly hair tumbled about her face, her small white
hands pressed to her breast.

He could not leave her, and he could not stay. He never knew before that
he loved her. She had been a mere comrade, this girl wife of his. Ah! he
loved her now with all his heart and soul, and he knew it, only when it
was too late. Too late? Why? Then he thought of that _other_ one, binding
her, linking her forever to the creature, who stood in danger of his life.
With an oath he sprang to the door, but the door would not open,--or was
it that he pressed it back,--locked it,--and flung himself on his knees
beside the bed, knowing that he dared not for his life's sake leave what
was his all in life.




III

It was four in the morning when he came out of the Prison of the Condemned
with the Secretary of the American Legation. A knot of people had gathered
around the American Minister's carriage, which stood in front of the
prison, the horses stamping and pawing in the icy street, the coachman
huddled on the box, wrapped in furs. Southwark helped the Secretary into
the carriage, and shook hands with Trent, thanking him for coming.

"How the scoundrel did stare," he said; "your evidence was worse than a
kick, but it saved his skin for the moment at least,--and prevented
complications."

The Secretary sighed. "We have done our part. Now let them prove him a spy
and we wash our hands of him. Jump in, Captain! Come along, Trent!"

"I have a word to say to Captain Southwark, I won't detain him," said
Trent hastily, and dropping his voice, "Southwark, help _me_ now. You know
the story from the blackguard. You know the--the child is at his rooms.
Get it, and take it to my own apartment, and if he is shot, I will provide
a home for it."

"I understand," said the Captain gravely.

"Will you do this at once?"

"At once," he replied.

Their hands met in a warm clasp, and then Captain Southwark climbed into
the carriage, motioning Trent to follow; but he shook his head saying,
"Good-bye!" and the carriage rolled away.

He watched the carriage to the end of the street, then started toward his
own quarter, but after a step or two hesitated, stopped, and finally
turned away in the opposite direction. Something--perhaps it was the sight
of the prisoner he had so recently confronted nauseated him. He felt the
need of solitude and quiet to collect his thoughts. The events of the
evening had shaken him terribly, but he would walk it off, forget, bury
everything, and then go back to Sylvia. He started on swiftly, and for a
time the bitter thoughts seemed to fade, but when he paused at last,
breathless, under the Arc de Triomphe, the bitterness and the wretchedness
of the whole thing--yes, of his whole misspent life came back with a pang.
Then the face of the prisoner, stamped with the horrible grimace of fear,
grew in the shadows before his eyes.

Sick at heart he wandered up and down under the great Arc, striving to
occupy his mind, peering up at the sculptured cornices to read the names
of the heroes and battles which he knew were engraved there, but always
the ashen face of Hartman followed him, grinning with terror!--or was it
terror?--was it not triumph?--At the thought he leaped like a man who
feels a knife at his throat, but after a savage tramp around the square,
came back again and sat down to battle with his misery.

The air was cold, but his cheeks were burning with angry shame. Shame?
Why? Was it because he had married a girl whom chance had made a mother?
_Did_ he love her? Was this miserable bohemian existence, then, his end
and aim in life? He turned his eyes upon the secrets of his heart, and
read an evil story,--the story of the past, and he covered his face for
shame, while, keeping time to the dull pain throbbing in his head, his
heart beat out the story for the future. Shame and disgrace.

Roused at last from a lethargy which had begun to numb the bitterness of
his thoughts, he raised his head and looked about. A sudden fog had
settled in the streets; the arches of the Arc were choked with it. He
would go home. A great horror of being alone seized him. _But he was not
alone._ The fog was peopled with phantoms. All around him in the mist they
moved, drifting through the arches in lengthening lines, and vanished,
while from the fog others rose up, swept past and were engulfed. He was
not alone, for even at his side they crowded, touched him, swarmed before
him, beside him, behind him, pressed him back, seized, and bore him with
them through the mist. Down a dim avenue, through lanes and alleys white
with fog, they moved, and if they spoke their voices were dull as the
vapour which shrouded them. At last in front, a bank of masonry and earth
cut by a massive iron barred gate towered up in the fog. Slowly and more
slowly they glided, shoulder to shoulder and thigh to thigh. Then all
movement ceased. A sudden breeze stirred the fog. It wavered and eddied.
Objects became more distinct. A pallor crept above the horizon, touching
the edges of the watery clouds, and drew dull sparks from a thousand
bayonets. Bayonets--they were everywhere, cleaving the fog or flowing
beneath it in rivers of steel. High on the wall of masonry and earth a
great gun loomed, and around it figures moved in silhouettes. Below, a
broad torrent of bayonets swept through the iron barred gateway, out into
the shadowy plain. It became lighter. Faces grew more distinct among the
marching masses and he recognized one.

"You, Philippe!"

The figure turned its head.

Trent cried, "Is there room for me?" but the other only waved his arm in a
vague adieu and was gone with the rest. Presently the cavalry began to
pass, squadron on squadron, crowding out into the darkness; then many
cannon, then an ambulance, then again the endless lines of bayonets.
Beside him a cuirassier sat on his steaming horse, and in front, among a
group of mounted officers he saw a general, with the astrakan collar of
his dolman turned up about his bloodless face.

Some women were weeping near him and one was struggling to force a loaf of
black bread into a soldier's haversack. The soldier tried to aid her, but
the sack was fastened, and his rifle bothered him, so Trent held it, while
the woman unbuttoned the sack and forced in the bread, now all wet with
her tears. The rifle was not heavy. Trent found it wonderfully manageable.
Was the bayonet sharp? He tried it. Then a sudden longing, a fierce,
imperative desire took possession of him.

"_Chouette!_" cried a gamin, clinging to the barred gate, "_encore toi mon
vieux_?"

Trent looked up, and the rat-killer laughed in his face. But when the
soldier had taken the rifle again, and thanking him, ran hard to catch his
battalion, he plunged into the throng about the gateway.

"Are you going?" he cried to a marine who sat in the gutter bandaging his
foot.

"Yes."

Then a girl--a mere child--caught him by the hand and led him into the
café which faced the gate. The room was crowded with soldiers, some, white
and silent, sitting on the floor, others groaning on the leather-covered
settees. The air was sour and suffocating.

"Choose!" said the girl with a little gesture of pity; "they can't go!"

In a heap of clothing on the floor he found a capote and képi.

She helped him buckle his knapsack, cartridge-box, and belt, and showed
him how to load the chasse-pot rifle, holding it on her knees.

When he thanked her she started to her feet.

"You are a foreigner!"

"American," he said, moving toward the door, but the child barred his way.

"I am a Bretonne. My father is up there with the cannon of the marine. He
will shoot you if you are a spy."

They faced each other for a moment. Then sighing, he bent over and kissed
the child. "Pray for France, little one," he murmured, and she repeated
with a pale smile: "For France and you, beau Monsieur."

He ran across the street and through the gateway. Once outside, he edged
into line and shouldered his way along the road. A corporal passed, looked
at him, repassed, and finally called an officer. "You belong to the 60th,"
growled the corporal looking at the number on his képi.

"We have no use for Franc-tireurs," added the officer, catching sight of
his black trousers.

"I wish to volunteer in place of a comrade," said Trent, and the officer
shrugged his shoulders and passed on.

Nobody paid much attention to him, one or two merely glancing at his
trousers. The road was deep with slush and mud-ploughed and torn by wheels
and hoofs. A soldier in front of him wrenched his foot in an icy rut and
dragged himself to the edge of the embankment groaning. The plain on
either side of them was grey with melting snow. Here and there behind
dismantled hedge-rows stood wagons, bearing white flags with red crosses.
Sometimes the driver was a priest in rusty hat and gown, sometimes a
crippled Mobile. Once they passed a wagon driven by a Sister of Charity.
Silent empty houses with great rents in their walls, and every window
blank, huddled along the road. Further on, within the zone of danger,
nothing of human habitation remained except here and there a pile of
frozen bricks or a blackened cellar choked with snow.

For some time Trent had been annoyed by the man behind him, who kept
treading on his heels. Convinced at last that it was intentional, he
turned to remonstrate and found himself face to face with a fellow-student
from the Beaux Arts. Trent stared.

"I thought you were in the hospital!"

The other shook his head, pointing to his bandaged jaw.

"I see, you can't speak. Can I do anything?"

The wounded man rummaged in his haversack and produced a crust of black
bread.

"He can't eat it, his jaw is smashed, and he wants you to chew it for
him," said the soldier next to him.

Trent took the crust, and grinding it in his teeth morsel by morsel,
passed it back to the starving man.

From time to time mounted orderlies sped to the front, covering them with
slush. It was a chilly, silent march through sodden meadows wreathed in
fog. Along the railroad embankment across the ditch, another column moved
parallel to their own. Trent watched it, a sombre mass, now distinct, now
vague, now blotted out in a puff of fog. Once for half-an-hour he lost it,
but when again it came into view, he noticed a thin line detach itself
from the flank, and, bellying in the middle, swing rapidly to the west. At
the same moment a prolonged crackling broke out in the fog in front. Other
lines began to slough off from the column, swinging east and west, and the
crackling became continuous. A battery passed at full gallop, and he drew
back with his comrades to give it way. It went into action a little to the
right of his battalion, and as the shot from the first rifled piece boomed
through the mist, the cannon from the fortifications opened with a mighty
roar. An officer galloped by shouting something which Trent did not catch,
but he saw the ranks in front suddenly part company with his own, and
disappear in the twilight. More officers rode up and stood beside him
peering into the fog. Away in front the crackling had become one prolonged
crash. It was dreary waiting. Trent chewed some bread for the man behind,
who tried to swallow it, and after a while shook his head, motioning Trent
to eat the rest himself. A corporal offered him a little brandy and he
drank it, but when he turned around to return the flask, the corporal was
lying on the ground. Alarmed, he looked at the soldier next to him, who
shrugged his shoulders and opened his mouth to speak, but something struck
him and he rolled over and over into the ditch below. At that moment the
horse of one of the officers gave a bound and backed into the battalion,
lashing out with his heels. One man was ridden down; another was kicked in
the chest and hurled through the ranks. The officer sank his spurs into
the horse and forced him to the front again, where he stood trembling. The
cannonade seemed to draw nearer. A staff-officer, riding slowly up and
down the battalion suddenly collapsed in his saddle and clung to his
horse's mane. One of his boots dangled, crimsoned and dripping, from the
stirrup. Then out of the mist in front men came running. The roads, the
fields, the ditches were full of them, and many of them fell. For an
instant he imagined he saw horsemen riding about like ghosts in the
vapours beyond, and a man behind him cursed horribly, declaring he too had
seen them, and that they were Uhlans; but the battalion stood inactive,
and the mist fell again over the meadows.

The colonel sat heavily upon his horse, his bullet-shaped head buried in
the astrakan collar of his dolman, his fat legs sticking straight out in
the stirrups.

The buglers clustered about him with bugles poised, and behind him a
staff-officer in a pale blue jacket smoked a cigarette and chatted with a
captain of hussars. From the road in front came the sound of furious
galloping and an orderly reined up beside the colonel, who motioned him to
the rear without turning his head. Then on the left a confused murmur
arose which ended in a shout. A hussar passed like the wind, followed by
another and another, and then squadron after squadron whirled by them into
the sheeted mists. At that instant the colonel reared in his saddle, the
bugles clanged, and the whole battalion scrambled down the embankment,
over the ditch and started across the soggy meadow. Almost at once Trent
lost his cap. Something snatched it from his head, he thought it was a
tree branch. A good many of his comrades rolled over in the slush and ice,
and he imagined that they had slipped. One pitched right across his path
and he stopped to help him up, but the man screamed when he touched him
and an officer shouted, "Forward! Forward!" so he ran on again. It was a
long jog through the mist, and he was often obliged to shift his rifle.
When at last they lay panting behind the railroad embankment, he looked
about him. He had felt the need of action, of a desperate physical
struggle, of killing and crushing. He had been seized with a desire to
fling himself among masses and tear right and left. He longed to fire, to
use the thin sharp bayonet on his chassepot. He had not expected this. He
wished to become exhausted, to struggle and cut until incapable of lifting
his arm. Then he had intended to go home. He heard a man say that half the
battalion had gone down in the charge, and he saw another examining a
corpse under the embankment. The body, still warm, was clothed in a
strange uniform, but even when he noticed the spiked helmet lying a few
inches further away, he did not realize what had happened.

The colonel sat on his horse a few feet to the left, his eyes sparkling
under the crimson képi. Trent heard him reply to an officer: "I can hold
it, but another charge, and I won't have enough men left to sound a
bugle."

"Were the Prussians here?" Trent asked of a soldier who sat wiping the
blood trickling from his hair.

"Yes. The hussars cleaned them out. We caught their cross fire."

"We are supporting a battery on the embankment," said another.

Then the battalion crawled over the embankment and moved along the lines
of twisted rails. Trent rolled up his trousers and tucked them into his
woollen socks: but they halted again, and some of the men sat down on the
dismantled railroad track. Trent looked for his wounded comrade from the
Beaux Arts. He was standing in his place, very pale. The cannonade had
become terrific. For a moment the mist lifted. He caught a glimpse of the
first battalion motionless on the railroad track in front, of regiments on
either flank, and then, as the fog settled again, the drums beat and the
music of the bugles began away on the extreme left. A restless movement
passed among the troops, the colonel threw up his arm, the drums rolled,
and the battalion moved off through the fog. They were near the front now
for the battalion was firing as it advanced. Ambulances galloped along the
base of the embankment to the rear, and the hussars passed and repassed
like phantoms. They were in the front at last, for all about them was
movement and turmoil, while from the fog, close at hand, came cries and
groans and crashing volleys. Shells fell everywhere, bursting along the
embankment, splashing them with frozen slush. Trent was frightened. He
began to dread the unknown, which lay there crackling and flaming in
obscurity. The shock of the cannon sickened him. He could even see the fog
light up with a dull orange as the thunder shook the earth. It was near,
he felt certain, for the colonel shouted "Forward!" and the first
battalion was hastening into it. He felt its breath, he trembled, but
hurried on. A fearful discharge in front terrified him. Somewhere in the
fog men were cheering, and the colonel's horse, streaming with blood
plunged about in the smoke.

Another blast and shock, right in his face, almost stunned him, and he
faltered. All the men to the right were down. His head swam; the fog and
smoke stupefied him. He put out his hand for a support and caught
something. It was the wheel of a gun-carriage, and a man sprang from
behind it, aiming a blow at his head with a rammer, but stumbled back
shrieking with a bayonet through his neck, and Trent knew that he had
killed. Mechanically he stooped to pick up his rifle, but the bayonet was
still in the man, who lay, beating with red hands against the sod. It
sickened him and he leaned on the cannon. Men were fighting all around him
now, and the air was foul with smoke and sweat. Somebody seized him from
behind and another in front, but others in turn seized them or struck them
solid blows. The click! click! click! of bayonets infuriated him, and he
grasped the rammer and struck out blindly until it was shivered to pieces.

A man threw his arm around his neck and bore him to the ground, but he
throttled him and raised himself on his knees. He saw a comrade seize the
cannon, and fall across it with his skull crushed in; he saw the colonel
tumble clean out of his saddle into the mud; then consciousness fled.

When he came to himself, he was lying on the embankment among the twisted
rails. On every side huddled men who cried out and cursed and fled away
into the fog, and he staggered to his feet and followed them. Once he
stopped to help a comrade with a bandaged jaw, who could not speak but
clung to his arm for a time and then fell dead in the freezing mire; and
again he aided another, who groaned: "Trent, c'est moi--Philippe," until a
sudden volley in the midst relieved him of his charge.

An icy wind swept down from the heights, cutting the fog into shreds. For
an instant, with an evil leer the sun peered through the naked woods of
Vincennes, sank like a blood-clot in the battery smoke, lower, lower, into
the blood-soaked plain.




IV

When midnight sounded from the belfry of St. Sulpice the gates of Paris
were still choked with fragments of what had once been an army.

They entered with the night, a sullen horde, spattered with slime, faint
with hunger and exhaustion. There was little disorder at first, and the
throng at the gates parted silently as the troops tramped along the
freezing streets. Confusion came as the hours passed. Swiftly and more
swiftly, crowding squadron after squadron and battery on battery, horses
plunging and caissons jolting, the remnants from the front surged through
the gates, a chaos of cavalry and artillery struggling for the right of
way. Close upon them stumbled the infantry; here a skeleton of a regiment
marching with a desperate attempt at order, there a riotous mob of Mobiles
crushing their way to the streets, then a turmoil of horsemen, cannon,
troops without, officers, officers without men, then again a line of
ambulances, the wheels groaning under their heavy loads.

Dumb with misery the crowd looked on.

All through the day the ambulances had been arriving, and all day long the
ragged throng whimpered and shivered by the barriers. At noon the crowd
was increased ten-fold, filling the squares about the gates, and swarming
over the inner fortifications.

At four o'clock in the afternoon the German batteries suddenly wreathed
themselves in smoke, and the shells fell fast on Montparnasse. At twenty
minutes after four two projectiles struck a house in the rue de Bac, and a
moment later the first shell fell in the Latin Quarter.

Braith was painting in bed when West came in very much scared.

"I wish you would come down; our house has been knocked into a cocked hat,
and I'm afraid that some of the pillagers may take it into their heads to
pay us a visit to-night."

Braith jumped out of bed and bundled himself into a garment which had once
been an overcoat.

"Anybody hurt?" he inquired, struggling with a sleeve full of dilapidated
lining.

"No. Colette is barricaded in the cellar, and the concierge ran away to
the fortifications. There will be a rough gang there if the bombardment
keeps up. You might help us--"

"Of course," said Braith; but it was not until they had reached the rue
Serpente and had turned in the passage which led to West's cellar, that
the latter cried: "Have you seen Jack Trent, to-day?"

"No," replied Braith, looking troubled, "he was not at Ambulance
Headquarters."

"He stayed to take care of Sylvia, I suppose."

A bomb came crashing through the roof of a house at the end of the alley
and burst in the basement, showering the street with slate and plaster. A
second struck a chimney and plunged into the garden, followed by an
avalanche of bricks, and another exploded with a deafening report in the
next street.

They hurried along the passage to the steps which led to the cellar. Here
again Braith stopped.

"Don't you think I had better run up to see if Jack and Sylvia are well
entrenched? I can get back before dark."

"No. Go in and find Colette, and I'll go."

"No, no, let me go, there's no danger."

"I know it," replied West calmly; and, dragging Braith into the alley,
pointed to the cellar steps. The iron door was barred.

"Colette! Colette!" he called. The door swung inward, and the girl sprang
up the stairs to meet them. At that instant, Braith, glancing behind him,
gave a startled cry, and pushing the two before him into the cellar,
jumped down after them and slammed the iron door. A few seconds later a
heavy jar from the outside shook the hinges.

"They are here," muttered West, very pale.

"That door," observed Colette calmly, "will hold for ever."

Braith examined the low iron structure, now trembling with the blows
rained on it from without. West glanced anxiously at Colette, who
displayed no agitation, and this comforted him.

"I don't believe they will spend much time here," said Braith; "they only
rummage in cellars for spirits, I imagine."

"Unless they hear that valuables are buried there."

"But surely nothing is buried here?" exclaimed Braith uneasily.

"Unfortunately there is," growled West. "That miserly landlord of mine--"

A crash from the outside, followed by a yell, cut him short; then blow
after blow shook the doors, until there came a sharp snap, a clinking of
metal and a triangular bit of iron fell inwards, leaving a hole through
which struggled a ray of light.

Instantly West knelt, and shoving his revolver through the aperture fired
every cartridge. For a moment the alley resounded with the racket of the
revolver, then absolute silence followed.

Presently a single questioning blow fell upon the door, and a moment later
another and another, and then a sudden crack zigzagged across the iron
plate.

"Here," said West, seizing Colette by the wrist, "you follow me, Braith!"
and he ran swiftly toward a circular spot of light at the further end of
the cellar. The spot of light came from a barred man-hole above. West
motioned Braith to mount on his shoulders.

"Push it over. You _must_!"

With little effort Braith lifted the barred cover, scrambled out on his
stomach, and easily raised Colette from West's shoulders.

"Quick, old chap!" cried the latter.

Braith twisted his legs around a fence-chain and leaned down again. The
cellar was flooded with a yellow light, and the air reeked with the stench
of petroleum torches. The iron door still held, but a whole plate of metal
was gone, and now as they looked a figure came creeping through, holding a
torch.

"Quick!" whispered Braith. "Jump!" and West hung dangling until Colette
grasped him by the collar, and he was dragged out. Then her nerves gave
way and she wept hysterically, but West threw his arm around her and led
her across the gardens into the next street, where Braith, after replacing
the man-hole cover and piling some stone slabs from the wall over it,
rejoined them. It was almost dark. They hurried through the street, now
only lighted by burning buildings, or the swift glare of the shells. They
gave wide berth to the fires, but at a distance saw the flitting forms of
pillagers among the _débris_. Sometimes they passed a female fury crazed
with drink shrieking anathemas upon the world, or some slouching lout
whose blackened face and hands betrayed his share in the work of
destruction. At last they reached the Seine and passed the bridge, and
then Braith said: "I must go back. I am not sure of Jack and Sylvia." As
he spoke, he made way for a crowd which came trampling across the bridge,
and along the river wall by the d'Orsay barracks. In the midst of it West
caught the measured tread of a platoon. A lantern passed, a file of
bayonets, then another lantern which glimmered on a deathly face behind,
and Colette gasped, "Hartman!" and he was gone. They peered fearfully
across the embankment, holding their breath. There was a shuffle of feet
on the quay, and the gate of the barracks slammed. A lantern shone for a
moment at the postern, the crowd pressed to the grille, then came the
clang of the volley from the stone parade.

One by one the petroleum torches flared up along the embankment, and now
the whole square was in motion. Down from the Champs Elysées and across
the Place de la Concorde straggled the fragments of the battle, a company
here, and a mob there. They poured in from every street followed by women
and children, and a great murmur, borne on the icy wind, swept through the
Arc de Triomphe and down the dark avenue,--"Perdus! perdus!"

A ragged end of a battalion was pressing past, the spectre of
annihilation. West groaned. Then a figure sprang from the shadowy ranks
and called West's name, and when he saw it was Trent he cried out. Trent
seized him, white with terror.

"Sylvia?"

West stared speechless, but Colette moaned, "Oh, Sylvia! Sylvia!--and they
are shelling the Quarter!"

"Trent!" shouted Braith; but he was gone, and they could not overtake
them.

The bombardment ceased as Trent crossed the Boulevard St. Germain, but the
entrance to the rue de Seine was blocked by a heap of smoking bricks.
Everywhere the shells had torn great holes in the pavement. The café was a
wreck of splinters and glass, the book-store tottered, ripped from roof to
basement, and the little bakery, long since closed, bulged outward above a
mass of slate and tin.

He climbed over the steaming bricks and hurried into the rue de Tournon.
On the corner a fire blazed, lighting up his own street, and on the bank
wall, beneath a shattered gas lamp, a child was writing with a bit of
cinder.

"HERE FELL THE FIRST SHELL."

The letters stared him in the face. The rat-killer finished and stepped
back to view his work, but catching sight of Trent's bayonet, screamed and
fled, and as Trent staggered across the shattered street, from holes and
crannies in the ruins fierce women fled from their work of pillage,
cursing him.

At first he could not find his house, for the tears blinded him, but he
felt along the wall and reached the door. A lantern burned in the
concierge's lodge and the old man lay dead beside it. Faint with fright he
leaned a moment on his rifle, then, snatching the lantern, sprang up the
stairs. He tried to call, but his tongue hardly moved. On the second floor
he saw plaster on the stairway, and on the third the floor was torn and
the concierge lay in a pool of blood across the landing. The next floor
was his, _theirs_. The door hung from its hinges, the walls gaped. He
crept in and sank down by the bed, and there two arms were flung around
his neck, and a tear-stained face sought his own.

"Sylvia!"

"O Jack! Jack! Jack!"

From the tumbled pillow beside them a child wailed.

"They brought it; it is mine," she sobbed.

"Ours," he whispered, with his arms around them both.

Then from the stairs below came Braith's anxious voice.

"Trent! Is all well?"




THE STREET OF OUR LADY OF THE FIELDS

  "Et tout les jours passés dans la tristesse
  Nous sont comptés comme des jours heureux!"


I

The street is not fashionable, neither is it shabby. It is a pariah among
streets--a street without a Quarter. It is generally understood to lie
outside the pale of the aristocratic Avenue de l'Observatoire. The
students of the Montparnasse Quarter consider it swell and will have none
of it. The Latin Quarter, from the Luxembourg, its northern frontier,
sneers at its respectability and regards with disfavour the correctly
costumed students who haunt it. Few strangers go into it. At times,
however, the Latin Quarter students use it as a thoroughfare between the
rue de Rennes and the Bullier, but except for that and the weekly
afternoon visits of parents and guardians to the Convent near the rue
Vavin, the street of Our Lady of the Fields is as quiet as a Passy
boulevard. Perhaps the most respectable portion lies between the rue de la
Grande Chaumière and the rue Vavin, at least this was the conclusion
arrived at by the Reverend Joel Byram, as he rambled through it with
Hastings in charge. To Hastings the street looked pleasant in the bright
June weather, and he had begun to hope for its selection when the Reverend
Byram shied violently at the cross on the Convent opposite.

"Jesuits," he muttered.

"Well," said Hastings wearily, "I imagine we won't find anything better.
You say yourself that vice is triumphant in Paris, and it seems to me that
in every street we find Jesuits or something worse."

After a moment he repeated, "Or something worse, which of course I would
not notice except for your kindness in warning me."

Dr. Byram sucked in his lips and looked about him. He was impressed by the
evident respectability of the surroundings. Then frowning at the Convent
he took Hastings' arm and shuffled across the street to an iron gateway
which bore the number 201 _bis_ painted in white on a blue ground. Below
this was a notice printed in English:

  1. For Porter please oppress once.
  2. For Servant please oppress twice.
  3. For Parlour please oppress thrice.

Hastings touched the electric button three times, and they were ushered
through the garden and into the parlour by a trim maid. The dining-room
door, just beyond, was open, and from the table in plain view a stout
woman hastily arose and came toward them. Hastings caught a glimpse of a
young man with a big head and several snuffy old gentlemen at breakfast,
before the door closed and the stout woman waddled into the room, bringing
with her an aroma of coffee and a black poodle."

"It ees a plaisir to you receive!" she cried. "Monsieur is Anglish? No?
Americain? Off course. My pension it ees for Americains surtout. Here all
spik Angleesh, c'est à dire, ze personnel; ze sairvants do spik, plus ou
moins, a little. I am happy to have you comme pensionnaires--"

"Madame," began Dr. Byram, but was cut short again.

"Ah, yess, I know, ah! mon Dieu! you do not spik Frainch but you have come
to lairne! My husband does spik Frainch wiss ze pensionnaires. We have at
ze moment a family Americaine who learn of my husband Frainch--"

Here the poodle growled at Dr. Byram and was promptly cuffed by his
mistress.

"Veux tu!" she cried, with a slap, "veux tu! Oh! le vilain, oh! le
vilain!"

"Mais, madame," said Hastings, smiling, "il n'a pas l'air très féroce."

The poodle fled, and his mistress cried, "Ah, ze accent charming! He does
spik already Frainch like a Parisien young gentleman!"

Then Dr. Byram managed to get in a word or two and gathered more or less
information with regard to prices.

"It ees a pension serieux; my clientèle ees of ze best, indeed a pension
de famille where one ees at 'ome."

Then they went upstairs to examine Hastings' future quarters, test the
bed-springs and arrange for the weekly towel allowance. Dr. Byram appeared
satisfied.

Madame Marotte accompanied them to the door and rang for the maid, but as
Hastings stepped out into the gravel walk, his guide and mentor paused a
moment and fixed Madame with his watery eyes.

"You understand," he said, "that he is a youth of most careful bringing
up, and his character and morals are without a stain. He is young and has
never been abroad, never even seen a large city, and his parents have
requested me, as an old family friend living in Paris, to see that he is
placed under good influences. He is to study art, but on no account would
his parents wish him to live in the Latin Quarter if they knew of the
immorality which is rife there."

A sound like the click of a latch interrupted him and he raised his eyes,
but not in time to see the maid slap the big-headed young man behind the
parlour-door.

Madame coughed, cast a deadly glance behind her and then beamed on Dr.
Byram.

"It ees well zat he come here. The pension more serious, il n'en existe
pas, eet ees not any!" she announced with conviction.

So, as there was nothing more to add, Dr. Byram joined Hastings at the
gate.

"I trust," he said, eyeing the Convent, "that you will make no
acquaintances among Jesuits!"

Hastings looked at the Convent until a pretty girl passed before the gray
façade, and then he looked at her. A young fellow with a paint-box and
canvas came swinging along, stopped before the pretty girl, said something
during a brief but vigorous handshake at which they both laughed, and he
went his way, calling back, "À demain Valentine!" as in the same breath
she cried, "À demain!"

"Valentine," thought Hastings, "what a quaint name;" and he started to
follow the Reverend Joel Byram, who was shuffling towards the nearest
tramway station.




II

"An' you are pleas wiz Paris, Monsieur' Astang?" demanded Madame Marotte
the next morning as Hastings came into the breakfast-room of the pension,
rosy from his plunge in the limited bath above.

"I am sure I shall like it," he replied, wondering at his own depression
of spirits.

The maid brought him coffee and rolls. He returned the vacant glance of
the big-headed young man and acknowledged diffidently the salutes of the
snuffy old gentlemen. He did not try to finish his coffee, and sat
crumbling a roll, unconscious of the sympathetic glances of Madame
Marotte, who had tact enough not to bother him.

Presently a maid entered with a tray on which were balanced two bowls of
chocolate, and the snuffy old gentlemen leered at her ankles. The maid
deposited the chocolate at a table near the window and smiled at Hastings.
Then a thin young lady, followed by her counterpart in all except years,
marched into the room and took the table near the window. They were
evidently American, but Hastings, if he expected any sign of recognition,
was disappointed. To be ignored by compatriots intensified his depression.
He fumbled with his knife and looked at his plate.

The thin young lady was talkative enough. She was quite aware of Hastings'
presence, ready to be flattered if he looked at her, but on the other hand
she felt her superiority, for she had been three weeks in Paris and he, it
was easy to see, had not yet unpacked his steamer-trunk.

Her conversation was complacent. She argued with her mother upon the
relative merits of the Louvre and the Bon Marché, but her mother's part of
the discussion was mostly confined to the observation, "Why, Susie!"

The snuffy old gentlemen had left the room in a body, outwardly polite and
inwardly raging. They could not endure the Americans, who filled the room
with their chatter.

The big-headed young man looked after them with a knowing cough,
murmuring, "Gay old birds!"

"They look like bad old men, Mr. Bladen," said the girl.

To this Mr. Bladen smiled and said, "They've had their day," in a tone
which implied that he was now having his.

"And that's why they all have baggy eyes," cried the girl. "I think it's a
shame for young gentlemen--"

"Why, Susie!" said the mother, and the conversation lagged.

After a while Mr. Bladen threw down the _Petit Journal_, which he daily
studied at the expense of the house, and turning to Hastings, started to
make himself agreeable. He began by saying, "I see you are American."

To this brilliant and original opening, Hastings, deadly homesick, replied
gratefully, and the conversation was judiciously nourished by observations
from Miss Susie Byng distinctly addressed to Mr. Bladen. In the course of
events Miss Susie, forgetting to address herself exclusively to Mr.
Bladen, and Hastings replying to her general question, the _entente
cordiale_ was established, and Susie and her mother extended a
protectorate over what was clearly neutral territory.

"Mr. Hastings, you must not desert the pension every evening as Mr. Bladen
does. Paris is an awful place for young gentlemen, and Mr. Bladen is a
horrid cynic."

Mr. Bladen looked gratified.

Hastings answered, "I shall be at the studio all day, and I imagine I
shall be glad enough to come back at night."

Mr. Bladen, who, at a salary of fifteen dollars a week, acted as agent for
the Pewly Manufacturing Company of Troy, N.Y., smiled a sceptical smile
and withdrew to keep an appointment with a customer on the Boulevard
Magenta.

Hastings walked into the garden with Mrs. Byng and Susie, and, at their
invitation, sat down in the shade before the iron gate.

The chestnut trees still bore their fragrant spikes of pink and white, and
the bees hummed among the roses, trellised on the white-walled house.

A faint freshness was in the air. The watering carts moved up and down the
street, and a clear stream bubbled over the spotless gutters of the rue de
la Grande Chaumière. The sparrows were merry along the curb-stones, taking
bath after bath in the water and ruffling their feathers with delight. In
a walled garden across the street a pair of blackbirds whistled among the
almond trees.

Hastings swallowed the lump in his throat, for the song of the birds and
the ripple of water in a Paris gutter brought back to him the sunny
meadows of Millbrook.

"That's a blackbird," observed Miss Byng; "see him there on the bush with
pink blossoms. He's all black except his bill, and that looks as if it had
been dipped in an omelet, as some Frenchman says--"

"Why, Susie!" said Mrs. Byng.

"That garden belongs to a studio inhabited by two Americans," continued
the girl serenely, "and I often see them pass. They seem to need a great
many models, mostly young and feminine--"

"Why, Susie!"

"Perhaps they prefer painting that kind, but I don't see why they should
invite five, with three more young gentlemen, and all get into two cabs
and drive away singing. This street," she continued, "is dull. There is
nothing to see except the garden and a glimpse of the Boulevard
Montparnasse through the rue de la Grande Chaumière. No one ever passes
except a policeman. There is a convent on the corner."

"I thought it was a Jesuit College," began Hastings, but was at once
overwhelmed with a Baedecker description of the place, ending with, "On
one side stand the palatial hotels of Jean Paul Laurens and Guillaume
Bouguereau, and opposite, in the little Passage Stanislas, Carolus Duran
paints the masterpieces which charm the world."

The blackbird burst into a ripple of golden throaty notes, and from some
distant green spot in the city an unknown wild-bird answered with a frenzy
of liquid trills until the sparrows paused in their ablutions to look up
with restless chirps.

Then a butterfly came and sat on a cluster of heliotrope and waved his
crimson-banded wings in the hot sunshine. Hastings knew him for a friend,
and before his eyes there came a vision of tall mulleins and scented
milkweed alive with painted wings, a vision of a white house and
woodbine-covered piazza,--a glimpse of a man reading and a woman leaning
over the pansy bed,--and his heart was full. He was startled a moment
later by Miss Byng.

"I believe you are homesick!" Hastings blushed. Miss Byng looked at him
with a sympathetic sigh and continued: "Whenever I felt homesick at first
I used to go with mamma and walk in the Luxembourg Gardens. I don't know
why it is, but those old-fashioned gardens seemed to bring me nearer home
than anything in this artificial city."

"But they are full of marble statues," said Mrs. Byng mildly; "I don't see
the resemblance myself."

"Where is the Luxembourg?" inquired Hastings after a silence.

"Come with me to the gate," said Miss Byng. He rose and followed her, and
she pointed out the rue Vavin at the foot of the street.

"You pass by the convent to the right," she smiled; and Hastings went.




III

The Luxembourg was a blaze of flowers. He walked slowly through the long
avenues of trees, past mossy marbles and old-time columns, and threading
the grove by the bronze lion, came upon the tree-crowned terrace above the
fountain. Below lay the basin shining in the sunlight. Flowering almonds
encircled the terrace, and, in a greater spiral, groves of chestnuts wound
in and out and down among the moist thickets by the western palace wing.
At one end of the avenue of trees the Observatory rose, its white domes
piled up like an eastern mosque; at the other end stood the heavy palace,
with every window-pane ablaze in the fierce sun of June.

Around the fountain, children and white-capped nurses armed with bamboo
poles were pushing toy boats, whose sails hung limp in the sunshine. A
dark policeman, wearing red epaulettes and a dress sword, watched them for
a while and then went away to remonstrate with a young man who had
unchained his dog. The dog was pleasantly occupied in rubbing grass and
dirt into his back while his legs waved into the air.

The policeman pointed at the dog. He was speechless with indignation.

"Well, Captain," smiled the young fellow.

"Well, Monsieur Student," growled the policeman.

"What do you come and complain to me for?"

"If you don't chain him I'll take him," shouted the policeman.

"What's that to me, mon capitaine?"

"Wha--t! Isn't that bull-dog yours?"

"If it was, don't you suppose I'd chain him?"

The officer glared for a moment in silence, then deciding that as he was a
student he was wicked, grabbed at the dog, who promptly dodged. Around and
around the flower-beds they raced, and when the officer came too near for
comfort, the bull-dog cut across a flower-bed, which perhaps was not
playing fair.

The young man was amused, and the dog also seemed to enjoy the exercise.

The policeman noticed this and decided to strike at the fountain-head of
the evil. He stormed up to the student and said, "As the owner of this
public nuisance I arrest you!"

"But," objected the other, "I disclaim the dog."

That was a poser. It was useless to attempt to catch the dog until three
gardeners lent a hand, but then the dog simply ran away and disappeared in
the rue de Medici.

The policeman shambled off to find consolation among the white-capped
nurses, and the student, looking at his watch, stood up yawning. Then
catching sight of Hastings, he smiled and bowed. Hastings walked over to
the marble, laughing.

"Why, Clifford," he said, "I didn't recognize you."

"It's my moustache," sighed the other. "I sacrificed it to humour a whim
of--of--a friend. What do you think of my dog?"

"Then he is yours?" cried Hastings.

"Of course. It's a pleasant change for him, this playing tag with
policemen, but he is known now and I'll have to stop it. He's gone home.
He always does when the gardeners take a hand. It's a pity; he's fond of
rolling on lawns." Then they chatted for a moment of Hastings' prospects,
and Clifford politely offered to stand his sponsor at the studio.

"You see, old tabby, I mean Dr. Byram, told me about you before I met
you," explained Clifford, "and Elliott and I will be glad to do anything
we can." Then looking at his watch again, he muttered, "I have just ten
minutes to catch the Versailles train; au revoir," and started to go, but
catching sight of a girl advancing by the fountain, took off his hat with
a confused smile.

"Why are you not at Versailles?" she said, with an almost imperceptible
acknowledgment of Hastings' presence.

"I--I'm going," murmured Clifford.

For a moment they faced each other, and then Clifford, very red,
stammered, "With your permission I have the honour of presenting to you my
friend, Monsieur Hastings."

Hastings bowed low. She smiled very sweetly, but there was something of
malice in the quiet inclination of her small Parisienne head.

"I could have wished," she said, "that Monsieur Clifford might spare me
more time when he brings with him so charming an American."

"Must--must I go, Valentine?" began Clifford.

"Certainly," she replied.

Clifford took his leave with very bad grace, wincing, when she added, "And
give my dearest love to Cécile!" As he disappeared in the rue d'Assas, the
girl turned as if to go, but then suddenly remembering Hastings, looked at
him and shook her head.

"Monsieur Clifford is so perfectly harebrained," she smiled, "it is
embarrassing sometimes. You have heard, of course, all about his success
at the Salon?"

He looked puzzled and she noticed it.

"You have been to the Salon, of course?"

"Why, no," he answered, "I only arrived in Paris three days ago."

She seemed to pay little heed to his explanation, but continued: "Nobody
imagined he had the energy to do anything good, but on varnishing day the
Salon was astonished by the entrance of Monsieur Clifford, who strolled
about as bland as you please with an orchid in his buttonhole, and a
beautiful picture on the line."

She smiled to herself at the reminiscence, and looked at the fountain.

"Monsieur Bouguereau told me that Monsieur Julian was so astonished that
he only shook hands with Monsieur Clifford in a dazed manner, and actually
forgot to pat him on the back! Fancy," she continued with much merriment,
"fancy papa Julian forgetting to pat one on the back."

Hastings, wondering at her acquaintance with the great Bouguereau, looked
at her with respect. "May I ask," he said diffidently, "whether you are a
pupil of Bouguereau?"

"I?" she said in some surprise. Then she looked at him curiously. Was he
permitting himself the liberty of joking on such short acquaintance?

His pleasant serious face questioned hers.

"Tiens," she thought, "what a droll man!"

"You surely study art?" he said.

She leaned back on the crooked stick of her parasol, and looked at him.
"Why do you think so?"

"Because you speak as if you did."

"You are making fun of me," she said, "and it is not good taste."

She stopped, confused, as he coloured to the roots of his hair.

"How long have you been in Paris?" she said at length.

"Three days," he replied gravely.

"But--but--surely you are not a nouveau! You speak French too well!"

Then after a pause, "Really are you a nouveau?"

"I am," he said.

She sat down on the marble bench lately occupied by Clifford, and tilting
her parasol over her small head looked at him.

"I don't believe it."

He felt the compliment, and for a moment hesitated to declare himself one
of the despised. Then mustering up his courage, he told her how new and
green he was, and all with a frankness which made her blue eyes open very
wide and her lips part in the sweetest of smiles.

"You have never seen a studio?"

"Never."

"Nor a model?"

"No."

"How funny," she said solemnly. Then they both laughed.

"And you," he said, "have seen studios?"

"Hundreds."

"And models?"

"Millions."

"And you know Bouguereau?"

"Yes, and Henner, and Constant and Laurens, and Puvis de Chavannes and
Dagnan and Courtois, and--and all the rest of them!"

"And yet you say you are not an artist."

"Pardon," she said gravely, "did I say I was not?"

"Won't you tell me?" he hesitated.

At first she looked at him, shaking her head and smiling, then of a sudden
her eyes fell and she began tracing figures with her parasol in the gravel
at her feet. Hastings had taken a place on the seat, and now, with his
elbows on his knees, sat watching the spray drifting above the fountain
jet. A small boy, dressed as a sailor, stood poking his yacht and crying,
"I won't go home! I won't go home!" His nurse raised her hands to Heaven.

"Just like a little American boy," thought Hastings, and a pang of
homesickness shot through him.

Presently the nurse captured the boat, and the small boy stood at bay.

"Monsieur René, when you decide to come here you may have your boat."

The boy backed away scowling.

"Give me my boat, I say," he cried, "and don't call me René, for my
name's Randall and you know it!"

"Hello!" said Hastings,--"Randall?--that's English."

"I am American," announced the boy in perfectly good English, turning to
look at Hastings, "and she's such a fool she calls me René because mamma
calls me Ranny--"

Here he dodged the exasperated nurse and took up his station behind
Hastings, who laughed, and catching him around the waist lifted him into
his lap.

"One of my countrymen," he said to the girl beside him. He smiled while he
spoke, but there was a queer feeling in his throat.

"Don't you see the stars and stripes on my yacht?" demanded Randall. Sure
enough, the American colours hung limply under the nurse's arm.

"Oh," cried the girl, "he is charming," and impulsively stooped to kiss
him, but the infant Randall wriggled out of Hastings' arms, and his nurse
pounced upon him with an angry glance at the girl.

She reddened and then bit her lips as the nurse, with eyes still fixed on
her, dragged the child away and ostentatiously wiped his lips with her
handkerchief.

Then she stole a look at Hastings and bit her lip again.

"What an ill-tempered woman!" he said. "In America, most nurses are
flattered when people kiss their children."

For an instant she tipped the parasol to hide her face, then closed it
with a snap and looked at him defiantly.

"Do you think it strange that she objected?"

"Why not?" he said in surprise.

Again she looked at him with quick searching eyes.

His eyes were clear and bright, and he smiled back, repeating, "Why not?"

"You _are_ droll," she murmured, bending her head.

"Why?"

But she made no answer, and sat silent, tracing curves and circles in the
dust with her parasol. After a while he said--"I am glad to see that young
people have so much liberty here. I understood that the French were not at
all like us. You know in America--or at least where I live in Milbrook,
girls have every liberty,--go out alone and receive their friends alone,
and I was afraid I should miss it here. But I see how it is now, and I am
glad I was mistaken."

She raised her eyes to his and kept them there.

He continued pleasantly--"Since I have sat here I have seen a lot of
pretty girls walking alone on the terrace there,--and then _you_ are alone
too. Tell me, for I do not know French customs,--do you have the liberty
of going to the theatre without a chaperone?"

For a long time she studied his face, and then with a trembling smile
said, "Why do you ask me?"

"Because you must know, of course," he said gaily.

"Yes," she replied indifferently, "I know."

He waited for an answer, but getting none, decided that perhaps she had
misunderstood him.

"I hope you don't think I mean to presume on our short acquaintance," he
began,--"in fact it is very odd but I don't know your name. When Mr.
Clifford presented me he only mentioned mine. Is that the custom in
France?"

"It is the custom in the Latin Quarter," she said with a queer light in
her eyes. Then suddenly she began talking almost feverishly.

"You must know, Monsieur Hastings, that we are all _un peu sans gêne_ here
in the Latin Quarter. We are very Bohemian, and etiquette and ceremony are
out of place. It was for that Monsieur Clifford presented you to me with
small ceremony, and left us together with less,--only for that, and I am
his friend, and I have many friends in the Latin Quarter, and we all know
each other very well--and I am not studying art, but--but--"

"But what?" he said, bewildered.

"I shall not tell you,--it is a secret," she said with an uncertain smile.
On both cheeks a pink spot was burning, and her eyes were very bright.

Then in a moment her face fell. "Do you know Monsieur Clifford very
intimately?"

"Not very."

After a while she turned to him, grave and a little pale.

"My name is Valentine--Valentine Tissot. Might--might I ask a service of
you on such very short acquaintance?"

"Oh," he cried, "I should be honoured."

"It is only this," she said gently, "it is not much. Promise me not to
speak to Monsieur Clifford about me. Promise me that you will speak to no
one about me."

"I promise," he said, greatly puzzled.

She laughed nervously. "I wish to remain a mystery. It is a caprice."

"But," he began, "I had wished, I had hoped that you might give Monsieur
Clifford permission to bring me, to present me at your house."

"My--my house!" she repeated.

"I mean, where you live, in fact, to present me to your family."

The change in the girl's face shocked him.

"I beg your pardon," he cried, "I have hurt you."

And as quick as a flash she understood him because she was a woman.

"My parents are dead," she said.

Presently he began again, very gently.

"Would it displease you if I beg you to receive me? It is the custom?"

"I cannot," she answered. Then glancing up at him, "I am sorry; I should
like to; but believe me. I cannot."

He bowed seriously and looked vaguely uneasy.

"It isn't because I don't wish to. I--I like you; you are very kind to
me."

"Kind?" he cried, surprised and puzzled.

"I like you," she said slowly, "and we will see each other sometimes if
you will."

"At friends' houses."

"No, not at friends' houses."

"Where?"

"Here," she said with defiant eyes.

"Why," he cried, "in Paris you are much more liberal in your views than we
are."

She looked at him curiously.

"Yes, we are very Bohemian."

"I think it is charming," he declared.

"You see, we shall be in the best of society," she ventured timidly, with
a pretty gesture toward the statues of the dead queens, ranged in stately
ranks above the terrace.

He looked at her, delighted, and she brightened at the success of her
innocent little pleasantry.

"Indeed," she smiled, "I shall be well chaperoned, because you see we are
under the protection of the gods themselves; look, there are Apollo, and
Juno, and Venus, on their pedestals," counting them on her small gloved
fingers, "and Ceres, Hercules, and--but I can't make out--"

Hastings turned to look up at the winged god under whose shadow they were
seated.

"Why, it's Love," he said.




IV

"There is a nouveau here," drawled Laffat, leaning around his easel and
addressing his friend Bowles, "there is a nouveau here who is so tender
and green and appetizing that Heaven help him if he should fall into a
salad bowl."

"Hayseed?" inquired Bowles, plastering in a background with a broken
palette-knife and squinting at the effect with approval.

"Yes, Squeedunk or Oshkosh, and how he ever grew up among the daisies and
escaped the cows, Heaven alone knows!"

Bowles rubbed his thumb across the outlines of his study to "throw in a
little atmosphere," as he said, glared at the model, pulled at his pipe
and finding it out struck a match on his neighbour's back to relight it.

"His name," continued Laffat, hurling a bit of bread at the hat-rack, "his
name is Hastings. He _is_ a berry. He knows no more about the world,"--and
here Mr. Laffat's face spoke volumes for his own knowledge of that
planet,--"than a maiden cat on its first moonlight stroll."

Bowles now having succeeded in lighting his pipe, repeated the thumb touch
on the other edge of the study and said, "Ah!"

"Yes," continued his friend, "and would you imagine it, he seems to think
that everything here goes on as it does in his d----d little backwoods
ranch at home; talks about the pretty girls who walk alone in the street;
says how sensible it is; and how French parents are misrepresented in
America; says that for his part he finds French girls,--and he confessed
to only knowing one,--as jolly as American girls. I tried to set him
right, tried to give him a pointer as to what sort of ladies walk about
alone or with students, and he was either too stupid or too innocent to
catch on. Then I gave it to him straight, and he said I was a vile-minded
fool and marched off."

"Did you assist him with your shoe?" inquired Bowles, languidly
interested.

"Well, no."

"He called you a vile-minded fool."

"He was correct," said Clifford from his easel in front.

"What--what do you mean?" demanded Laffat, turning red.

"_That_," replied Clifford.

"Who spoke to you? Is this your business?" sneered Bowles, but nearly lost
his balance as Clifford swung about and eyed him.

"Yes," he said slowly, "it's my business."

No one spoke for some time.

Then Clifford sang out, "I say, Hastings!"

And when Hastings left his easel and came around, he nodded toward the
astonished Laffat.

"This man has been disagreeable to you, and I want to tell you that any
time you feel inclined to kick him, why, I will hold the other creature."

Hastings, embarrassed, said, "Why no, I don't agree with his ideas,
nothing more."

Clifford said "Naturally," and slipping his arm through Hastings',
strolled about with him, and introduced him to several of his own friends,
at which all the nouveaux opened their eyes with envy, and the studio were
given to understand that Hastings, although prepared to do menial work as
the latest nouveau, was already within the charmed circle of the old,
respected and feared, the truly great.

The rest finished, the model resumed his place, and work went on in a
chorus of songs and yells and every ear-splitting noise which the art
student utters when studying the beautiful.

Five o'clock struck,--the model yawned, stretched and climbed into his
trousers, and the noisy contents of six studios crowded through the hall
and down into the street. Ten minutes later, Hastings found himself on top
of a Montrouge tram, and shortly afterward was joined by Clifford.

They climbed down at the rue Gay Lussac.

"I always stop here," observed Clifford, "I like the walk through the
Luxembourg."

"By the way," said Hastings, "how can I call on you when I don't know
where you live?"

"Why, I live opposite you."

"What--the studio in the garden where the almond trees are and the
blackbirds--"

"Exactly," said Clifford. "I'm with my friend Elliott."

Hastings thought of the description of the two American artists which he
had heard from Miss Susie Byng, and looked blank.

Clifford continued, "Perhaps you had better let me know when you think of
coming so,--so that I will be sure to--to be there," he ended rather
lamely.

"I shouldn't care to meet any of your model friends there," said Hastings,
smiling. "You know--my ideas are rather straitlaced,--I suppose you would
say, Puritanical. I shouldn't enjoy it and wouldn't know how to behave."

"Oh, I understand," said Clifford, but added with great cordiality,--"I'm
sure we'll be friends although you may not approve of me and my set, but
you will like Severn and Selby because--because, well, they are like
yourself, old chap."

After a moment he continued, "There is something I want to speak about.
You see, when I introduced you, last week, in the Luxembourg, to
Valentine--"

"Not a word!" cried Hastings, smiling; "you must not tell me a word of
her!"

"Why--"

"No--not a word!" he said gaily. "I insist,--promise me upon your honour
you will not speak of her until I give you permission; promise!"

"I promise," said Clifford, amazed.

"She is a charming girl,--we had such a delightful chat after you left,
and I thank you for presenting me, but not another word about her until I
give you permission."

"Oh," murmured Clifford.

"Remember your promise," he smiled, as he turned into his gateway.

Clifford strolled across the street and, traversing the ivy-covered alley,
entered his garden.

He felt for his studio key, muttering, "I wonder--I wonder,--but of course
he doesn't!"

He entered the hallway, and fitting the key into the door, stood staring
at the two cards tacked over the panels.

  FOXHALL CLIFFORD

  RICHARD OSBORNE ELLIOTT

"Why the devil doesn't he want me to speak of her?"

He opened the door, and, discouraging the caresses of two brindle
bull-dogs, sank down on the sofa.

Elliott sat smoking and sketching with a piece of charcoal by the window.

"Hello," he said without looking around.

Clifford gazed absently at the back of his head, murmuring, "I'm afraid,
I'm afraid that man is too innocent. I say, Elliott," he said, at last,
"Hastings,--you know the chap that old Tabby Byram came around here to
tell us about--the day you had to hide Colette in the armoire--"

"Yes, what's up?"

"Oh, nothing. He's a brick."

"Yes," said Elliott, without enthusiasm.

"Don't you think so?" demanded Clifford.

"Why yes, but he is going to have a tough time when some of his illusions
are dispelled."

"More shame to those who dispel 'em!"

"Yes,--wait until he comes to pay his call on us, unexpectedly, of
course--"

Clifford looked virtuous and lighted a cigar.

"I was just going to say," he observed, "that I have asked him not to come
without letting us know, so I can postpone any orgie you may have
intended--"

"Ah!" cried Elliott indignantly, "I suppose you put it to him in that
way."

"Not exactly," grinned Clifford. Then more seriously, "I don't want
anything to occur here to bother him. He's a brick, and it's a pity we
can't be more like him."

"I am," observed Elliott complacently, "only living with you--"

"Listen!" cried the other. "I have managed to put my foot in it in great
style. Do you know what I've done? Well--the first time I met him in the
street,--or rather, it was in the Luxembourg, I introduced him to
Valentine!"

"Did he object?"

"Believe me," said Clifford, solemnly, "this rustic Hastings has no more
idea that Valentine is--is--in fact is Valentine, than he has that he
himself is a beautiful example of moral decency in a Quarter where morals
are as rare as elephants. I heard enough in a conversation between that
blackguard Loffat and the little immoral eruption, Bowles, to open my
eyes. I tell you Hastings is a trump! He's a healthy, clean-minded young
fellow, bred in a small country village, brought up with the idea that
saloons are way-stations to hell--and as for women--"

"Well?" demanded Elliott

"Well," said Clifford, "his idea of the dangerous woman is probably a
painted Jezabel."

"Probably," replied the other.

"He's a trump!" said Clifford, "and if he swears the world is as good and
pure as his own heart, I'll swear he's right."

Elliott rubbed his charcoal on his file to get a point and turned to his
sketch saying, "He will never hear any pessimism from Richard Osborne E."

"He's a lesson to me," said Clifford. Then he unfolded a small perfumed
note, written on rose-coloured paper, which had been lying on the table
before him.

He read it, smiled, whistled a bar or two from "Miss Helyett," and sat
down to answer it on his best cream-laid note-paper. When it was written
and sealed, he picked up his stick and marched up and down the studio two
or three times, whistling.

"Going out?" inquired the other, without turning.

"Yes," he said, but lingered a moment over Elliott's shoulder, watching
him pick out the lights in his sketch with a bit of bread.

"To-morrow is Sunday," he observed after a moment's silence.

"Well?" inquired Elliott.

"Have you seen Colette?"

"No, I will to-night. She and Rowden and Jacqueline are coming to
Boulant's. I suppose you and, Cécile will be there?"

"Well, no," replied Clifford. "Cécile dines at home to-night, and I--I had
an idea of going to Mignon's."

Elliott looked at him with disapproval.

"You can make all the arrangements for La Roche without me," he continued,
avoiding Elliott's eyes.

"What are you up to now?"

"Nothing," protested Clifford.

"Don't tell me," replied his chum, with scorn; "fellows don't rush off to
Mignon's when the set dine at Boulant's. Who is it now?--but no, I won't
ask that,--what's the use!" Then he lifted up his voice in complaint and
beat upon the table with his pipe. "What's the use of ever trying to keep
track of you? What will Cécile say,--oh, yes, what will she say? It's a
pity you can't be constant two months, yes, by Jove! and the Quarter is
indulgent, but you abuse its good nature and mine too!"

Presently he arose, and jamming his hat on his head, marched to the door.

"Heaven alone knows why any one puts up with your antics, but they all do
and so do I. If I were Cécile or any of the other pretty fools after whom
you have toddled and will, in all human probabilities, continue to toddle,
I say, if I were Cécile I'd spank you! Now I'm going to Boulant's, and as
usual I shall make excuses for you and arrange the affair, and I don't
care a continental where you are going, but, by the skull of the studio
skeleton! if you don't turn up to-morrow with your sketching-kit under one
arm and Cécile under the other,--if you don't turn up in good shape, I'm
done with you, and the rest can think what they please. Good-night."

Clifford said good-night with as pleasant a smile as he could muster, and
then sat down with his eyes on the door. He took out his watch and gave
Elliott ten minutes to vanish, then rang the concierge's call, murmuring,
"Oh dear, oh dear, why the devil do I do it?"

"Alfred," he said, as that gimlet-eyed person answered the call, "make
yourself clean and proper, Alfred, and replace your sabots with a pair of
shoes. Then put on your best hat and take this letter to the big white
house in the Rue de Dragon. There is no answer, _mon petit_ Alfred."

The concierge departed with a snort in which unwillingness for the errand
and affection for M. Clifford were blended. Then with great care the young
fellow arrayed himself in all the beauties of his and Elliott's wardrobe.
He took his time about it, and occasionally interrupted his toilet to play
his banjo or make pleasing diversion for the bull-dogs by gambling about
on all fours. "I've got two hours before me," he thought, and borrowed a
pair of Elliott's silken foot-gear, with which he and the dogs played ball
until he decided to put them on. Then he lighted a cigarette and inspected
his dress-coat. When he had emptied it of four handkerchiefs, a fan, and a
pair of crumpled gloves as long as his arm, he decided it was not suited
to add _éclat_ to his charms and cast about in his mind for a substitute.
Elliott was too thin, and, anyway, his coats were now under lock and key.
Rowden probably was as badly off as himself. Hastings! Hastings was the
man! But when he threw on a smoking-jacket and sauntered over to Hastings'
house, he was informed that he had been gone over an hour.

"Now, where in the name of all that's reasonable could he have gone!"
muttered Clifford, looking down the street.

The maid didn't know, so he bestowed upon her a fascinating smile and
lounged back to the studio.

Hastings was not far away. The Luxembourg is within five minutes' walk of
the rue Notre Dame des Champs, and there he sat under the shadow of a
winged god, and there he had sat for an hour, poking holes in the dust and
watching the steps which lead from the northern terrace to the fountain.
The sun hung, a purple globe, above the misty hills of Meudon. Long
streamers of clouds touched with rose swept low on the western sky, and
the dome of the distant Invalides burned like an opal through the haze.
Behind the Palace the smoke from a high chimney mounted straight into the
air, purple until it crossed the sun, where it changed to a bar of
smouldering fire. High above the darkening foliage of the chestnuts the
twin towers of St. Sulpice rose, an ever-deepening silhouette.

A sleepy blackbird was carolling in some near thicket, and pigeons passed
and repassed with the whisper of soft winds in their wings. The light on
the Palace windows had died away, and the dome of the Pantheon swam aglow
above the northern terrace, a fiery Valhalla in the sky; while below in
grim array, along the terrace ranged, the marble ranks of queens looked
out into the west.

From the end of the long walk by the northern façade of the Palace came
the noise of omnibuses and the cries of the street. Hastings looked at the
Palace clock. Six, and as his own watch agreed with it, he fell to poking
holes in the gravel again. A constant stream of people passed between the
Odéon and the fountain. Priests in black, with silver-buckled shoes; line
soldiers, slouchy and rakish; neat girls without hats bearing milliners'
boxes, students with black portfolios and high hats, students with bérets
and big canes, nervous, quick-stepping officers, symphonies in turquoise
and silver; ponderous jangling cavalrymen all over dust, pastry cooks'
boys skipping along with utter disregard for the safety of the basket
balanced on the impish head, and then the lean outcast, the shambling
Paris tramp, slouching with shoulders bent and little eye furtively
scanning the ground for smokers' refuse;--all these moved in a steady
stream across the fountain circle and out into the city by the Odeon,
whose long arcades were now beginning to flicker with gas-jets. The
melancholy bells of St Sulpice struck the hour and the clock-tower of the
Palace lighted up. Then hurried steps sounded across the gravel and
Hastings raised his head.

"How late you are," he said, but his voice was hoarse and only his flushed
face told how long had seemed the waiting.

She said, "I was kept--indeed, I was so much annoyed--and--and I may only
stay a moment."

She sat down beside him, casting a furtive glance over her shoulder at the
god upon his pedestal.

"What a nuisance, that intruding cupid still there?"

"Wings and arrows too," said Hastings, unheeding her motion to be seated.

"Wings," she murmured, "oh, yes--to fly away with when he's tired of his
play. Of course it was a man who conceived the idea of wings, otherwise
Cupid would have been insupportable."

"Do you think so?"

"_Ma foi_, it's what men think."

"And women?"

"Oh," she said, with a toss of her small head, "I really forget what we
were speaking of."

"We were speaking of love," said Hastings.

"_I_ was not," said the girl. Then looking up at the marble god, "I don't
care for this one at all. I don't believe he knows how to shoot his
arrows--no, indeed, he is a coward;--he creeps up like an assassin in the
twilight. I don't approve of cowardice," she announced, and turned her
back on the statue.

"I think," said Hastings quietly, "that he does shoot fairly--yes, and
even gives one warning."

"Is it your experience, Monsieur Hastings?"

He looked straight into her eyes and said, "He is warning me."

"Heed the warning then," she cried, with a nervous laugh. As she spoke she
stripped off her gloves, and then carefully proceeded to draw them on
again. When this was accomplished she glanced at the Palace clock, saying,
"Oh dear, how late it is!" furled her umbrella, then unfurled it, and
finally looked at him.

"No," he said, "I shall not heed his warning."

"Oh dear," she sighed again, "still talking about that tiresome statue!"
Then stealing a glance at his face, "I suppose--I suppose you are in
love."

"I don't know," he muttered, "I suppose I am."

She raised her head with a quick gesture. "You seem delighted at the
idea," she said, but bit her lip and trembled as his eyes met hers. Then
sudden fear came over her and she sprang up, staring into the gathering
shadows.

"Are you cold?" he said.

But she only answered, "Oh dear, oh dear, it is late--so late! I must
go--good-night."

She gave him her gloved hand a moment and then withdrew it with a start.

"What is it?" he insisted. "Are you frightened?"

She looked at him strangely.

"No--no--not frightened,--you are very good to me--"

"By Jove!" he burst out, "what do you mean by saying I'm good to you?
That's at least the third time, and I don't understand!"

The sound of a drum from the guard-house at the palace cut him short.
"Listen," she whispered, "they are going to close. It's late, oh, so
late!"

The rolling of the drum came nearer and nearer, and then the silhouette of
the drummer cut the sky above the eastern terrace. The fading light
lingered a moment on his belt and bayonet, then he passed into the
shadows, drumming the echoes awake. The roll became fainter along the
eastern terrace, then grew and grew and rattled with increasing sharpness
when he passed the avenue by the bronze lion and turned down the western
terrace walk. Louder and louder the drum sounded, and the echoes struck
back the notes from the grey palace wall; and now the drummer loomed up
before them--his red trousers a dull spot in the gathering gloom, the
brass of his drum and bayonet touched with a pale spark, his epaulettes
tossing on his shoulders. He passed leaving the crash of the drum in their
ears, and far into the alley of trees they saw his little tin cup shining
on his haversack. Then the sentinels began the monotonous cry: "On ferme!
on ferme!" and the bugle blew from the barracks in the rue de Tournon.

"On ferme! on ferme!"

"Good-night," she whispered, "I must return alone to-night."

He watched her until she reached the northern terrace, and then sat down
on the marble seat until a hand on his shoulder and a glimmer of bayonets
warned him away.

She passed on through the grove, and turning into the rue de Medici,
traversed it to the Boulevard. At the corner she bought a bunch of violets
and walked on along the Boulevard to the rue des Écoles. A cab was drawn
up before Boulant's, and a pretty girl aided by Elliott jumped out.

"Valentine!" cried the girl, "come with us!"

"I can't," she said, stopping a moment--"I have a rendezvous at Mignon's."

"Not Victor?" cried the girl, laughing, but she passed with a little
shiver, nodding good-night, then turning into the Boulevard St. Germain,
she walked a tittle faster to escape a gay party sitting before the Café
Cluny who called to her to join them. At the door of the Restaurant Mignon
stood a coal-black negro in buttons. He took off his peaked cap as she
mounted the carpeted stairs.

"Send Eugene to me," she said at the office, and passing through the
hallway to the right of the dining-room stopped before a row of panelled
doors. A waiter passed and she repeated her demand for Eugene, who
presently appeared, noiselessly skipping, and bowed murmuring, "Madame."

"Who is here?"

"No one in the cabinets, madame; in the half Madame Madelon and Monsieur
Gay, Monsieur de Clamart, Monsieur Clisson, Madame Marie and their set."
Then he looked around and bowing again murmured, "Monsieur awaits madame
since half an hour," and he knocked at one of the panelled doors bearing
the number six.

Clifford opened the door and the girl entered.

The garçon bowed her in, and whispering, "Will Monsieur have the goodness
to ring?" vanished.

He helped her off with her jacket and took her hat and umbrella. When she
was seated at the little table with Clifford opposite she smiled and
leaned forward on both elbows looking him in the face.

"What are you doing here?" she demanded.

"Waiting," he replied, in accents of adoration.

For an instant she turned and examined herself in the glass. The wide blue
eyes, the curling hair, the straight nose and short curled lip flashed in
the mirror an instant only, and then its depths reflected her pretty neck
and back. "Thus do I turn my back on vanity," she said, and then leaning
forward again, "What are you doing here?"

"Waiting for you," repeated Clifford, slightly troubled.

"And Cécile."

"Now don't, Valentine--"

"Do you know," she said calmly, "I dislike your conduct?"

He was a little disconcerted, and rang for Eugene to cover his confusion.

The soup was bisque, and the wine Pommery, and the courses followed each
other with the usual regularity until Eugene brought coffee, and there was
nothing left on the table but a small silver lamp.

"Valentine," said Clifford, after having obtained permission to smoke, "is
it the Vaudeville or the Eldorado--or both, or the Nouveau Cirque, or--"

"It is here," said Valentine.

"Well," he said, greatly flattered, "I'm afraid I couldn't amuse you--"

"Oh, yes, you are funnier than the Eldorado."

"Now see here, don't guy me, Valentine. You always do, and, and,--you know
what they say,--a good laugh kills--"

"What?"

"Er--er--love and all that."

She laughed until her eyes were moist with tears. "Tiens," she cried, "he
is dead, then!"

Clifford eyed her with growing alarm.

"Do you know why I came?" she said.

"No," he replied uneasily, "I don't."

"How long have you made love to me?"

"Well," he admitted, somewhat startled,--"I should say,--for about a
year."

"It is a year, I think. Are you not tired?"

He did not answer.

"Don't you know that I like you too well to--to ever fall in love with
you?" she said. "Don't you know that we are too good comrades,--too old
friends for that? And were we not,--do you think that I do not know your
history, Monsieur Clifford?"

"Don't be--don't be so sarcastic," he urged; "don't be unkind, Valentine."

"I'm not. I'm kind. I'm very kind,--to you and to Cécile."

"Cécile is tired of me."

"I hope she is," said the girl, "for she deserves a better fate. Tiens, do
you know your reputation in the Quarter? Of the inconstant, the most
inconstant,--utterly incorrigible and no more serious than a gnat on a
summer night. Poor Cécile!"

Clifford looked so uncomfortable that she spoke more kindly.

"I like you. You know that. Everybody does. You are a spoiled child here.
Everything is permitted you and every one makes allowance, but every one
cannot be a victim to caprice."

"Caprice!" he cried. "By Jove, if the girls of the Latin Quarter are not
capricious--"

"Never mind,--never mind about that! You must not sit in judgment--you of
all men. Why are you here to-night? Oh," she cried, "I will tell you why!
Monsieur receives a little note; he sends a little answer; he dresses in
his conquering raiment--"

"I don't," said Clifford, very red.

"You do, and it becomes you," she retorted with a faint smile. Then again,
very quietly, "I am in your power, but I know I am in the power of a
friend. I have come to acknowledge it to you here,--and it is because of
that that I am here to beg of you--a--a favour."

Clifford opened his eyes, but said nothing.

"I am in--great distress of mind. It is Monsieur Hastings."

"Well?" said Clifford, in some astonishment.

"I want to ask you," she continued in a low voice, "I want to ask you
to--to--in case you should speak of me before him,--not to say,--not to
say,--"

"I shall not speak of you to him," he said quietly.

"Can--can you prevent others?"

"I might if I was present. May I ask why?"

"That is not fair," she murmured; "you know how--how he considers me,--as
he considers every woman. You know how different he is from you and the
rest. I have never seen a man,--such a man as Monsieur Hastings."

He let his cigarette go out unnoticed.

"I am almost afraid of him--afraid he should know--what we all are in the
Quarter. Oh, I do not wish him to know! I do not wish him to--to turn from
me--to cease from speaking to me as he does! You--you and the rest cannot
know what it has been to me. I could not believe him,--I could not believe
he was so good and--and noble. I do not wish him to know--so soon. He will
find out--sooner or later, he will find out for himself, and then he will
turn away from me. Why!" she cried passionately, "why should he turn from
me and not from _you_?"

Clifford, much embarrassed, eyed his cigarette.

The girl rose, very white. "He is your friend--you have a right to warn
him."

"He is my friend," he said at length.

They looked at each other in silence.

Then she cried, "By all that I hold to me most sacred, you need not warn
him!"

"I shall trust your word," he said pleasantly.




V

The month passed quickly for Hastings, and left few definite impressions
after it. It did leave some, however. One was a painful impression of
meeting Mr. Bladen on the Boulevard des Capucines in company with a very
pronounced young person whose laugh dismayed him, and when at last he
escaped from the café where Mr. Bladen had hauled him to join them in a
_bock_ he felt as if the whole boulevard was looking at him, and judging
him by his company. Later, an instinctive conviction regarding the young
person with Mr. Bladen sent the hot blood into his cheek, and he returned
to the pension in such a miserable state of mind that Miss Byng was
alarmed and advised him to conquer his homesickness at once.

Another impression was equally vivid. One Saturday morning, feeling
lonely, his wanderings about the city brought him to the Gare St. Lazare.
It was early for breakfast, but he entered the Hôtel Terminus and took a
table near the window. As he wheeled about to give his order, a man
passing rapidly along the aisle collided with his head, and looking up to
receive the expected apology, he was met instead by a slap on the shoulder
and a hearty, "What the deuce are you doing here, old chap?" It was
Rowden, who seized him and told him to come along. So, mildly protesting,
he was ushered into a private dining-room where Clifford, rather red,
jumped up from the table and welcomed him with a startled air which was
softened by the unaffected glee of Rowden and the extreme courtesy of
Elliott. The latter presented him to three bewitching girls who welcomed
him so charmingly and seconded Rowden in his demand that Hastings should
make one of the party, that he consented at once. While Elliott briefly
outlined the projected excursion to La Roche, Hastings delightedly ate his
omelet, and returned the smiles of encouragement from Cécile and Colette
and Jacqueline. Meantime Clifford in a bland whisper was telling Rowden
what an ass he was. Poor Rowden looked miserable until Elliott, divining
how affairs were turning, frowned on Clifford and found a moment to let
Rowden know that they were all going to make the best of it.

"You shut up," he observed to Clifford, "it's fate, and that settles it."

"It's Rowden, and that settles it," murmured Clifford, concealing a grin.
For after all he was not Hastings' wet nurse. So it came about that the
train which left the Gare St. Lazare at 9.15 a.m. stopped a moment in its
career towards Havre and deposited at the red-roofed station of La Roche a
merry party, armed with sunshades, trout-rods, and one cane, carried by
the non-combatant, Hastings. Then, when they had established their camp in
a grove of sycamores which bordered the little river Ept, Clifford, the
acknowledged master of all that pertained to sportsmanship, took command.

"You, Rowden," he said, "divide your flies with Elliott and keep an eye on
him or else he'll be trying to put on a float and sinker. Prevent him by
force from grubbing about for worms."

Elliott protested, but was forced to smile in the general laugh.

"You make me ill," he asserted; "do you think this is my first trout?"

"I shall be delighted to see your first trout," said Clifford, and dodging
a fly hook, hurled with intent to hit, proceeded to sort and equip three
slender rods destined to bring joy and fish to Cécil, Colette, and
Jacqueline. With perfect gravity he ornamented each line with four split
shot, a small hook, and a brilliant quill float.

"_I_ shall never touch the worms," announced Cécile with a shudder.

Jacqueline and Colette hastened to sustain her, and Hastings pleasantly
offered to act in the capacity of general baiter and taker-off of fish.
But Cécile, doubtless fascinated by the gaudy flies in Clifford's book,
decided to accept lessons from him in the true art, and presently
disappeared up the Ept with Clifford in tow.

Elliott looked doubtfully at Colette.

"I prefer gudgeons," said that damsel with decision, "and you and Monsieur
Rowden may go away when you please; may they not, Jacqueline?"

"Certainly," responded Jacqueline.

Elliott, undecided, examined his rod and reel.

"You've got your reel on wrong side up," observed Rowden.

Elliott wavered, and stole a glance at Colette.

"I--I--have almost decided to--er--not to flip the flies about just now,"
he began. "There's the pole that Cécile left--"

"Don't call it a pole," corrected Rowden.

"_Rod_, then," continued Elliott, and started off in the wake of the two
girls, but was promptly collared by Rowden.

"No, you don't! Fancy a man fishing with a float and sinker when he has a
fly rod in his hand! You come along!"

Where the placid little Ept flows down between its thickets to the Seine,
a grassy bank shadows the haunt of the gudgeon, and on this bank sat
Colette and Jacqueline and chattered and laughed and watched the swerving
of the scarlet quills, while Hastings, his hat over his eyes, his head on
a bank of moss, listened to their soft voices and gallantly unhooked the
small and indignant gudgeon when a flash of a rod and a half-suppressed
scream announced a catch. The sunlight filtered through the leafy thickets
awaking to song the forest birds. Magpies in spotless black and white
flirted past, alighting near by with a hop and bound and twitch of the
tail. Blue and white jays with rosy breasts shrieked through the trees,
and a low-sailing hawk wheeled among the fields of ripening wheat, putting
to flight flocks of twittering hedge birds.

Across the Seine a gull dropped on the water like a plume. The air was
pure and still. Scarcely a leaf moved. Sounds from a distant farm came
faintly, the shrill cock-crow and dull baying. Now and then a steam-tug
with big raking smoke-pipe, bearing the name "Guêpe 27," ploughed up the
river dragging its interminable train of barges, or a sailboat dropped
down with the current toward sleepy Rouen.

A faint fresh odour of earth and water hung in the air, and through the
sunlight, orange-tipped butterflies danced above the marsh grass, soft
velvety butterflies flapped through the mossy woods.

Hastings was thinking of Valentine. It was two o'clock when Elliott
strolled back, and frankly admitting that he had eluded Rowden, sat down
beside Colette and prepared to doze with satisfaction.

"Where are your trout?" said Colette severely.

"They still live," murmured Elliott, and went fast asleep.

Rowden returned shortly after, and casting a scornful glance at the
slumbering one, displayed three crimson-flecked trout.

"And that," smiled Hastings lazily, "that is the holy end to which the
faithful plod,--the slaughter of these small fish with a bit of silk and
feather."

Rowden disdained to answer him. Colette caught another gudgeon and awoke
Elliott, who protested and gazed about for the lunch baskets, as Clifford
and Cécile came up demanding instant refreshment. Cécile's skirts were
soaked, and her gloves torn, but she was happy, and Clifford, dragging out
a two-pound trout, stood still to receive the applause of the company.

"Where the deuce did you get that?" demanded Elliott.

Cécile, wet and enthusiastic, recounted the battle, and then Clifford
eulogized her powers with the fly, and, in proof, produced from his creel
a defunct chub, which, he observed, just missed being a trout.

They were all very happy at luncheon, and Hastings was voted "charming."
He enjoyed it immensely,--only it seemed to him at moments that flirtation
went further in France than in Millbrook, Connecticut, and he thought that
Cécile might be a little less enthusiastic about Clifford, that perhaps it
would be quite as well if Jacqueline sat further away from Rowden, and
that possibly Colette could have, for a moment at least, taken her eyes
from Elliott's face. Still he enjoyed it--except when his thoughts drifted
to Valentine, and then he felt that he was very far away from her. La
Roche is at least an hour and a half from Paris. It is also true that he
felt a happiness, a quick heart-beat when, at eight o'clock that night the
train which bore them from La Roche rolled into the Gare St. Lazare and he
was once more in the city of Valentine.

"Good-night," they said, pressing around him. "You must come with us next
time!"

He promised, and watched them, two by two, drift into the darkening city,
and stood so long that, when again he raised his eyes, the vast Boulevard
was twinkling with gas-jets through which the electric lights stared like
moons.




VI

It was with another quick heart-beat that he awoke next morning, for his
first thought was of Valentine.

The sun already gilded the towers of Notre Dame, the clatter of workmen's
sabots awoke sharp echoes in the street below, and across the way a
blackbird in a pink almond tree was going into an ecstasy of trills.

He determined to awake Clifford for a brisk walk in the country, hoping
later to beguile that gentleman into the American church for his soul's
sake. He found Alfred the gimlet-eyed washing the asphalt walk which led
to the studio.

"Monsieur Elliott?" he replied to the perfunctory inquiry, "_je ne sais
pas_."

"And Monsieur Clifford," began Hastings, somewhat astonished.

"Monsieur Clifford," said the concierge with fine irony, "will be pleased
to see you, as he retired early; in fact he has just come in."

Hastings hesitated while the concierge pronounced a fine eulogy on people
who never stayed out all night and then came battering at the lodge gate
during hours which even a gendarme held sacred to sleep. He also
discoursed eloquently upon the beauties of temperance, and took an
ostentatious draught from the fountain in the court.

"I do not think I will come in," said Hastings.

"Pardon, monsieur," growled the concierge, "perhaps it would be well to
see Monsieur Clifford. He possibly needs aid. Me he drives forth with
hair-brushes and boots. It is a mercy if he has not set fire to something
with his candle."

Hastings hesitated for an instant, but swallowing his dislike of such a
mission, walked slowly through the ivy-covered alley and across the inner
garden to the studio. He knocked. Perfect silence. Then he knocked again,
and this time something struck the door from within with a crash.

"That," said the concierge, "was a boot." He fitted his duplicate key into
the lock and ushered Hastings in. Clifford, in disordered evening dress,
sat on the rug in the middle of the room. He held in his hand a shoe, and
did not appear astonished to see Hastings.

"Good-morning, do you use Pears' soap?" he inquired with a vague wave of
his hand and a vaguer smile.

Hastings' heart sank. "For Heaven's sake," he said, "Clifford, go to bed."

"Not while that--that Alfred pokes his shaggy head in here an' I have a
shoe left."

Hastings blew out the candle, picked up Clifford's hat and cane, and said,
with an emotion he could not conceal, "This is terrible,
Clifford,--I--never knew you did this sort of thing."

"Well, I do," said Clifford.

"Where is Elliott?"

"Ole chap," returned Clifford, becoming maudlin, "Providence which
feeds--feeds--er--sparrows an' that sort of thing watcheth over the
intemperate wanderer--"

"Where is Elliott?"

But Clifford only wagged his head and waved his arm about. "He's out
there,--somewhere about." Then suddenly feeling a desire to see his
missing chum, lifted up his voice and howled for him.

Hastings, thoroughly shocked, sat down on the lounge without a word.
Presently, after shedding several scalding tears, Clifford brightened up
and rose with great precaution.

"Ole chap," he observed, "do you want to see er--er miracle? Well, here
goes. I'm goin' to begin."

He paused, beaming at vacancy.

"Er miracle," he repeated.

Hastings supposed he was alluding to the miracle of his keeping his
balance, and said nothing.

"I'm goin' to bed," he announced, "poor ole Clifford's goin' to bed, an'
that's er miracle!"

And he did with a nice calculation of distance and equilibrium which would
have rung enthusiastic yells of applause from Elliott had he been there to
assist _en connaisseur_. But he was not. He had not yet reached the
studio. He was on his way, however, and smiled with magnificent
condescension on Hastings, who, half an hour later, found him reclining
upon a bench in the Luxembourg. He permitted himself to be aroused, dusted
and escorted to the gate. Here, however, he refused all further
assistance, and bestowing a patronizing bow upon Hastings, steered a
tolerably true course for the rue Vavin.

Hastings watched him out of sight, and then slowly retraced his steps
toward the fountain. At first he felt gloomy and depressed, but gradually
the clear air of the morning lifted the pressure from his heart, and he
sat down on the marble seat under the shadow of the winged god.

The air was fresh and sweet with perfume from the orange flowers.
Everywhere pigeons were bathing, dashing the water over their iris-hued
breasts, flashing in and out of the spray or nestling almost to the neck
along the polished basin. The sparrows, too, were abroad in force, soaking
their dust-coloured feathers in the limpid pool and chirping with might
and main. Under the sycamores which surrounded the duck-pond opposite the
fountain of Marie de Medici, the water-fowl cropped the herbage, or
waddled in rows down the bank to embark on some solemn aimless cruise.

Butterflies, somewhat lame from a chilly night's repose under the lilac
leaves, crawled over and over the white phlox, or took a rheumatic flight
toward some sun-warmed shrub. The bees were already busy among the
heliotrope, and one or two grey flies with brick-coloured eyes sat in a
spot of sunlight beside the marble seat, or chased each other about, only
to return again to the spot of sunshine and rub their fore-legs, exulting.

The sentries paced briskly before the painted boxes, pausing at times to
look toward the guard-house for their relief.

They came at last, with a shuffle of feet and click of bayonets, the word
was passed, the relief fell out, and away they went, crunch, crunch,
across the gravel.

A mellow chime floated from the clock-tower of the palace, the deep bell
of St. Sulpice echoed the stroke. Hastings sat dreaming in the shadow of
the god, and while he mused somebody came and sat down beside him. At
first he did not raise his head. It was only when she spoke that he sprang
up.

"You! At this hour?"

"I was restless, I could not sleep." Then in a low, happy voice--"And
_you!_ at this hour?"

"I--I slept, but the sun awoke me."

"_I_ could not sleep," she said, and her eyes seemed, for a moment,
touched with an indefinable shadow. Then, smiling, "I am so glad--I seemed
to know you were coming. Don't laugh, I believe in dreams."

"Did you really dream of,--of my being here?"

"I think I was awake when I dreamed it," she admitted. Then for a time
they were mute, acknowledging by silence the happiness of being together.
And after all their silence was eloquent, for faint smiles, and glances
born of their thoughts, crossed and recrossed, until lips moved and words
were formed, which seemed almost superfluous. What they said was not very
profound. Perhaps the most valuable jewel that fell from Hastings' lips
bore direct reference to breakfast.

"I have not yet had my chocolate," she confessed, "but what a material man
you are."

"Valentine," he said impulsively, "I wish,--I do wish that you
would,--just for this once,--give me the whole day,--just for this once."

"Oh dear," she smiled, "not only material, but selfish!"

"Not selfish, hungry," he said, looking at her.

"A cannibal too; oh dear!"

"Will you, Valentine?"

"But my chocolate--"

"Take it with me."

"But _déjeuner_--"

"Together, at St. Cloud."

"But I can't--"

"Together,--all day,--all day long; will you, Valentine?"

She was silent.

"Only for this once."

Again that indefinable shadow fell across her eyes, and when it was gone
she sighed. "Yes,--together, only for this once."

"All day?" he said, doubting his happiness.

"All day," she smiled; "and oh, I am so hungry!"

He laughed, enchanted.

"What a material young lady it is."

On the Boulevard St. Michel there is a Crémerie painted white and blue
outside, and neat and clean as a whistle inside. The auburn-haired young
woman who speaks French like a native, and rejoices in the name of Murphy,
smiled at them as they entered, and tossing a fresh napkin over the zinc
_tête-à-tête_ table, whisked before them two cups of chocolate and a
basket full of crisp, fresh croissons.

The primrose-coloured pats of butter, each stamped with a shamrock in
relief, seemed saturated with the fragrance of Normandy pastures.

"How delicious!" they said in the same breath, and then laughed at the
coincidence.

"With but a single thought," he began.

"How absurd!" she cried with cheeks all rosy. "I'm thinking I'd like a
croisson."

"So am I," he replied triumphant, "that proves it."

Then they had a quarrel; she accusing him of behaviour unworthy of a child
in arms, and he denying it, and bringing counter charges, until
Mademoiselle Murphy laughed in sympathy, and the last croisson was eaten
under a flag of truce. Then they rose, and she took his arm with a bright
nod to Mile. Murphy, who cried them a merry: "_Bonjour, madame! bonjour,
monsieur_!" and watched them hail a passing cab and drive away. "_Dieu!
qu'il est beau_," she sighed, adding after a moment, "Do they be married,
I dunno,--_ma foi ils ont bien l'air_."

The cab swung around the rue de Medici, turned into the rue de Vaugirard,
followed it to where it crosses the rue de Rennes, and taking that noisy
thoroughfare, drew up before the Gare Montparnasse. They were just in time
for a train and scampered up the stairway and out to the cars as the last
note from the starting-gong rang through the arched station. The guard
slammed the door of their compartment, a whistle sounded, answered by a
screech from the locomotive, and the long train glided from the station,
faster, faster, and sped out into the morning sunshine. The summer wind
blew in their faces from the open window, and sent the soft hair dancing
on the girl's forehead.

"We have the compartment to ourselves," said Hastings.

She leaned against the cushioned window-seat, her eyes bright and wide
open, her lips parted. The wind lifted her hat, and fluttered the ribbons
under her chin. With a quick movement she untied them, and, drawing a long
hat-pin from her hat, laid it down on the seat beside her. The train was
flying.

The colour surged in her cheeks, and, with each quick-drawn breath, her
breath rose and fell under the cluster of lilies at her throat. Trees,
houses, ponds, danced past, cut by a mist of telegraph poles.

"Faster! faster!" she cried.

His eyes never left her, but hers, wide open, and blue as the summer sky,
seemed fixed on something far ahead,--something which came no nearer, but
fled before them as they fled.

Was it the horizon, cut now by the grim fortress on the hill, now by the
cross of a country chapel? Was it the summer moon, ghost-like, slipping
through the vaguer blue above?

"Faster! faster!" she cried.

Her parted lips burned scarlet.

The car shook and shivered, and the fields streamed by like an emerald
torrent. He caught the excitement, and his faced glowed.

"Oh," she cried, and with an unconscious movement caught his hand, drawing
him to the window beside her. "Look! lean out with me!"

He only saw her lips move; her voice was drowned in the roar of a trestle,
but his hand closed in hers and he clung to the sill. The wind whistled in
their ears. "Not so far out, Valentine, take care!" he gasped.

Below, through the ties of the trestle, a broad river flashed into view
and out again, as the train thundered along a tunnel, and away once more
through the freshest of green fields. The wind roared about them. The girl
was leaning far out from the window, and he caught her by the waist,
crying, "Not too far!" but she only murmured, "Faster! faster! away out of
the city, out of the land, faster, faster! away out of the world!"

"What are you saying all to yourself?" he said, but his voice was broken,
and the wind whirled it back into his throat.

She heard him, and, turning from the window looked down at his arm about
her. Then she raised her eyes to his. The car shook and the windows
rattled. They were dashing through a forest now, and the sun swept the
dewy branches with running flashes of fire. He looked into her troubled
eyes; he drew her to him and kissed the half-parted lips, and she cried
out, a bitter, hopeless cry, "Not that--not that!"

But he held her close and strong, whispering words of honest love and
passion, and when she sobbed--"Not that--not that--I have promised! You
must--you must know--I am--not--worthy--" In the purity of his own heart
her words were, to him, meaningless then, meaningless for ever after.
Presently her voice ceased, and her head rested on his breast. He leaned
against the window, his ears swept by the furious wind, his heart in a
joyous tumult. The forest was passed, and the sun slipped from behind the
trees, flooding the earth again with brightness. She raised her eyes and
looked out into the world from the window. Then she began to speak, but
her voice was faint, and he bent his head close to hers and listened. "I
cannot turn from you; I am too weak. You were long ago my master--master
of my heart and soul. I have broken my word to one who trusted me, but I
have told you all;--what matters the rest?" He smiled at her innocence and
she worshipped his. She spoke again: "Take me or cast me away;--what
matters it? Now with a word you can kill me, and it might be easier to die
than to look upon happiness as great as mine."

He took her in his arms, "Hush, what are you saying? Look,--look out at
the sunlight, the meadows and the streams. We shall be very happy in so
bright a world."

She turned to the sunlight. From the window, the world below seemed very
fair to her.

Trembling with happiness, she sighed: "Is this the world? Then I have
never known it."

"Nor have I, God forgive me," he murmured.

Perhaps it was our gentle Lady of the Fields who forgave them both.




RUE BARRÉE

  "For let Philosopher and Doctor preach
  Of what they will and what they will not,--each
  Is but one link in an eternal chain
  That none can slip nor break nor over-reach."

  "Crimson nor yellow roses nor
  The savour of the mounting sea
  Are worth the perfume I adore
  That clings to thee.
  The languid-headed lilies tire,
  The changeless waters weary me;
  I ache with passionate desire
  Of thine and thee.
  There are but these things in the world--
  Thy mouth of fire,
  Thy breasts, thy hands, thy hair upcurled
  And my desire."


I

One morning at Julian's, a student said to Selby, "That is Foxhall
Clifford," pointing with his brushes at a young man who sat before an
easel, doing nothing.

Selby, shy and nervous, walked over and began: "My name is Selby,--I have
just arrived in Paris, and bring a letter of introduction--" His voice was
lost in the crash of a falling easel, the owner of which promptly
assaulted his neighbour, and for a time the noise of battle rolled through
the studios of MM. Boulanger and Lefebvre, presently subsiding into a
scuffle on the stairs outside. Selby, apprehensive as to his own reception
in the studio, looked at Clifford, who sat serenely watching the fight.

"It's a little noisy here," said Clifford, "but you will like the fellows
when you know them." His unaffected manner delighted Selby. Then with a
simplicity that won his heart, he presented him to half a dozen students
of as many nationalities. Some were cordial, all were polite. Even the
majestic creature who held the position of Massier, unbent enough to say:
"My friend, when a man speaks French as well as you do, and is also a
friend of Monsieur Clifford, he will have no trouble in this studio. You
expect, of course, to fill the stove until the next new man comes?"

"Of course."

"And you don't mind chaff?"

"No," replied Selby, who hated it.

Clifford, much amused, put on his hat, saying, "You must expect lots of it
at first."

Selby placed his own hat on his head and followed him to the door.

As they passed the model stand there was a furious cry of "Chapeau!
Chapeau!" and a student sprang from his easel menacing Selby, who reddened
but looked at Clifford.

"Take off your hat for them," said the latter, laughing.

A little embarrassed, he turned and saluted the studio.

"Et moi?" cried the model.

"You are charming," replied Selby, astonished at his own audacity, but the
studio rose as one man, shouting: "He has done well! he's all right!"
while the model, laughing, kissed her hand to him and cried: "À demain
beau jeune homme!"

All that week Selby worked at the studio unmolested. The French students
christened him "l'Enfant Prodigue," which was freely translated, "The
Prodigious Infant," "The Kid," "Kid Selby," and "Kidby." But the disease
soon ran its course from "Kidby" to "Kidney," and then naturally to
"Tidbits," where it was arrested by Clifford's authority and ultimately
relapsed to "Kid."

Wednesday came, and with it M. Boulanger. For three hours the students
writhed under his biting sarcasms,--among the others Clifford, who was
informed that he knew even less about a work of art than he did about the
art of work. Selby was more fortunate. The professor examined his drawing
in silence, looked at him sharply, and passed on with a non-committal
gesture. He presently departed arm in arm with Bouguereau, to the relief
of Clifford, who was then at liberty to jam his hat on his head and
depart.

The next day he did not appear, and Selby, who had counted on seeing him
at the studio, a thing which he learned later it was vanity to count on,
wandered back to the Latin Quarter alone.

Paris was still strange and new to him. He was vaguely troubled by its
splendour. No tender memories stirred his American bosom at the Place du
Châtelet, nor even by Notre Dame. The Palais de Justice with its clock and
turrets and stalking sentinels in blue and vermilion, the Place St. Michel
with its jumble of omnibuses and ugly water-spitting griffins, the hill of
the Boulevard St. Michel, the tooting trams, the policemen dawdling two by
two, and the table-lined terraces of the Café Vacehett were nothing to
him, as yet, nor did he even know, when he stepped from the stones of the
Place St. Michel to the asphalt of the Boulevard, that he had crossed the
frontier and entered the student zone,--the famous Latin Quarter.

A cabman hailed him as "bourgeois," and urged the superiority of driving
over walking. A gamin, with an appearance of great concern, requested the
latest telegraphic news from London, and then, standing on his head,
invited Selby to feats of strength. A pretty girl gave him a glance from a
pair of violet eyes. He did not see her, but she, catching her own
reflection in a window, wondered at the colour burning in her cheeks.
Turning to resume her course, she met Foxhall Clifford, and hurried on.
Clifford, open-mouthed, followed her with his eyes; then he looked after
Selby, who had turned into the Boulevard St. Germain toward the rue de
Seine. Then he examined himself in the shop window. The result seemed to
be unsatisfactory.

"I'm not a beauty," he mused, "but neither am I a hobgoblin. What does she
mean by blushing at Selby? I never before saw her look at a fellow in my
life,--neither has any one in the Quarter. Anyway, I can swear she never
looks at me, and goodness knows I have done all that respectful adoration
can do."

He sighed, and murmuring a prophecy concerning the salvation of his
immortal soul swung into that graceful lounge which at all times
characterized Clifford. With no apparent exertion, he overtook Selby at
the corner, and together they crossed the sunlit Boulevard and sat down
under the awning of the Café du Cercle. Clifford bowed to everybody on the
terrace, saying, "You shall meet them all later, but now let me present
you to two of the sights of Paris, Mr. Richard Elliott and Mr. Stanley
Rowden."

The "sights" looked amiable, and took vermouth.

"You cut the studio to-day," said Elliott, suddenly turning on Clifford,
who avoided his eyes.

"To commune with nature?" observed Rowden.

"What's her name this time?" asked Elliott, and Rowden answered promptly,
"Name, Yvette; nationality, Breton--"

"Wrong," replied Clifford blandly, "it's Rue Barrée."

The subject changed instantly, and Selby listened in surprise to names
which were new to him, and eulogies on the latest Prix de Rome winner. He
was delighted to hear opinions boldly expressed and points honestly
debated, although the vehicle was mostly slang, both English and French.
He longed for the time when he too should be plunged into the strife for
fame.

The bells of St. Sulpice struck the hour, and the Palace of the Luxembourg
answered chime on chime. With a glance at the sun, dipping low in the
golden dust behind the Palais Bourbon, they rose, and turning to the east,
crossed the Boulevard St. Germain and sauntered toward the École de
Médecine. At the corner a girl passed them, walking hurriedly. Clifford
smirked, Elliot and Rowden were agitated, but they all bowed, and, without
raising her eyes, she returned their salute. But Selby, who had lagged
behind, fascinated by some gay shop window, looked up to meet two of the
bluest eyes he had ever seen. The eyes were dropped in an instant, and the
young fellow hastened to overtake the others.

"By Jove," he said, "do you fellows know I have just seen the prettiest
girl--" An exclamation broke from the trio, gloomy, foreboding, like the
chorus in a Greek play.

"Rue Barrée!"

"What!" cried Selby, bewildered.

The only answer was a vague gesture from Clifford.

Two hours later, during dinner, Clifford turned to Selby and said, "You
want to ask me something; I can tell by the way you fidget about."

"Yes, I do," he said, innocently enough; "it's about that girl. Who is
she?"

In Rowden's smile there was pity, in Elliott's bitterness.

"Her name," said Clifford solemnly, "is unknown to any one, at least," he
added with much conscientiousness, "as far as I can learn. Every fellow in
the Quarter bows to her and she returns the salute gravely, but no man has
ever been known to obtain more than that. Her profession, judging from her
music-roll, is that of a pianist. Her residence is in a small and humble
street which is kept in a perpetual process of repair by the city
authorities, and from the black letters painted on the barrier which
defends the street from traffic, she has taken the name by which we know
her,--Rue Barrée. Mr. Rowden, in his imperfect knowledge of the French
tongue, called our attention to it as Roo Barry--"

"I didn't," said Rowden hotly.

"And Roo Barry, or Rue Barrée, is to-day an object of adoration to every
rapin in the Quarter--"

"We are not rapins," corrected Elliott.

"_I_ am not," returned Clifford, "and I beg to call to your attention,
Selby, that these two gentlemen have at various and apparently unfortunate
moments, offered to lay down life and limb at the feet of Rue Barrée. The
lady possesses a chilling smile which she uses on such occasions and,"
here he became gloomily impressive, "I have been forced to believe that
neither the scholarly grace of my friend Elliott nor the buxom beauty of
my friend Rowden have touched that heart of ice."

Elliott and Rowden, boiling with indignation, cried out, "And you!"

"I," said Clifford blandly, "do fear to tread where you rush in."




II

Twenty-four hours later Selby had completely forgotten Rue Barrée. During
the week he worked with might and main at the studio, and Saturday night
found him so tired that he went to bed before dinner and had a nightmare
about a river of yellow ochre in which he was drowning. Sunday morning,
apropos of nothing at all, he thought of Rue Barrée, and ten seconds
afterwards he saw her. It was at the flower-market on the marble bridge.
She was examining a pot of pansies. The gardener had evidently thrown
heart and soul into the transaction, but Rue Barrée shook her head.

It is a question whether Selby would have stopped then and there to
inspect a cabbage-rose had not Clifford unwound for him the yarn of the
previous Tuesday. It is possible that his curiosity was piqued, for with
the exception of a hen-turkey, a boy of nineteen is the most openly
curious biped alive. From twenty until death he tries to conceal it. But,
to be fair to Selby, it is also true that the market was attractive. Under
a cloudless sky the flowers were packed and heaped along the marble bridge
to the parapet. The air was soft, the sun spun a shadowy lacework among
the palms and glowed in the hearts of a thousand roses. Spring had
come,--was in full tide. The watering carts and sprinklers spread
freshness over the Boulevard, the sparrows had become vulgarly obtrusive,
and the credulous Seine angler anxiously followed his gaudy quill floating
among the soapsuds of the lavoirs. The white-spiked chestnuts clad in
tender green vibrated with the hum of bees. Shoddy butterflies flaunted
their winter rags among the heliotrope. There was a smell of fresh earth
in the air, an echo of the woodland brook in the ripple of the Seine, and
swallows soared and skimmed among the anchored river craft. Somewhere in a
window a caged bird was singing its heart out to the sky.

Selby looked at the cabbage-rose and then at the sky. Something in the
song of the caged bird may have moved him, or perhaps it was that
dangerous sweetness in the air of May.

At first he was hardly conscious that he had stopped then he was scarcely
conscious why he had stopped, then he thought he would move on, then he
thought he wouldn't, then he looked at Rue Barrée.

The gardener said, "Mademoiselle, this is undoubtedly a fine pot of
pansies."

Rue Barrée shook her head.

The gardener smiled. She evidently did not want the pansies. She had
bought many pots of pansies there, two or three every spring, and never
argued. What did she want then? The pansies were evidently a feeler toward
a more important transaction. The gardener rubbed his hands and gazed
about him.

"These tulips are magnificent," he observed, "and these hyacinths--" He
fell into a trance at the mere sight of the scented thickets.

"That," murmured Rue, pointing to a splendid rose-bush with her furled
parasol, but in spite of her, her voice trembled a little. Selby noticed
it, more shame to him that he was listening, and the gardener noticed it,
and, burying his nose in the roses, scented a bargain. Still, to do him
justice, he did not add a centime to the honest value of the plant, for
after all, Rue was probably poor, and any one could see she was charming.

"Fifty francs, Mademoiselle."

The gardener's tone was grave. Rue felt that argument would be wasted.
They both stood silent for a moment. The gardener did not eulogize his
prize,--the rose-tree was gorgeous and any one could see it.

"I will take the pansies," said the girl, and drew two francs from a worn
purse. Then she looked up. A tear-drop stood in the way refracting the
light like a diamond, but as it rolled into a little corner by her nose a
vision of Selby replaced it, and when a brush of the handkerchief had
cleared the startled blue eyes, Selby himself appeared, very much
embarrassed. He instantly looked up into the sky, apparently devoured with
a thirst for astronomical research, and as he continued his investigations
for fully five minutes, the gardener looked up too, and so did a
policeman. Then Selby looked at the tips of his boots, the gardener looked
at him and the policeman slouched on. Rue Barrée had been gone some time.

"What," said the gardener, "may I offer Monsieur?"

Selby never knew why, but he suddenly began to buy flowers. The gardener
was electrified. Never before had he sold so many flowers, never at such
satisfying prices, and never, never with such absolute unanimity of
opinion with a customer. But he missed the bargaining, the arguing, the
calling of Heaven to witness. The transaction lacked spice.

"These tulips are magnificent!"

"They are!" cried Selby warmly.

"But alas, they are dear."

"I will take them."

"Dieu!" murmured the gardener in a perspiration, "he's madder than most
Englishmen."

"This cactus--"

"Is gorgeous!"

"Alas--"

"Send it with the rest."

The gardener braced himself against the river wall.

"That splendid rose-bush," he began faintly.

"That is a beauty. I believe it is fifty francs--"

He stopped, very red. The gardener relished his confusion. Then a sudden
cool self-possession took the place of his momentary confusion and he held
the gardener with his eye, and bullied him.

"I'll take that bush. Why did not the young lady buy it?"

"Mademoiselle is not wealthy."

"How do you know?"

"_Dame_, I sell her many pansies; pansies are not expensive."

"Those are the pansies she bought?"

"These, Monsieur, the blue and gold."

"Then you intend to send them to her?"

"At mid-day after the market."

"Take this rose-bush with them, and"--here he glared at the
gardener--"don't you dare say from whom they came." The gardener's eyes
were like saucers, but Selby, calm and victorious, said: "Send the others
to the Hôtel du Sénat, 7 rue de Tournon. I will leave directions with the
concierge."

Then he buttoned his glove with much dignity and stalked off, but when
well around the corner and hidden from the gardener's view, the conviction
that he was an idiot came home to him in a furious blush. Ten minutes
later he sat in his room in the Hôtel du Sénat repeating with an imbecile
smile: "What an ass I am, what an ass!"

An hour later found him in the same chair, in the same position, his hat
and gloves still on, his stick in his hand, but he was silent, apparently
lost in contemplation of his boot toes, and his smile was less imbecile
and even a bit retrospective.




III

About five o'clock that afternoon, the little sad-eyed woman who fills the
position of concierge at the Hôtel du Sénat held up her hands in amazement
to see a wagon-load of flower-bearing shrubs draw up before the doorway.
She called Joseph, the intemperate garçon, who, while calculating the
value of the flowers in _petits verres_, gloomily disclaimed any knowledge
as to their destination.

"_Voyons_," said the little concierge, "_cherchons la femme_!"

"You?" he suggested.

The little woman stood a moment pensive and then sighed. Joseph caressed
his nose, a nose which for gaudiness could vie with any floral display.

Then the gardener came in, hat in hand, and a few minutes later Selby
stood in the middle of his room, his coat off, his shirt-sleeves rolled
up. The chamber originally contained, besides the furniture, about two
square feet of walking room, and now this was occupied by a cactus. The
bed groaned under crates of pansies, lilies and heliotrope, the lounge was
covered with hyacinths and tulips, and the washstand supported a species
of young tree warranted to bear flowers at some time or other.

Clifford came in a little later, fell over a box of sweet peas, swore a
little, apologized, and then, as the full splendour of the floral _fête_
burst upon him, sat down in astonishment upon a geranium. The geranium was
a wreck, but Selby said, "Don't mind," and glared at the cactus.

"Are you going to give a ball?" demanded Clifford.

"N--no,--I'm very fond of flowers," said Selby, but the statement lacked
enthusiasm.

"I should imagine so." Then, after a silence, "That's a fine cactus."

Selby contemplated the cactus, touched it with the air of a connoisseur,
and pricked his thumb.

Clifford poked a pansy with his stick. Then Joseph came in with the bill,
announcing the sum total in a loud voice, partly to impress Clifford,
partly to intimidate Selby into disgorging a _pourboire_ which he would
share, if he chose, with the gardener. Clifford tried to pretend that he
had not heard, while Selby paid bill and tribute without a murmur. Then he
lounged back into the room with an attempt at indifference which failed
entirely when he tore his trousers on the cactus.

Clifford made some commonplace remark, lighted a cigarette and looked out
of the window to give Selby a chance. Selby tried to take it, but getting
as far as--"Yes, spring is here at last," froze solid. He looked at the
back of Clifford's head. It expressed volumes. Those little perked-up ears
seemed tingling with suppressed glee. He made a desperate effort to master
the situation, and jumped up to reach for some Russian cigarettes as an
incentive to conversation, but was foiled by the cactus, to whom again he
fell a prey. The last straw was added.

"Damn the cactus." This observation was wrung from Selby against his
will,--against his own instinct of self-preservation, but the thorns on
the cactus were long and sharp, and at their repeated prick his pent-up
wrath escaped. It was too late now; it was done, and Clifford had wheeled
around.

"See here, Selby, why the deuce did you buy those flowers?"

"I'm fond of them," said Selby.

"What are you going to do with them? You can't sleep here."

"I could, if you'd help me take the pansies off the bed."

"Where can you put them?"

"Couldn't I give them to the concierge?"

As soon as he said it he regretted it. What in Heaven's name would
Clifford think of him! He had heard the amount of the bill. Would he
believe that he had invested in these luxuries as a timid declaration to
his concierge? And would the Latin Quarter comment upon it in their own
brutal fashion? He dreaded ridicule and he knew Clifford's reputation.

Then somebody knocked.

Selby looked at Clifford with a hunted expression which touched that young
man's heart. It was a confession and at the same time a supplication.
Clifford jumped up, threaded his way through the floral labyrinth, and
putting an eye to the crack of the door, said, "Who the devil is it?"

This graceful style of reception is indigenous to the Quarter.

"It's Elliott," he said, looking back, "and Rowden too, and their
bulldogs." Then he addressed them through the crack.

"Sit down on the stairs; Selby and I are coming out directly."

Discretion is a virtue. The Latin Quarter possesses few, and discretion
seldom figures on the list. They sat down and began to whistle.

Presently Rowden called out, "I smell flowers. They feast within!"

"You ought to know Selby better than that," growled Clifford behind the
door, while the other hurriedly exchanged his torn trousers for others.

"_We_ know Selby," said Elliott with emphasis.

"Yes," said Rowden, "he gives receptions with floral decorations and
invites Clifford, while we sit on the stairs."

"Yes, while the youth and beauty of the Quarter revel," suggested Rowden;
then, with sudden misgiving; "Is Odette there?"

"See here," demanded Elliott, "is Colette there?"

Then he raised his voice in a plaintive howl, "Are you there, Colette,
while I'm kicking my heels on these tiles?"

"Clifford is capable of anything," said Rowden; "his nature is soured
since Rue Barrée sat on him."

Elliott raised his voice: "I say, you fellows, we saw some flowers carried
into Rue Barrée's house at noon."

"Posies and roses," specified Rowden.

"Probably for her," added Elliott, caressing his bulldog.

Clifford turned with sudden suspicion upon Selby. The latter hummed a
tune, selected a pair of gloves and, choosing a dozen cigarettes, placed
them in a case. Then walking over to the cactus, he deliberately detached
a blossom, drew it through his buttonhole, and picking up hat and stick,
smiled upon Clifford, at which the latter was mightily troubled.




IV

Monday morning at Julian's, students fought for places; students with
prior claims drove away others who had been anxiously squatting on coveted
tabourets since the door was opened in hopes of appropriating them at
roll-call; students squabbled over palettes, brushes, portfolios, or rent
the air with demands for Ciceri and bread. The former, a dirty ex-model,
who had in palmier days posed as Judas, now dispensed stale bread at one
sou and made enough to keep himself in cigarettes. Monsieur Julian walked
in, smiled a fatherly smile and walked out. His disappearance was followed
by the apparition of the clerk, a foxy creature who flitted through the
battling hordes in search of prey.

Three men who had not paid dues were caught and summoned. A fourth was
scented, followed, outflanked, his retreat towards the door cut off, and
finally captured behind the stove. About that time, the revolution
assuming an acute form, howls rose for "Jules!"

Jules came, umpired two fights with a sad resignation in his big brown
eyes, shook hands with everybody and melted away in the throng, leaving an
atmosphere of peace and good-will. The lions sat down with the lambs, the
massiers marked the best places for themselves and friends, and, mounting
the model stands, opened the roll-calls.

The word was passed, "They begin with C this week."

They did.

"Clisson!"

Clisson jumped like a flash and marked his name on the floor in chalk
before a front seat.

"Caron!"

Caron galloped away to secure his place. Bang! went an easel. "_Nom de
Dieu_!" in French,--"Where in h--l are you goin'!" in English. Crash! a
paintbox fell with brushes and all on board. "_Dieu de Dieu de_--" spat! A
blow, a short rush, a clinch and scuffle, and the voice of the massier,
stern and reproachful:

"Cochon!"

Then the roll-call was resumed.

"Clifford!"

The massier paused and looked up, one finger between the leaves of the
ledger.

"Clifford!"

Clifford was not there. He was about three miles away in a direct line and
every instant increased the distance. Not that he was walking fast,--on
the contrary, he was strolling with that leisurely gait peculiar to
himself. Elliott was beside him and two bulldogs covered the rear. Elliott
was reading the "Gil Blas," from which he seemed to extract amusement, but
deeming boisterous mirth unsuitable to Clifford's state of mind, subdued
his amusement to a series of discreet smiles. The latter, moodily aware of
this, said nothing, but leading the way into the Luxembourg Gardens
installed himself upon a bench by the northern terrace and surveyed the
landscape with disfavour. Elliott, according to the Luxembourg
regulations, tied the two dogs and then, with an interrogative glance
toward his friend, resumed the "Gil Blas" and the discreet smiles.

The day was perfect. The sun hung over Notre Dame, setting the city in a
glitter. The tender foliage of the chestnuts cast a shadow over the
terrace and flecked the paths and walks with tracery so blue that Clifford
might here have found encouragement for his violent "impressions" had he
but looked; but as usual in this period of his career, his thoughts were
anywhere except in his profession. Around about, the sparrows quarrelled
and chattered their courtship songs, the big rosy pigeons sailed from tree
to tree, the flies whirled in the sunbeams and the flowers exhaled a
thousand perfumes which stirred Clifford with languorous wistfulness.
Under this influence he spoke.

"Elliott, you are a true friend--"

"You make me ill," replied the latter, folding his paper. "It's just as I
thought,--you are tagging after some new petticoat again. And," he
continued wrathfully, "if this is what you've kept me away from Julian's
for,--if it's to fill me up with the perfections of some little idiot--"

"Not idiot," remonstrated Clifford gently.

"See here," cried Elliott, "have you the nerve to try to tell me that you
are in love again?"

"Again?"

"Yes, again and again and again and--by George have you?"

"This," observed Clifford sadly, "is serious."

For a moment Elliott would have laid hands on him, then he laughed from
sheer helplessness. "Oh, go on, go on; let's see, there's Clémence and
Marie Tellec and Cosette and Fifine, Colette, Marie Verdier--"

"All of whom are charming, most charming, but I never was serious--"

"So help me, Moses," said Elliott, solemnly, "each and every one of those
named have separately and in turn torn your heart with anguish and have
also made me lose my place at Julian's in this same manner; each and every
one, separately and in turn. Do you deny it?"

"What you say may be founded on facts--in a way--but give me the credit of
being faithful to one at a time--"

"Until the next came along."

"But this,--this is really very different. Elliott, believe me, I am all
broken up."

Then there being nothing else to do, Elliott gnashed his teeth and
listened.

"It's--it's Rue Barrée."

"Well," observed Elliott, with scorn, "if you are moping and moaning over
_that_ girl,--the girl who has given you and myself every reason to wish
that the ground would open and engulf us,--well, go on!"

"I'm going on,--I don't care; timidity has fled--"

"Yes, your native timidity."

"I'm desperate, Elliott. Am I in love? Never, never did I feel so d--n
miserable. I can't sleep; honestly, I'm incapable of eating properly."

"Same symptoms noticed in the case of Colette."

"Listen, will you?"

"Hold on a moment, I know the rest by heart. Now let me ask you something.
Is it your belief that Rue Barrée is a pure girl?"

"Yes," said Clifford, turning red.

"Do you love her,--not as you dangle and tiptoe after every pretty
inanity--I mean, do you honestly love her?"

"Yes," said the other doggedly, "I would--"

"Hold on a moment; would you marry her?"

Clifford turned scarlet. "Yes," he muttered.

"Pleasant news for your family," growled Elliott in suppressed fury.
"'Dear father, I have just married a charming grisette whom I'm sure
you'll welcome with open arms, in company with her mother, a most
estimable and cleanly washlady.' Good heavens! This seems to have gone a
little further than the rest. Thank your stars, young man, that my head is
level enough for us both. Still, in this case, I have no fear. Rue Barrée
sat on your aspirations in a manner unmistakably final."

"Rue Barrée," began Clifford, drawing himself up, but he suddenly ceased,
for there where the dappled sunlight glowed in spots of gold, along the
sun-flecked path, tripped Rue Barrée. Her gown was spotless, and her big
straw hat, tipped a little from the white forehead, threw a shadow across
her eyes.

Elliott stood up and bowed. Clifford removed his head-covering with an air
so plaintive, so appealing, so utterly humble that Rue Barrée smiled.

The smile was delicious and when Clifford, incapable of sustaining himself
on his legs from sheer astonishment, toppled slightly, she smiled again in
spite of herself. A few moments later she took a chair on the terrace and
drawing a book from her music-roll, turned the pages, found the place, and
then placing it open downwards in her lap, sighed a little, smiled a
little, and looked out over the city. She had entirely forgotten Foxhall
Clifford.

After a while she took up her book again, but instead of reading began to
adjust a rose in her corsage. The rose was big and red. It glowed like
fire there over her heart, and like fire it warmed her heart, now
fluttering under the silken petals. Rue Barrée sighed again. She was very
happy. The sky was so blue, the air so soft and perfumed, the sunshine so
caressing, and her heart sang within her, sang to the rose in her breast.
This is what it sang: "Out of the throng of passers-by, out of the world
of yesterday, out of the millions passing, one has turned aside to me."

So her heart sang under his rose on her breast. Then two big
mouse-coloured pigeons came whistling by and alighted on the terrace,
where they bowed and strutted and bobbed and turned until Rue Barrée
laughed in delight, and looking up beheld Clifford before her. His hat was
in his hand and his face was wreathed in a series of appealing smiles
which would have touched the heart of a Bengal tiger.

For an instant Rue Barrée frowned, then she looked curiously at Clifford,
then when she saw the resemblance between his bows and the bobbing
pigeons, in spite of herself, her lips parted in the most bewitching
laugh. Was this Rue Barrée? So changed, so changed that she did not know
herself; but oh! that song in her heart which drowned all else, which
trembled on her lips, struggling for utterance, which rippled forth in a
laugh at nothing,--at a strutting pigeon,--and Mr. Clifford.

"And you think, because I return the salute of the students in the
Quarter, that you may be received in particular as a friend? I do not know
you, Monsieur, but vanity is man's other name;--be content, Monsieur
Vanity, I shall be punctilious--oh, most punctilious in returning your
salute."

"But I beg--I implore you to let me render you that homage which has so
long--"

"Oh dear; I don't care for homage."

"Let me only be permitted to speak to you now and then,--occasionally--very
occasionally."

"And if _you_, why not another?"

"Not at all,--I will be discretion itself."

"Discretion--why?"

Her eyes were very clear, and Clifford winced for a moment, but only for a
moment. Then the devil of recklessness seizing him, he sat down and
offered himself, soul and body, goods and chattels. And all the time he
knew he was a fool and that infatuation is not love, and that each word he
uttered bound him in honour from which there was no escape. And all the
time Elliott was scowling down on the fountain plaza and savagely checking
both bulldogs from their desire to rush to Clifford's rescue,--for even
they felt there was something wrong, as Elliott stormed within himself and
growled maledictions.

When Clifford finished, he finished in a glow of excitement, but Rue
Barrée's response was long in coming and his ardour cooled while the
situation slowly assumed its just proportions. Then regret began to creep
in, but he put that aside and broke out again in protestations. At the
first word Rue Barrée checked him.

"I thank you," she said, speaking very gravely. "No man has ever before
offered me marriage." She turned and looked out over the city. After a
while she spoke again. "You offer me a great deal. I am alone, I have
nothing, I am nothing." She turned again and looked at Paris, brilliant,
fair, in the sunshine of a perfect day. He followed her eyes.

"Oh," she murmured, "it is hard,--hard to work always--always alone with
never a friend you can have in honour, and the love that is offered means
the streets, the boulevard--when passion is dead. I know it,--_we_ know
it,--we others who have nothing,--have no one, and who give ourselves,
unquestioning--when we love,--yes, unquestioning--heart and soul, knowing
the end."

She touched the rose at her breast. For a moment she seemed to forget him,
then quietly--"I thank you, I am very grateful." She opened the book and,
plucking a petal from the rose, dropped it between the leaves. Then
looking up she said gently, "I cannot accept."




V

It took Clifford a month to entirely recover, although at the end of the
first week he was pronounced convalescent by Elliott, who was an
authority, and his convalescence was aided by the cordiality with which
Rue Barrée acknowledged his solemn salutes. Forty times a day he blessed
Rue Barrée for her refusal, and thanked his lucky stars, and at the same
time, oh, wondrous heart of ours!--he suffered the tortures of the
blighted.

Elliott was annoyed, partly by Clifford's reticence, partly by the
unexplainable thaw in the frigidity of Rue Barrée. At their frequent
encounters, when she, tripping along the rue de Seine, with music-roll and
big straw hat would pass Clifford and his familiars steering an easterly
course to the Café Vachette, and at the respectful uncovering of the band
would colour and smile at Clifford, Elliott's slumbering suspicions awoke.
But he never found out anything, and finally gave it up as beyond his
comprehension, merely qualifying Clifford as an idiot and reserving his
opinion of Rue Barrée. And all this time Selby was jealous. At first he
refused to acknowledge it to himself, and cut the studio for a day in the
country, but the woods and fields of course aggravated his case, and the
brooks babbled of Rue Barrée and the mowers calling to each other across
the meadow ended in a quavering "Rue Bar-rée-e!" That day spent in the
country made him angry for a week, and he worked sulkily at Julian's, all
the time tormented by a desire to know where Clifford was and what he
might be doing. This culminated in an erratic stroll on Sunday which ended
at the flower-market on the Pont au Change, began again, was gloomily
extended to the morgue, and again ended at the marble bridge. It would
never do, and Selby felt it, so he went to see Clifford, who was
convalescing on mint juleps in his garden.

They sat down together and discussed morals and human happiness, and each
found the other most entertaining, only Selby failed to pump Clifford, to
the other's unfeigned amusement. But the juleps spread balm on the sting
of jealousy, and trickled hope to the blighted, and when Selby said he
must go, Clifford went too, and when Selby, not to be outdone, insisted on
accompanying Clifford back to his door, Clifford determined to see Selby
back half way, and then finding it hard to part, they decided to dine
together and "flit." To flit, a verb applied to Clifford's nocturnal
prowls, expressed, perhaps, as well as anything, the gaiety proposed.
Dinner was ordered at Mignon's, and while Selby interviewed the chef,
Clifford kept a fatherly eye on the butler. The dinner was a success, or
was of the sort generally termed a success. Toward the dessert Selby heard
some one say as at a great distance, "Kid Selby, drunk as a lord."

A group of men passed near them; it seemed to him that he shook hands and
laughed a great deal, and that everybody was very witty. There was
Clifford opposite swearing undying confidence in his chum Selby, and there
seemed to be others there, either seated beside them or continually
passing with the swish of skirts on the polished floor. The perfume of
roses, the rustle of fans, the touch of rounded arms and the laughter grew
vaguer and vaguer. The room seemed enveloped in mist. Then, all in a
moment each object stood out painfully distinct, only forms and visages
were distorted and voices piercing. He drew himself up, calm, grave, for
the moment master of himself, but very drunk. He knew he was drunk, and
was as guarded and alert, as keenly suspicious of himself as he would have
been of a thief at his elbow. His self-command enabled Clifford to hold
his head safely under some running water, and repair to the street
considerably the worse for wear, but never suspecting that his companion
was drunk. For a time he kept his self-command. His face was only a bit
paler, a bit tighter than usual; he was only a trifle slower and more
fastidious in his speech. It was midnight when he left Clifford peacefully
slumbering in somebody's arm-chair, with a long suede glove dangling in
his hand and a plumy boa twisted about his neck to protect his throat from
drafts. He walked through the hall and down the stairs, and found himself
on the sidewalk in a quarter he did not know. Mechanically he looked up at
the name of the street. The name was not familiar. He turned and steered
his course toward some lights clustered at the end of the street. They
proved farther away than he had anticipated, and after a long quest he
came to the conclusion that his eyes had been mysteriously removed from
their proper places and had been reset on either side of his head like
those of a bird. It grieved him to think of the inconvenience this
transformation might occasion him, and he attempted to cock up his head,
hen-like, to test the mobility of his neck. Then an immense despair stole
over him,--tears gathered in the tear-ducts, his heart melted, and he
collided with a tree. This shocked him into comprehension; he stifled the
violent tenderness in his breast, picked up his hat and moved on more
briskly. His mouth was white and drawn, his teeth tightly clinched. He
held his course pretty well and strayed but little, and after an
apparently interminable length of time found himself passing a line of
cabs. The brilliant lamps, red, yellow, and green annoyed him, and he felt
it might be pleasant to demolish them with his cane, but mastering this
impulse he passed on. Later an idea struck him that it would save fatigue
to take a cab, and he started back with that intention, but the cabs
seemed already so far away and the lanterns were so bright and confusing
that he gave it up, and pulling himself together looked around.

A shadow, a mass, huge, undefined, rose to his right. He recognized the
Arc de Triomphe and gravely shook his cane at it. Its size annoyed him. He
felt it was too big. Then he heard something fall clattering to the
pavement and thought probably it was his cane but it didn't much matter.
When he had mastered himself and regained control of his right leg, which
betrayed symptoms of insubordination, he found himself traversing the
Place de la Concorde at a pace which threatened to land him at the
Madeleine. This would never do. He turned sharply to the right and
crossing the bridge passed the Palais Bourbon at a trot and wheeled into
the Boulevard St. Germain. He got on well enough although the size of the
War Office struck him as a personal insult, and he missed his cane, which
it would have been pleasant to drag along the iron railings as he passed.
It occurred to him, however, to substitute his hat, but when he found it
he forgot what he wanted it for and replaced it upon his head with
gravity. Then he was obliged to battle with a violent inclination to sit
down and weep. This lasted until he came to the rue de Rennes, but there
he became absorbed in contemplating the dragon on the balcony overhanging
the Cour du Dragon, and time slipped away until he remembered vaguely that
he had no business there, and marched off again. It was slow work. The
inclination to sit down and weep had given place to a desire for solitary
and deep reflection. Here his right leg forgot its obedience and attacking
the left, outflanked it and brought him up against a wooden board which
seemed to bar his path. He tried to walk around it, but found the street
closed. He tried to push it over, and found he couldn't. Then he noticed a
red lantern standing on a pile of paving-stones inside the barrier. This
was pleasant. How was he to get home if the boulevard was blocked? But he
was not on the boulevard. His treacherous right leg had beguiled him into
a detour, for there, behind him lay the boulevard with its endless line of
lamps,--and here, what was this narrow dilapidated street piled up with
earth and mortar and heaps of stone? He looked up. Written in staring
black letters on the barrier was

RUE BARRÉE.

He sat down. Two policemen whom he knew came by and advised him to get up,
but he argued the question from a standpoint of personal taste, and they
passed on, laughing. For he was at that moment absorbed in a problem. It
was, how to see Rue Barrée. She was somewhere or other in that big house
with the iron balconies, and the door was locked, but what of that? The
simple idea struck him to shout until she came. This idea was replaced by
another equally lucid,--to hammer on the door until she came; but finally
rejecting both of these as too uncertain, he decided to climb into the
balcony, and opening a window politely inquire for Rue Barrée. There was
but one lighted window in the house that he could see. It was on the
second floor, and toward this he cast his eyes. Then mounting the wooden
barrier and clambering over the piles of stones, he reached the sidewalk
and looked up at the façade for a foothold. It seemed impossible. But a
sudden fury seized him, a blind, drunken obstinacy, and the blood rushed
to his head, leaping, beating in his ears like the dull thunder of an
ocean. He set his teeth, and springing at a window-sill, dragged himself
up and hung to the iron bars. Then reason fled; there surged in his brain
the sound of many voices, his heart leaped up beating a mad tattoo, and
gripping at cornice and ledge he worked his way along the façade, clung to
pipes and shutters, and dragged himself up, over and into the balcony by
the lighted window. His hat fell off and rolled against the pane. For a
moment he leaned breathless against the railing--then the window was
slowly opened from within.

They stared at each other for some time. Presently the girl took two
unsteady steps back into the room. He saw her face,--all crimsoned
now,--he saw her sink into a chair by the lamplit table, and without a
word he followed her into the room, closing the big door-like panes behind
him. Then they looked at each other in silence.

The room was small and white; everything was white about it,--the
curtained bed, the little wash-stand in the corner, the bare walls, the
china lamp,--and his own face,--had he known it, but the face and neck of
Rue were surging in the colour that dyed the blossoming rose-tree there on
the hearth beside her. It did not occur to him to speak. She seemed not to
expect it. His mind was struggling with the impressions of the room. The
whiteness, the extreme purity of everything occupied him--began to trouble
him. As his eye became accustomed to the light, other objects grew from
the surroundings and took their places in the circle of lamplight. There
was a piano and a coal-scuttle and a little iron trunk and a bath-tub.
Then there was a row of wooden pegs against the door, with a white chintz
curtain covering the clothes underneath. On the bed lay an umbrella and a
big straw hat, and on the table, a music-roll unfurled, an ink-stand, and
sheets of ruled paper. Behind him stood a wardrobe faced with a mirror,
but somehow he did not care to see his own face just then. He was
sobering.

The girl sat looking at him without a word. Her face was expressionless,
yet the lips at times trembled almost imperceptibly. Her eyes, so
wonderfully blue in the daylight, seemed dark and soft as velvet, and the
colour on her neck deepened and whitened with every breath. She seemed
smaller and more slender than when he had seen her in the street, and
there was now something in the curve of her cheek almost infantine. When
at last he turned and caught his own reflection in the mirror behind him,
a shock passed through him as though he had seen a shameful thing, and his
clouded mind and his clouded thoughts grew clearer. For a moment their
eyes met then his sought the floor, his lips tightened, and the struggle
within him bowed his head and strained every nerve to the breaking. And
now it was over, for the voice within had spoken. He listened, dully
interested but already knowing the end,--indeed it little mattered;--the
end would always be the same for him;--he understood now--always the same
for him, and he listened, dully interested, to a voice which grew within
him. After a while he stood up, and she rose at once, one small hand
resting on the table. Presently he opened the window, picked up his hat,
and shut it again. Then he went over to the rosebush and touched the
blossoms with his face. One was standing in a glass of water on the table
and mechanically the girl drew it out, pressed it with her lips and laid
it on the table beside him. He took it without a word and crossing the
room, opened the door. The landing was dark and silent, but the girl
lifted the lamp and gliding past him slipped down the polished stairs to
the hallway. Then unchaining the bolts, she drew open the iron wicket.

Through this he passed with his rose.










End of Project Gutenberg's The King in Yellow, by Robert W. Chambers

*** END OF THIS PROJECT GUTENBERG EBOOK THE KING IN YELLOW ***

***** This file should be named 8492-8.txt or 8492-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/8/4/9/8492/

Produced by Suzanne Shell, Beth Trapaga, Charles Franks,
and the Online Distributed Proofreading Team


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.